1. (c.) Psychoanalytic Criticism Psychoanalytic Criticism was first mooted by the Austrian neurologist Sigmund Freud. It deals with the mind of the author at the time of writing hence the “psycho” aspect of it. The text is seen as a dream and the readers unravel the mysteries of the dram as they read and endeavor to gain understanding of the text. In this theory‚ the author’s mind‚ the impact of the text on the reader and the third character are of paramount importance. This theory came from psychology
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The Purpose of Criticism: Literary criticism has at least three primary purposes. (1) To help us resolve a difficulty in the reading. The historical approach‚ for instance‚ might be helpful in addressing a problem in Thomas Otway’s play Venice Preserv’d. Why are the conspirators‚ despite the horrible‚ bloody details of their obviously brutish plan‚ portrayed in a sympathetic light? If we look at the author and his time‚ we see that he was a Tory whose play was performed in the wake of the Popish
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BIOGRAPHICAL CRITICISM Biographical criticism begins with the simple but central insight that literature is written by actual people and that understanding an author’s life can help readers more thoroughly comprehend the work. Anyone who reads the biography of a writer quickly sees how much an author’s experience shapes—both directly and indirectly—what he or she creates. Reading that biography will also change (and usually deepen) our response to the work. Sometimes even knowing a single important
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significance because of the writer’s life? 3. What were the writer’s intentions (be very careful answering this question)? Who was the writer’s audience? 4. Is this work representative of this writer’s artistic development? Atypical? C. Social Criticism 1. What is the social situation the work describes? Does the work reveal anything about the culture in which it is set? (consider food/eating‚ clothing‚ religion‚ work/economy‚ class/social structure‚ housing/architecture‚ tools/utensils‚ arts/recreation
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Raef Sengupta 2 English H‚ 7 Georgantas 4/17/13 Literary Criticism of Lord of the Flies This article was very interesting in that it embraced the idea that perhaps authority figures should not be authority figures‚ maybe everyone needs to work together. I agree with their conclusion that a balance needs to be formed‚ this is nearly my view on this matter. First a look needs to be taken at the roles of authority figures and what they really do. Authority figures exist because people need some
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Jeremy Jeon Mrs. Rowe English 1H 17 August 2013 The literature is a criticism of life. Arnold is correct in says that literature is a criticism of life because personally I think that it is simply a portrayal of life’s situations. Also I think that Literature is often a mirror for what is going on in society and a vehicle to change that which we don’t like. Many books today use their pages to put forth social commentary. They reflect the issues of the time‚ including
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Grace Lear Ms. Joan Richmond English 2261 17 Feb. 2013 New Criticism: A Focused Summary New criticism is a type of literary theory that focuses on the close reading of literature and how the literature functions as the object it’s meant to be. No external influences are to be taken into consideration‚ strictly the writing itself. This movement emphasizes the text in literature and explains the writers meaning to the reader. The author’s intention‚ excluding historical and cultural context
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Literature: A Criticism of Life Literature does not simply add to reality‚ but describes it. Matthew Arnold’s statement about literature being a “criticism of life” is right because literature teaches it talks about problems that the world faces daily‚ good moral lessons through criticism‚ and it shows the author commentary on things. Literature is used to express people’s feelings and thoughts. In some literature‚ it can be used to show what authors critique in this world‚ being either good or
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New criticism approaches - FOUZIA LAKHMOR - G3 - S4 - ON : 530 New Criticism A literary movement that started in the late 1920s and 1930s and originated in reaction to traditional criticism that new critics saw as largely concerned with matters extraneous to the text‚ e.g.‚
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The New Criticism and Formalist Analysis 09/12/2012 Methodology #1 The New Criticism and Formalist Analysis In the new criticism and formalist analysis the author is portraying a point as to which in todays day and age no matter what we read whether is may be a poem‚ short story‚ novel‚ etc. we as humans are already making valued and momentous distinctions. The author also presents that us as critics today have self-awareness in the use of language and a clear comprehension of the backgrounds
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