Renaissance architecture is split into three periods: Early Renaissance (ca. 1400-1500)‚ High Renaissance (ca. 1500-1525)‚ and Late Renaissance (ca.1525-1600). Renaissance architects moved away from the intricacy and verticality of the Gothic architecture style in favor of the simplicity and balanced proportions of classicism. The classical orders were revived‚ including rounded arches and domes; this was done through observation of Roman ruins and study of the treatise Ten Books on Architecture‚ written
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culture‚ it is also no longer the expression of our culture”. This move‚ which separates ornament and culture‚ links Modernist architecture to the culture of modernity. Reading this now two things emerge. The first is a statement of intent – Modernist architecture clearly defines itself in relation to culture. The second is a question – how today can the relation between architecture and culture to be understood? Despite the clarity of the Loos’s definition‚ this contemporary question has a persistent quality
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Religious Architecture: Comparative Study (Wells Cathedral and Friday Mosque‚ Isfahan) The purpose of this research is to compare and contrast two selected religious buildings‚ one of which Islamic‚ and another that is Christian. This will respectively exemplify and illustrate the development of Christian and Islamic styles of religious architecture before the end of the 14th century. The research will mainly focus on the importance of furniture design and interior decoration in each of the two
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American Gothic – writing assignment I Description: In the painting we see two people. We see the farmer holding a hayfork and beside him is a woman. The woman is most likely his daughter. The couple stands in front of a house styled by the “Carpenter Gothic” era. The sun is shining but the couple don’t look like they appreciate the weather or “something else”. They both look very stretched in their faces. The man has a long head and his mouth is like a parenthesis on the wrong side. The woman
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Discuss the influence of John Ruskin on architecture in the British Isles in 19th Century * Introduction * Born on 8th February 1819 and was leading English art critic of Victorian Era. * Also an art patron‚ draughtsman‚ water colourist and philanthropist. * His writing styles and literary forms were varied; penning essays and treatises‚ poetry and lectures‚ letters and even a fairy tale. * His elaborate style that characterised his earliest writing on art was later
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Presentation architecture in Renaissance and Baroque All aspects of Renaissance culture‚ from art and architecture to philosophy‚ were influenced and inspired by Ancient Greek and Roman civilizations. Generally‚ architecture in the Renaissance can be described as symmetrical‚ harmonious and sober. Many buildings that were built in the Renaissance are perfect symmetrical‚ if you would draw a line through the middle of the building‚ it would have two exact same halves. Because it is so symmetrical
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Sustainable Architecture "Sustainable Architecture" - this phrase in recent years is mentioned a lot. The concept of "sustainable architecture" is associated‚ even identified with the concept of green architecture‚ ecological architecture‚ environmentally friendly‚ energy efficient ... to reach a stable value for the environment human life‚ reduce negative impacts on the environment in the present and future. However‚ although this interpretation is correct‚ but only one aspect‚ because that’s
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Dr. Mervat El-Shafie Dr. Mervat El-Shafie‚ Assistant Professor of Architecture‚ is the Chair of the Architecture Department in the College of Engineering‚ Effat University. Dr El-Shafie received her Ph.D. in Built-Environment from Lincoln University‚ New Zealand in 1999. Her thesis entitled “Phenomenology of Built-Environment” deals with the interrelationships between people and their land‚ houses and places and how this is being affected by the processes of Modernization and Globalization. Dr
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Affects Human Behavior Architecture‚ a symbolic and intentional endeavour seems to reflect the psychology of its designers regardless of time‚ culture and perhaps even species. Space‚ form‚ and light are elements that are often incorporated either purposefully of unconsciously for aesthetic or practical reasons but more pointedly give creatures meaning‚ purpose and stability amidst an ever changing physical universe of seeming chaos (Popow‚ 2000). Architecture can be perceived as purely functional
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Indian architecture encompasses a wide variety of geographically and historically spread structures‚ and was transformed by the history of the Indian subcontinent. The result is an evolving range of architectural production that‚ although it is difficult to identify a single representative style‚ nonetheless retains a certain amount of continuity across history. The diversity of Indian culture is represented in its architecture. It is a blend of ancient and varied native traditions‚ with building
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