Bernarda Alba conveys an array of distinctive characteristics‚ however it is her stubborn conservative nature that enables the illustration of the oppression of women created by equivocal Spanish traditions in Lorca’s dramatic play‚ House of Bernarda Alba. The character of Bernarda becomes acquainted with readers through the method of indirect presentation as Lorca gives the reader no analysis or exposition regarding her. Essentially‚ Bernarda’s eccentric traits are thrust upon the reader by means
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he is a blackmailer. When inconvenient‚ he is converted‚" I believe he had entirely missed the point of his character in A Doll House. Krogstad’s characterization is a flagship example of the way Henrik Ibsen wrote all the characters in the play: representations of man’s true multifaceted nature. On the surface the reader makes quick judgement about the content of the roles’ characters; Nora‚ ditzy; Torvald‚ loving; Linde‚ reliable; and Krogstad‚ evil. It is not merely a convenience to the plot
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VIVANTS FOR MEN Edith Wharton’s “The House of Mirth” provides the reader with an insight into the upper-class society of New York City in the late 1800’s. The novel also extensively explores the ideas of hierarchy‚ social class‚ and gender roles through the characters. Wharton’s depiction of these characters helps in making the book more entertaining to the reader‚ especially the male characters. The male characters have a broad range of personalities‚ but the character of Simon Rosedale is the most intriguing
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his mother was stung by a scorpion. Ten hours of incessant rain had forced the scorpion to seek refuge in the poet’s house (rain water must have flooded its hiding place in the open) It sought refuge under a bag of rice and stung the poet’s mother when she went into that room. The viciously wicked creature poured its poison into her in a flash of its devilish tail and ventured out into the rain. On hearing of the unfortunate incident‚ the peasants rushed to the poet’s house with lighted candles and
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“You’re in the Dog House Now” Cast: Owner of a poodle named Lacey (Samantha) ………………………..................Christine Petrakis Owner of a pit-bull named Max (Jillian) …….................................................Kaitlin Montgomery Character Description: • Samantha is getting close to the age of forty as she is a thirty-seven year old woman‚ who has a poodle named Lacey. In the past‚ Samantha would always bring Lacey to a beach called ‘Sugar Beach’‚ but their memories of lying in the sand‚ soon
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novel‚ The House on Mango Street‚ Sandra Cisneros’s narrator‚ Esperanza‚ gradually learns there is no real correlation between a physical structure and a home; rather a home is made from things such as love‚ family‚ culture‚ tradition‚ and memories‚ not bricks and mortar. The opening vignette of Cisneros’s novel‚ introduces the reader to Esperanza’s intense feeling of displacement. Throughout the book‚ she feels as though she has no place to call her home. Although they have a house‚ she is embarrassed
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Pompeian houses. What do they each tell us about the status of their owners? Within Pompeii‚ the size and decorative aspects of someone’s home explained a lot about their monetary wealth and what sort of social status they upheld. People who had money and good social status would decorate their homes with High Greek culture for example myths and mosaics of Greek heroes. Whereas people from a lower class‚ tended to use less grandeur within the decorative style of their homes. The houses that I shall
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House to House by David Bellavia (Bell) is a personal memoir of his experiences during the Iraq war. The book follows Bell and his men on their mission to clear opposing forces out of buildings in Fallujah‚ which was the most dangerous city for armed forces in Iraq. While following through with the task they faced staggering opposition and at times overwhelming odds. In order to survive this suicide mission Bell and his men transition from average men to machines that are programmed to survive at
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“Bernarda’s house serves on a number of levels as the central image in the play. How does Lorca use the house to convey his ideas?” In order to arrive at the central idea in Federico Garcia’s last play‚ “House of Bernarda Alba”‚ the title is the first factor to be reflected on. Lorca has not presumably named the play “Bernarda Alba”‚ or “Day of Bernarda Alba”. He had named the play “House of Bernarda Alba” because it will let the reader draw attention both to Bernarda’s ‘house’ in the sense of
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women of Spain and Norway were suppressed at the time the two plays A Doll’s House and The House of Bernarda Alba were written. Although this issue has improved in most countries‚ it still is occurring in some countries. This issue was portrayed in the themes of these two plays. Both A Doll’s House and The House of Bernarda Alba portray the suppression of women and their lack of freedom in different ways. In a Doll’s House‚ Nora has always appeared to be obedient to her father and her husband. However
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