when comparing Hildegard of Bingen’s Alleluia‚ O virga mediatrix and Notre Dame Cathedral’s Gaude Maria virgo. Hildegard of Bingen was a very respected figure in the twelfth century Catholic Church for her prophesies‚ scientific writing‚ medical writing‚ and religious poetry. Her chant‚ Alleluia‚ O virga mediatrix‚ is a praise for the Virgin Mary which exemplifies the Gregorian chant genre of the Middle Ages. The most defining characteristics of a Gregorian chant‚ or plainchant‚ is the single-line
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History 1st year midterm notes Chapter V: The Middle Ages and the Evolution of Polyphony Early Middle Ages (5th-10th century) High Middle Ages (11th-13th century) Late Middle Ages (14th-15th century) Composers: Hildegard of Bingen (1098-1179) Songs composed Plainchant Sequence: Comlumba Aspexit About: -german writer‚ composer‚ philosopher‚ christian‚ and visionary -had visions and later recognized as a gift from god. -was sent to the church in god’s service‚ due to her visions
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Religion ’s Profound Effect on Musical Development Religion has been an important part of man ’s life. Man has allowed religion to control and influence his life in many different ways‚ affecting both his behavior and his actions. So its not surprising that music‚ one of man ’s earliest expressive forms‚ has also been influenced by religion. Religion has had an effect on man ’s music all throughout history‚ from the early Egyptians to even now. So it is only natural that Western music should
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The Theme in "The Wife Of Bath‚" and her tale‚ and how Chaucer uses Characterization and conflict to develop the theme and how they are reflected. The Wife Of Bath’s Tale theme is power. The Knight deprives a maiden of power over her own body‚ his punishment‚ as he decided by the women of court‚ in which‚ he must find out what women most desire‚ which turns out to be power. The Wife of Bath and the Nuns alike have power over men once again this characterization would scare men. the Wife of Bath
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polyphonic in texture. 5. award: 0 out of 1 point Listen to this example and choose the correct answer. Hildegard of Bingen: O successores → Anonymous: Alleluia: Vidimus stellam Machaut: Puis qu’en oubli sui de vous 6. award: 0 out of 1 point Listen to the example and choose the appropriate composer. Perotin Landini → Hildegard of Bingen This is an expressive monophonic chant. Although often performed monophonically‚ this recording includes a drone‚ which
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Christina of Markyate Of St. Theodora‚ translated by C. H. Talbolt‚ tells the story of a young lady saint whose passion and devotion to God is tested by the perseverance of her mother. Throughout her story‚ Christina faces the feministic culture that the people of the town devote themselves to. With continuous indications of women’s powerless emotions under man’s instruction‚ the appearance of feminism is brought to light in the entirety of her story. During the 1160’s‚ it was not surprising for
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MUL1010 Study Guide for Final Exam Please look up answers from Section IV of the course--the Historical Periods-- and listen to excerpts from the course for the listening questions below to be well-prepared for the Proctored Final Exam. Give yourself plenty of time to listen and to study. 1. Who was Anicius Boethius? 2. Who is the “Father of the Symphony?” 3. What musical technique replaced tonality in the 20th Century? 4. What is tonality? 5. What is secular music? 6. What is sacred music
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Continue through page 67 and be conversant about Guillaume de Machaut. Be aware that the Messe de Nostre Dame is significant because it is the first unified setting of the Ordinary of the Mass. Read the articles on pages 62 and 63 about Hildegard of Bingen. Know the term humanism (75) and the effects it had on the composition of liturgical music. More terms: motet (76) a cappella (77) imitation (76) madrigal (82) word painting (83) Read up on Palestrina (78-81)‚ the Counter-Reformation
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1000 - 1250 “O viridissima virga” from Introduction to Early Music (An) by Hildegard von Bingen Composed ca. 1140 - 1179 1251 – 1500 “Non avra ma’pieta questa mia donna” from Discover Early Music by Francesco Landini Composed ca. 1335 - 1397 1501 – 1750 “Concerto Concerto No. 1 in E major Op. 8 No. 1 RV 269‚ ’La primavera’: I. Allegro” from youtube by Antonio Vivaldi Performed by Nigel Kennedy/English Chamber Orchestra Composed 1723 1751 – 2000 “Symphony No. 41 in C
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Music Appreciation September / 21 / 2010 The Middle ages and the Renaissance Paragraph 1: The views and values of the middle ages and the Renaissance are very different. The term Medieval comes the Latin derivation‚ medium aevum (middle ages). This term comes from the idea that the middle ages were an interruption in the advance of classical learning. On a political and social side of things‚ medieval man had to obey his superiors‚ who were prelates‚ the cleric‚ the king‚ the lord‚ the city fathers
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