The naked nine-year-old girl in the iconic Vietnam War photo used to hate the picture -- until she began to think about what the photograph could give rather than what it could take away‚ then later found that it was a "path to peace." "I realized that if I couldn’t escape that picture‚ I wanted to go back to work with that picture for peace. And that is my choice‚" said Kim Phuc‚ the girl in the iconic photo‚ according to a report from CNN. On June 8‚ 1972‚ AP Photographer Nick Ut photographed
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usually considered children’s stories‚ they often contain messages or lessons that can be taught to any reader. “The Goose Girl” and “The Raven” are just a couple of examples where this is the case. This essay will cover a short synopsis of both tales along with the lesson and how that could be taught to today’s modern audience‚ more specifically today’s modern teen. “The Goose Girl” is the story of a young princess promised to marry a young prince. Pretty typical‚ right? Except in this story on the
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Richard Prince took a photo of Brooke Shields at age ten in the nude‚ whose purpose was to “question sexualized advertising images”. The photo was censored as child pornography. However advertising‚ such the well-known illustration of the Coppertone Girl‚ depicts
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Girl‚ Interrupted (1999) directed by James Mangold is largely based on a semi- autobiographical book by the same title. The movie chronicles eighteen year old Susanna Kaysen’s experiences surrounding her stay at a mental institution. It is 1967‚ a time of social change and unrest. Susanna makes a half-heart attempt at suicide‚ ingesting a bottle of aspirin and chasing the pills with a bottle of vodka. She is taken to the emergency room‚ her stomach is pumped and she survives. Afterwards she meets
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In Thomas Middleton and Thomas Dekker’s play‚ The Roaring Girl‚ Moll is presented as a symbol to combat the patriarchal order both within the play and in English society. Moll is given a level of agency that is vastly greater than all the women in the play. She is not restricted to the typical patriarchal order that was present in English society at the time. Moll also constructively uses her agency to challenge the patriarchy‚ where she not only wins‚ but emasculates her male oppressors. It is in
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It’s a state of mind where you feel secure. Home is a place where you’re surrounded by people that you love‚ as well as people who love you back. It’s but a simple place where everything is okay. The idea of a home relates to this text because the girls home starts to separate. Her loved ones have to separate to do work under control of the Japanese military. Many of Sookan’s traits were revealed throughout the book. The first trait that was revealed was optimism. Sookan always tried to stay as
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Soaked‚ little‚ and naked is how the viewer finds Susanna in the middle of Girl‚ Interrupted. Or rather‚ soaked‚ little‚ naked‚ and hysterical. A state James Mangold utilizes to further illustrate his message. The film serves as a vehicle for Mangold to discuss madness and the society it exists within. Valerie‚ the asylum’s registered nurse‚ throws Susanna‚ the film’s suicidal protagonist‚ into a tub filled with water in order to snap Susanna out of her depressed state. Susanna lashes out at Valerie
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Rodrik is constantly using the term “critical assumptions” as a description to why Economics‚ or in specific‚ economic models do work in reality. However‚ it is important to be able to understand what he means by saying “critical”. How is a critical assumption different from any other assumption? Rodrik‚ however‚ did not leave us hanging in doubts. He explains that: “We can say an assumption is critical if its modification in an arguably more realistic direction would produce a substantive difference
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In “Ranch Girl”‚ two of the main characters’ lives exemplify the strong grip tradition has on keeping people exactly where they are and halting progression. The main character‚ namely‚ the Ranch Girl herself explains how “if you’re white‚ and you’re not rich or poor but somewhere in the middle‚ it’s hard to have worse luck than to be born a girl on a ranch”(173). In her society‚ it is simply not the best thing in the world to be a ranch girl‚ but there doesn’t seem to be any
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Saul Dibb in his 2008 film The Duchess and Gillian Flynn in her 2012 novel Gone Girl both deconstruct the bases that form trust and deception within relationships and society. Although Flynn’s thriller of twists and Dibb’s 18th century drama depict two diverse settings the texts both present the idea that trust is an unrealistic expectation within relationships‚ as relationships are created from idealism of the perfect partner. Both texts explore the importance of appearance within society‚ as Flynn
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