messages being conveyed through the art. Upon taking a first look of the album‚ the collage of papers depicting the artist seems simplistic‚ but in reality‚ a deeper look at the art reveals the portrayal of cultural ideologies‚ the impact of society on hip hop artists‚ and defiant identities. All of these themes presented on the album cover have an equal influence on the artist’s appeal to his audience and the representation of his identity on a larger scale. Ian Wright‚ the illustrator of the album
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African American hip hop culture gained popularity in the decades following the Civil Rights movement that ended in the 1960s. In today’s society‚ we refer to the music of the 1970s and 1980s as “old school” hip-hop. These songs are notable for the simple rapping techniques used as well as lyrics that primarily focus on party-related subjects. The song titled “The Message” by Grandmaster Flash and The Furious Five is an example of an old school hip hop song that strayed away from the typical party-related
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comprehensive essay written by Marcia Alesan Dawkins‚ provides a concrete‚ insightful examination of the strategy and tactics used by a Caucasian artist to integrate himself into the predominantly African-American and Latino dominated sub culture of hip-hop. The purpose of this document is to illuminate the methods utilized by what Dawkins calls the Other to seamlessly sneak into a racially charged social group and gain acceptance amongst its critics and audiences. This is someone who would otherwise
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“advertisers who felt that ‘black radio’ would not reach a wide enough audience” (Encyclopedia Britannica). Its sound is defined by rhythm-and-blues or soul artists with mass crossover appeal. Today‚ urban music tends to be a phrase referring to hip-hop‚ rhythm-and-blues‚ and soul genres. When urban music first populated American radio‚ it was mainly black artists. Now‚ with artists like Justin Timberlake‚ Nelly‚ Eminem‚ and Mariah Carey (all who I previously mentioned as pop/R&B artists)
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cities. Cities around the world‚ past and present‚ have behaviors that differ from the rural areas. In today’s modern world‚ urban culture refers to a city’s sense of fashion‚ music‚ and way of life. Types of modern urban culture are skateboarding‚ hip hop‚ and tattoo culture. As Gastman said‚ “Street culture knows no boundaries the world over. As it crosses the borders of urbanized centers‚ it begins to look a whole lot less like a set of fads or trends—and more and more like what it is: the essence
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BRAT Hip-hop is fast becoming the expressive manifestation of the past and the present medium by which African American and Latino-American express their views .Black women have less access to power‚ wealth and protection and have used sex as a means to gain that access. Today women in hip-hop define their own worth on what they can do by how much skin they show on TV. This presentation and subsequent paper is takes a critical look at two female hip-hop artists had how their images on hip-hop videos
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Amsterdam (2013) revolves around hip-hop and heritage. More specifically Native American heritage. Throughout‚ the reading Amsterdam‚ mentions Native rappers/hip-hop artist who have already started this movement. These artist vary in the content they rap about‚ but the purpose behind it is the same. The purpose is for young artist to use hip-hop is to have their voices heard‚ bring visibility and make an impact towards their future. For instance‚ Frank Waln uses hip-hop/rap to bring attention to the
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Nightmares”. The two artist are very similar yet very different. Kendrick is from Compton and is one of the most daring rappers of the day. He is changing the rap game of his home town. Meek Mill is from Philly and he is been one of the most exciting young hip-hop artist the past couple of years signed with Maybach Music Group under Rick Ross. Kendrick is an anointed-by-acclamation savior and a reluctant hit maker while Meek Mill is an excitable star with a firm grasp on what makes people move. They both have
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All teenagers know that their parents publicly show their hate for the hip-hop industry‚ and every single spin off of its culture reflected in society these days. However‚ it is not specifically any type of society that these "atrocious customs" are depicted in‚ it lies at the very heart of my generation‚ the technologically inclined so to say. However‚ is there any basis to the "gray-haired persons‚" hate of our music‚ the kind that we hear being played all over the entire school? Obviously
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Music has changed so much over the years and this generation is full of rap/hip hop music. Rap and hip hop music does not always have a negative effect on a teen’s behaviour/language. However‚ some of the effects can turn out to be negative but that’s how life is a lot of people do get into the habit of drinking or smoking. Some lyrics are actually meaningful‚ they talk about the word “loyal” doesn’t mean anything. They also talk about how one’s behaviour has changed due to certain circumstances
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