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    Homi Jehangir

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    Homi Jehangir Bhabha‚ FRS (30 October 1909 – 24 January 1966) was an Indian nuclear physicist who played a major role in the development of the Indian atomic energy program and is considered to be the father of India’s nuclear program. Bhabha was born into a prominent family‚ through which he was related to Dinshaw Maneckji Petit‚ Muhammad Ali Jinnah‚ Homi K Bhabha and Dorab Tata. After receiving his early education at Bombay schools and at the Royal Institute of Science‚ he attended Caius College ofCambridge

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    The discussion of Border experience can be illustrated by insights from Homi Bhabha ‘s The Location of Culture(1994) where key concepts such as The Third Space of Enunciations and Hybridity are highly relevant. For Bhabha‚ the “Third Space of enunciations” is “the precondition for the articulation of cultural difference” and it serves to create the “instability which presages powerful cultural changes” (Bhabha 56). These third space sites revolutionized the very idea of “purity” in the way it creates

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    Rachit Anand Professor Subarno Chattarji Department of English‚ University of Delhi 13-10-2013 A Critical Analysis of Homi K. Bhabha’s "How Newness Enters The World: Postmodern space‚ postcolonial times and the trials of cultural translation" The Indian theorist Homi K. Bhabha shifted the limelight from the binary1 of the colonizer and the colonized to the liminal spaces in-between in the domain of Postcolonial studies. In Difference‚ Discrimination‚ and the Discourse of Colonialism‚ he stated‚

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    Homi Bhabha

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    line so that you don’t become conscious of the fact that you are an inauthentic self. So to hide the inauthentic self‚ the colonial discourse manipulates interdictions in such a manner that you are not aware about your own inauthentic self. Why Bhabha is taking Freud ahead? the main child sees that his mother doesn’t have a penis‚ he suffers from a complex that he might just also lose his penis and his fear of losing the penis makes him act like a different person than her. So his desire to be

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    write. Reading and writing are methods of personal expression of and the obtaining of emotion and desire‚ academic thought and intellectual discourse‚ and life in general (and that is a limitless “general”). Writers such as Daniel Coleman and Homi K. Bhabha effectively demonstrate the importance of reading and writing: They are paramount qualities to our everyday lives in our society. Whether we are reading and writing to better and to expand ourselves‚ our minds and our own potential‚ we also affect

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    Bibliography: BhabhaHomi K.‚ “Introduction: Narrating a Nation”‚ in Nation and Narration‚ Homi K Bhabha (ed)‚ Routledge‚ London‚ 2006‚ pp. 1-7. Brown‚ Megan‚ “The Memoir as Provocation: A Case for ‘Me Studies’”‚ College Literature‚ West Chester University‚ vol. 37(3)‚ 2010‚ pp. 121-142. Bruss‚ Elizabeth W.‚

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    colonialism‚ for example South Asia in regards to Britain ’s colonialism. Subaltern studies are primarily focused on the masses as opposed to only one specific class of society. These definitions vary from the prospect of three theorists; Dipesh Chakrabarty‚ Homi Bhaba‚ and Ranajit Guha. Dipesh Chakrabarty in his article "Postcoloniality and the Artifice of History: Who Speaks for ’Indian ’ Pasts?" Mentions that this new awareness of subaltern studies can be proclaimed as the representation of Indians in

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    Subalterns

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    short Introduction. New York : Oxford University Press‚ 2003. 3. de Kock‚ Leon‚ "Interview with Gayatri Chakravorty Spivak : New Nation Writers Conference in South Africa." A Review of International English Literature. 23 (3) 1992 : 29-47. 4. BhabhaHomi K. "Unsatisfied : notes on Vernacular Cosmopolitanism". Text and Nation : Cross-Disciplinary Essays on Cultural and National Identities. Ed. Laura Garcia – Moreno and Peter C. Pfeiffer. Columbia‚ SC : Camden House‚ 1996 : 191-207. 5. Santos‚ Boaventura

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    Hostel

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    Delhi Technological UniversiTy (Formerly Delhi College of Engineering) Shahbad Daulatpur‚ Bawana Road‚ Delhi-110042 Contents )) From)the)Desk)of)The)Vice)Chancellor).......................................................................))1-2 )) Message)from)the)Chief)Warden)..............................................................................))3 )) UGC)Regulations)on)Curbing)the)Menace)of)Ragging) ) In)Higher)Educational)Institute‚)2009)................................................

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    Shahzia Sikander

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    style. To many‚ miniature paintings seemed somewhat restrictive because of the space present for the artists to express themselves and are also looked at as a “faded genre that had more to do with craft and technique than genuine expression”(Bhaha‚ Homi). But according to me‚ Sikander’s artwork successfully portrayed her thoughts and helped us gain knowledge about her culture. What attributes to making her paintings so acknowledged is the way her artwork embodies not only her culture but also “works

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