Hip-Hop Pioneers The pioneers of hip-hop started to surface around the mid 70’s. The different components to Hip-Hop were Dance‚ DJs‚ and MC’s. Some say it originated in the Bronx‚ NY‚ with DJ’s like GrandMaster Flash who invented different techniques on the mix board. He later joined up with a group of rappers call Furious Five and created hits like "The Roof is on Fire." Another Influential Hip-Hop Artist includes Joseph Simmons and Darryl McDaniels‚ also known as Run and D.M.C. The combination
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College Writing I Sec. 39 15 March 2010 Stereotypes of Women in the Hip-Hop Culture Have you ever wondered what it would be like if there were no stereotyping in America. Stereotyping has been around for quite a long time and women in particular have been stereotyped for numerous reasons. There are various things in society today that put women down for the things they do. Hip hop music and their music videos have been around since the 1980’s and continues to be very popular among young people
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When you look across the league‚ you still see cornrows‚ tattoos‚ arm sleeves‚ headbands and hip-hop culture and then you will realize there is someone missing. The king of all that‚ the player who revolutionized the league his way‚ whether you liked it or not‚ the dude who broke ankles for 13 straight years and played every game as if it was his last is not there. He is no where to be found and his story is quite tragic; in a way‚ he is the forgotten one‚ the league is missing the one and only
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Analysis: Hip hop has undeniably progressed into a largescale sensation that has captivated the world. This paper is based upon hip-hop history and African heritage. This analysis approaches a vast view of hip-hop‚ its influences‚ struggle and beauty of these music genre. I name certain artist‚ their musical effects on political movements and events within the context of African American music and history. Page 1 provides the beginning of hip-hop‚ which includes the birthplace of hip-hop‚ and the
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Race in Hip Hop It is a common belief that hip hop has served as the medium for healing racial tension in the 21st century. Although the hip hop industry has seen a subtle wave of successful white American rappers over the past couple of decades‚ this is not enough to suggest a racial merge in the predominately black American world of hip hop. White Americans are not typically welcomed into the hip hop community. The few white American rappers that have made it big in the hip hop industry
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Place Hip hop is a form of art that has been popular for the past twenty years. Although people in recent years often mistake rap music as vulgar and ill-mannered‚ the hip hop community continues to provide a great way to channel emotion and soul into their music. In his article‚ “The State of Rap: Time and Place” Jeffrey Louis Decker illustrates the black nationalism within the hip hop community by exploring how Black Nationalism can be accounted for within the hip hop music. Before hip hop was
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Hip-Hop Goes Global It has been a quarter of a century since hip-hop first made its mark on the American music scene. Hip-hop has become a popular trend that is echoing around the world. By definition‚ hip-hop refers to a culture that embraces a particular music‚ language‚ attitude‚ and dress fashioned after disadvantaged urban youth. Born out of the ghettos of the South Bronx‚ New York‚ and created by black and Latino youth in the late 1970’s and early 1980’s‚ this music genre closely identified
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Introduction: Hip Hop in History: Past‚ Present‚ and Future Author(s): Derrick P. Alridge and James B. Stewart Source: The Journal of African American History‚ Vol. 90‚ No. 3‚ The History of Hip Hop (Summer‚ 2005)‚ pp. 190-195 Published by: Association for the Study of African-American Life and History‚ Inc. Stable URL: http://www.jstor.org/stable/20063997 Accessed: 27/10/2009 14:22 Your use of the JSTOR archive indicates your acceptance of JSTOR’s Terms and Conditions of Use‚ available at
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Hip Hop is the great American paradox. A culture encompasses art‚ politics‚ and all things intertwined with urban life‚ and gives a platform for the populace of American poverty. Hip Hop is a blurred culture in the sense that it distinctly represents a social and ethnic class‚ and also indistinctly perceives a negative stereotype of these classes to a detached or unconcerned bystanders‚ that brandish Hip Hop as a dysphemism; an expression so substituted and contemptuous of themselves and to the greater
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reference to hip-hop. I: Introduction Increasingly over the past twenty years‚ hip-hop has transformed from “marginalised to mainstream” (Motley & Henderson‚ 2008‚ p.243) as more and more of the world’s youth follow the genre. With these growing numbers all over the world there is simultaneously growing concern that hip-hop is increasingly homogenised as artists adopt the genre. This essay will address both the homogenous and hybrid aspects of hip-hop‚ arguing that true hip-hop must contain
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