care as the confession of it was more important‚ requiring a stricter ritual and promising more decisive effects)?” History of Sexuality‚ Scientia Sexualis (pg. 61) Based on the above quote from Scientia Sexualis‚ in The History of Sexuality‚ Foucault writes about the nature of secrecy and confession in terms of sexuality. The first sentence explains that‚ “from the Christian penance to the present day‚” the concept of sex is one in which people keep to a confessional manner. Throughout history
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his words would have almost 300 years later in the writings and theories of Ervin Goffman. Despite being from different eras‚ both Shakespeare and Goffman share a mutual consensus that individuals do not always act the same depending on the conditions that are present. Instead‚ individuals are all subject to portray different roles in order to maintain their desired depiction. The following concepts developed by Goffman have remained relevant to this day and are still applicable in society. As such
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Goffman’s The Presentation of Self in Everyday Life‚ he introduces what is to be called the dramaturgical approach. He used the theatrical representation of stage‚ actors and audience to observe and analyze the complexities of social interaction. Goffman’ article
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Michel Foucault wrote a book called History of Sexuality. In Part five of the book Right of Death and Power over Life‚ he discusses about the historical “Sovereign Power” where one is allowed to decide who has the right to live and who has the right to die. The sovereign uses his power over life through the deaths that he can command and uses his authority to announce death by the lives he can spare. Foucault then moves on to Disciplinary Power where he came up with the “Panopticon” where one
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Goffman’s Dramaturgical approach theory was inspired by William Shakespeare’s writings in which Shakespeare say’s “totus mundus agit histrionem‚” which are Latin for “All the world is a theatre”. In his theory‚ Goffman views individuals as actors in society where “interactions are viewed as performances” (Barnhart‚ A.D.‚) the individual attempts to create an impression on the world in which these impressions “exist regardless of the mental state of the individual” (Barnhart‚ A.D.‚) meaning‚ how the
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the truth also changes. It means‚ Foucault’s discourse is related to the production of any information that provides knowledge. Once the discourse is created‚ knowledge about some aspect of life is provided. Thus knowledge helps create truth. But‚ Foucault himself admits that such truth is neither true nor false. The power is generated in society by producing the discourses‚ and by constructing truths. Such power is creative. Marxist power is just political and economic whereas Foucauldian power
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Foucault ’s Las Meninas and art-historical methods. Michel Foucault ’s study of Velazquez ’s Las Meninas (1) was first published in the volume Les Mots et les choses in 1966 which was followed‚ in 1970‚ by the English translation titled The Order of Things. In "Las Meninas"‚ which is the title of the opening chapter of The Order of Things‚ Foucault focused on the artwork itself as though it were before him‚ describing in extraordinary detail what he saw. His seemingly unobtrusive actions--looking
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Discourse: based on ideas of Michel Foucault‚ discourse theory refers to the idea that the terms in which we speak‚ write and think about the world are a reflection of wider relations of power‚ and since they are also linked to practise‚ are themselves important in maintaining that power structure In the Order of Things (1970) Foucault focuses on fields of knowledge‚ such as economics‚ or natural history and the conventions according to which they were classified and represented in particular
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Foucault’s middle period is characterized by analyses of power: the structure of power within society and its distribution‚ and the way relations of power unfold. The problem is that Foucault seems to imply that all social phenomena‚ from education‚ law‚ policing‚ discipline‚ governance (the institutions that form society’s infrastructure)‚ the apparatuses that engender and affect cultural and familial life‚ are reducible to an analysis of the relations of power operating within. Power is described
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An effect of science‚ morality and medicine‚ resulted in the extensive discursion of sex. Science included medicine‚ condemned a lot of aspects of sex to be unhealthy‚ tried figuring out the truth behind it by talking about it as much as they could‚ with every detail possible‚ and included itself into the confession room. They discussed about the perversions of it‚ use perversities of various aspects of sex to conceal it in a way‚ to put it under a category and behind a screen. Treated as
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