Three reasons why the clown called it is my favorite movie. The first reason why the clown called it is my favorite movie is because it is a horror movie. Second reason why is because it has a clown in it (even though I hate clowns). And finally is because it is gruesome. Three reasons why this movie is scary to me. The first reason why the movie The Clown Called It is scary is because of the clown It. The second reason why is because its makeup is very uncomfortable. And Last but not least
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All that we have been saying about the voice remind us that the history of altered voices in films differs profoundly from the history of altered bodies. If you examine cases in recent films‚ you notice that the most striking and memorable examples are not those in which someone invented a brand new vocal texture or timbre‚ but in which a strong correlation has been created between the voice and the body‚ the voice and face. This is the relationship through which the terrifying effect is achieved
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Monsters are a large influential piece in today’s society‚ especially in the literary aspect. These so called evil creatures are frequently seen in movies‚ comics‚ novels‚ and even poems. Recently‚ the cinematic world has become obsessed with the idea of depicting these malicious creatures and people worldwide are steadily becoming infatuated with the thrill that comes with watching. The Banshee‚ one of the least popular monsters‚ has made several small appearances in literature and filmatic history
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When I was a kid there was so many things that scared me such as horror movies‚ clowns‚ spider‚ and other things. Every time Halloween came around I get this feeling where people would get killed going to others houses for candy or to the haunted house. Because many have died from these type of situations. That’s what scared me the most I have a fear of dying which a lot of people do. It’s the biggest thing that anyone would want to go through. I’ve had dreams about what might happen if I die like
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The second most suspenseful story I believe is The Monkey’s Paw. I believe this suspense story deserves the second place title because this story‚ much like The Tell-Tale Heart‚ paired fear and horror with the suspense. In The Monkey’s Paw‚ the author uses the fear of being buried alive‚ which I think is another interesting way to create dread in your reader‚ this helps the suspense flow a little smoother‚ because now your reader is worried and just has to know what happens to the character. I love
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painstaking journey and possible demise. One fairly recent example of true fear and bravery is‚ believe it or not‚ in a movie. The movie “It” (2017) portrays a metaphor on fear and bravery (spoiler warning). Although at first it just looks like another horror movie‚ the deep rabbit hole the metaphor has made “It” look like the masterpiece of this century. Instead of
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the thunder sounded louder and louder. I clutched my pillow closer and closer to my chest while the movie got scarier and scarier. The lady in the movie was alone too‚ just like me. She was sitting down watching cartoons‚ I was sitting down watching horror movies. We were both in a big house‚ all alone. Then “BOOM!” thunder struck. “BANG!” Something fell upstairs. I jumped out of my seat and stood still listening for
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ends up as a beautiful and cool trick that wows his partner‚ even though it have been times when a branch he stepped on broke. Of course it is the branch’s fault and not his own. One of his favorite things to do with his partner would be to watch horror movies together‚ especially if his partner
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Alfred Hitchcock’s powerful thriller‚ “Psycho” (1960) is a work of an auteur who builds suspense and horror through which the audience is skillfully positioned into identifying with different characters. Throughout the film‚ Hitchcock’s techniques voyeuristically implicate the audience to shift their sympathy between two main characters Marion Crane (Janet Leigh) and Norman Bates (Anthony Perkins). Hitchcock explores the nightmarish themes of madness‚ duality of characters‚ personal traps and voyeurism
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philosophy that in Sonnet 10‚ he instructs people not to fear death. He insults death‚ personifying it as a person who has a far greater reputation than he has earned. He tells death not to pride itself in its reputation of a "mighty and dreadful" horror even though regarded so by some‚ as it is nothing more than an extended sleep. He reduces death to a very low level‚ associating it with poison‚ war and sickness. He further insults it by commenting on how it does not operate with free will. It is
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