Film: The Godfather Date | Prompts/Essential Questions 1. What is the effect of color/lighting in the film? 2. Where do you notice juxtaposition? What is the effect? 3. How does The Godfather adhere to the conventions of the mob/gangster genre? (remember to note connections to film noir). 4. How do the characters in The Godfather resemble other characters/archetypes in some of the other films we’ve watched? | Summary of Day’s Vi-ewing | My Contribution to Discussion | 11/1311/15
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(Summary) When the book‚ The Godfather came out‚ there were three parts to the story. Book one got released in 1972‚ book two got released in 1974‚ and book three got released in 1990. The book starts off in late summer of 1945‚ people were gathered for Don Vito Corleone’s daughter‚ Connie and her fiancé Carlo Rizzi’s‚ wedding reception. Don Vito Corleone‚ known as Vito‚ was the head of the Corleone Mafia family who has friends and associates who knows him as “godfather.” During the reception‚ Vito
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The lighting used for “The Arabian Nights by Mary Zimmerman is based on providing a very minimalist approach to the acting and text of the actors on the stage. The director of the play‚ Jennifer Tuttle‚ chose to use simple overhead lighting for this production‚ which made a special focus on Zimmerman’s adaption of classic Middle Eastern literature. The lighting would sometimes accentuate the actors on the stage by permitting them to have spotlight on certain important solo narratives‚ yet the use
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their own decisions. In Godfather Death‚ by Jakob and Wilhelm Grimm‚ the decisions of a godson are explored as he journeys through his life‚ takes advantage of possible opportunities‚ and ultimately decides his own fate. One will quickly see how a simple decision can change a life forever‚ through the following passage: "Show me my life light‚" said the doctor‚ assuming it would be very tall. Death pointed to the small stub that seemed about to flicker out. "Oh dear godfather!" cried the terrified
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Respect Over Business One of the most inspiring movies of all time in terms of cinema‚ The Godfather directed by Francis Ford Coppola‚ uses a style of cinema that was unheard of until the creation of this movie. Coppola‚ a master of tone‚ uses many different forms of cinematography in order to make the audience feel the emotions in which he wants them to feel. Through different forms of cinematography‚ along with different styles of rhetorical elements in dialogue‚ Coppola was able to effectively
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Professor Julian 8 March 2014 The Godfather The Godfather was regarded as the second best films of all time after the Shaw-shank Redemption. The Godfather employs a classic Italian-American mafia crime family in New York and Nevada. Vito Corleone as the founder of the Corleone crime family. An immigrant from Sicily who witnessed both his parents shot by a different don. He has four children and a step son whom he had adopted. Michael Corleone as the second Godfather to the Corleone crime family. Santino
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Il Dio Diavolo Yanni Ballis Lubliner Period 3 Business and family should never be mentioned in the same breath. In The Godfather parts 1 and 2‚ directed by Francis Ford Coppola‚ Michael Corleone‚ a war hero who happens to be the son of Vito Corleone one of the most powerful gangster ever‚ comes home to make the family legitimate and eventually becoming the Godfather of the Corleone family. Michaels text‚ which he believes to be true about himself‚ is better than his actual subtext‚ making him an
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Identifying Heroes: The Godfather and Pulp Fiction The form of Classical Hollywood films is‚ first and foremost‚ invisible. In a Classical Hollywood film‚ the narrative is foremost‚ and style serves the narrative. Camera angles‚ lighting and editing patterns such as the shot/reverse-shot pattern aim to give us the best possible perspective on the unfolding events(1). These events are arranged in a strongly causality-oriented linear narrative‚ with one event causing the next. This narrative is
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Academic Summary In Godfather Death‚ a poor man’s thirteenth child is in need of a Godfather. With the poor man’s consent‚ Death became the thirteenth child’s Godfather. When the boy came of age‚ Death takes him into the woods and presents him a herb as a gift that will make the young man a famous physician. The herb is able to cure the sick with the approval of Death. However‚ Death worn the young to not use the herb against Death’s will or punishment will arise. The poor man’s thirteenth child
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family matter? Yes family always matters. It is necessary to have some sort of family structure in order to have a stable foundation. This need for stability and structure is how the family survives and the children find safety. In the movies The Godfather and Scarface we will discover how the two differ when it comes to family and family business. These two patriarchs have different views on family and how the family is involved in the business. In this discovery one struggles to gain and maintain
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