"Ice princess" Essays and Research Papers

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    Norovirus on Cruise Ships

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    84%) | 17 of 927 (2.05%) | Princess Cruises | Ruby Princess | 03/03 - 03/10 | 266 of 3129 (8.50%) | 10 of 1‚189 (0.84%) | Royal Caribbean Cruise Line | Vision of the Seas | 02/25 - 03/08 | 118 of 1991 (5.93%) | 3 of 765 (0.39%) | 2012 | Cruise Line | Cruise Ship | Date | Number of Passengers Affected | Number of Crew Affected | Cunard Line | Queen Mary 2 | 12/22 - 01/03 | 204 of 2‚613 (7.81%) | 16 of 1‚255 (1.27%) | Princess Cruises | Emerald Princess | 12/17 - 12/27 | 189 of 3235

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    mental impact brought upon the younger generations by princess-themed toys. The writer‚ Peggy Orenstein‚ is a self-proclaimed feminist who writes for New York Times and many other prominent publications. The writer claims that the princess-themed commercial products have distressing effects in shaping young female generations’ outlooks as well as their personalities. However‚ in my opinion‚ the reality is not as worrying as she claims. These princess-themed products are merely the young generations’

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    In the Princess Bride pages 142-147 many things happen. It starts off in Toledo‚ Arabella with Inigo and his father Domingo. His father Domingo is the best swordmaker never known. Yeste‚ Domingo’s great friend‚ is the one known for making swords. Yeste was a good sword maker but he wasn’t the best. Domingo was. Whenever Yeste would get a job that was too difficult for him to complete he would go to Domingo‚ but no one would know that Domingo was truly the one who made the sword. The word got out

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    in Disney Princess movies and how they affect young children‚ from the perspective of a psychology graduate. Katie Lopreore‚ the psychology graduate from Middle Tennessee State University‚ writes about how the influences of the Disney Princess films shape children through their gendered characteristics‚ in her journal Gender roles portrayals of modern Disney royalty: stereotypical or androgynous? Lopreore starts off with an evaluation on how many children are exposed to the Disney Princess culture

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    Emily Ferrell Jamie Peterson College Writing 11011-034 15 March 2013 The Disney princess movies are American classics. Like them or hate them‚ fairytales are common knowledge in America. Why is it so important that Disney drills viewer’s heads with these fairytales‚ specifically young girls? While all of the Disney princesses offer viwers obvious good morals and life lessons‚ there are underlying messages in each innocent tale. America is attempting to shape the female youth with their friendly

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    Shrek Parody

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    a quest was given to Shrek. The quest was for Shrek to go rescue princess Fiona in order for Shrek to get his property back. 3) The donkey is Shrek’s helper and becomes known right away. Shrek and donkeys relationship started of rocky. Donkey had no friends and it became apparent why he did not. Donkey started insulting Shrek’s breath‚ his home‚ and his clothes. Shrek was accompanied by Donkey anyway on his quest to save the princess.

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    student

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    clerk greeted her with “Hi‚ Princess”; ignored the waitress at our local breakfast joint who called the funny-face pancakes she ordered her “princess meal”; made no comment when the lady at Longs Drugs said‚ “I bet I know your favorite color” and handed her a pink balloon rather than letting her choose for herself. Maybe it was the dentist’s Betty Boop inflection that got to me‚ but when she pointed to the exam chair and said‚ “Would you like to sit in my special princess throne so I can sparkle your

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    have personalities of their own that are worth exploring. EVOLVING DISNEY PRINCESSES. Snow White was made into a movie in 1937 by the Walt Disney Company‚ after a remake of the popular Grimm Brothers fairytale. Make Snow White into a beautiful princess and turn the movie into a musical for entertainment value. Feminist response Snow White came out after fighting for women‘s suffrage and helping with World War I efforts. Feminists feel that Snow White‘s only goal is for marriage and love‚ and

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    that the Disney princesses have regressed. On the other hand‚ Libe Zarranz‚ author of Diswomen Strike Back? The Evolution of Disney’s Femmes in the 1990s‚ and Rebecca Do Rozario‚ author of The Princess and the Magic Kingdom: Beyond Nostalgia‚ The Function of the Disney Princess‚ believe that the Disney princess has progressed. Another aspect of Disney’s movies that catches the eyes of critics is the moral simplification in the films. They believe that the morals from the original fairy tales are being

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    have watched the so called‚ Disney princess movies‚ lies somewhere between self-centered and bratty. In the short story “Smurfette Principle‚” by Katha Pollitt‚ she covers the idea that in entertainment‚ girls only exist in relation to a group of boys (545). I think she slightly overlooks entertainment’s influence on girls. So even though Pollitt gives reasonable examples of sexism in entertainment‚ she falls short to explore an important factor; which is‚ princess movies can have a negative lasting

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