Freudian psychology theories‚ specifically through the character of Iago. Iago is a character who shows typical characteristics of a psychopath. Iago’s behaviour and intentions can be explained through modern Freudian psychology‚ and emphasised through the critical writings of Samuel Taylor Coleridge and Fred West‚ who‚ respectively‚ argued Iago’s “motiveless malignity” and Shakespeare’s “profound and accurate portrayal of a psychopath in Iago”. Through this report‚ I will discuss how Freudian psychology
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The Tragedy of Othello - Focus on Act III Scene iii Shakespearian tragedy explores the notion that humans are “inevitably doomed through their own failures or errors”. In the Tragedy of Othello‚ the central motif of jealousy and mistrust are the weaknesses that cause the inevitable destruction of the hero. Othello’s feelings of worthlessness as a “Moor” despite his rank and Desdemona’s love are heightened and masterfully exploited by Iago. Ironically‚ jealously over misplaced trust ignites Iago’s
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-- OTHELLO ACT I Iago‚ of the epic "Othello"‚ is a very cultured and competent villain; so much that one could say Iago is the most fearsome villain in all of Shakespeare. Iago has no remorse or sympathy for his actions or the consequences they entail. Othello‚ the Moor which Iago’s crosshairs have set aim on‚ is a veteran of the Venetian Cyprus Wars as well as other battlefields which have given him unparalleled credit as a soldier. Othello has promoted Cassio to a position that Iago saught after;
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more than one revenge plots occurring within it. The Dominating one is of Hamlet and his desire to avenge his Father by killing his uncle. Throughout the play we see Hamlet in ideal situations to carry out his revenge‚ but choosing not to do so. In Act III Scene II we see Hamlet using the play that has been set up to try to test the innocence of his Uncle and king by gauging his reaction to a staging of the events of how he supposedly murdered Hamlets father. In this scene we see the so called
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Literature May 8th 2012 Iago the Antagonist Usually in any story or a lot of stories there is an antagonist who plays an important role that may sometimes be mischievous or compelling to act against another character or characters. In the play “Othello”‚ Iago ends up being a very witty antagonist who entraps many characters into his games of winning the love of Desdemona. He works against Othello by attempting to destroy him mentally‚ since Othello isn’t that wise. As Iago says‚ “I follow him to
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What is established in Act 1? Hamlet‚ composed in the 1600s is one of William Shakespeare’s most remarkable and memorable plays. Hamlet was said to be based on the death of one his twin sons Hamnet and the death of his father. Hamlet’s grief for the sudden death of his father is key component in the play following the questions of monarchy‚ murder‚ madness and suicide. Hamlet‚ Act 1‚ Scene 1‚ outlines the current state of Denmark and supernatural events that unravel leading to Hamlet’s plot for
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the antagonist Iago manipulates other characters. He makes them act in ways that benefits his plan of destroying Othello by making him believe that his wife‚ Desdemona‚ is having an affair with his lieutenant‚ Michael Cassio. In the beginning of the play‚ Roderigo who is in love with Othello’s wife‚ Desdemona‚ comes to Iago for help. Iago manipulates Roderigo by promising him Desdemona’s attention and love if he “put money in thy purse‚” as Iago says. Roderigo gives money to Iago in the mistaken
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In Shakespeare’s play Othello‚ Iago achieves great power through his ability to manipulate others‚ reveals that people have become more trusting of each other. Iago uses his ability to manipulate people in order to get Othello to believe in what he is saying. Since Iago is the character in which Othello trusts the most‚ Iago must convince him that he is in fact worthy and trusting. Using honesty‚ loyalty‚ and Rodrigo’s love for Desdemona Iago is able to manipulate everybody.
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Throughout act 3 scene 3 Iago’s manipulation through the power of language gradually destroys Othello’s sanity and takes control over his full mental and emotional state. He does this by using his skills an orator to create an illusion that Desdemona is ‘directly in love’ with Cassio‚ thus attacking his emotional vulnerability. Iago advances his attack on Othello due to his opportunistic behaviour and gradually destroys his dignity‚ putting him into an uncontrollable rage. At the beginning‚ we
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How all occasions do inform against me‚/ And spur my dull revenge! What is a man/ If his chief good and market of his time/ Be but to sleep and feed? A beast‚ no more./ Sure‚ he that made us with such large discourse‚/ Looking before and after‚ gave us not/ That capability and godlike reason/ To fust in us unused. Now‚ whether it be/ Bestial oblivion‚ or some craven scruple / Of thinking too precisely on th’ event—/ A thought which‚ quartered‚ hath but one part wisdom/ And ever three parts coward—I
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