CHAPTER 15 Multiple-Choice Questions 1. Mannerism involved a. twisted forms. b. strange colors. c. ambiguous space. d. All these answers are correct. Answer: d 2. ________ was NOT a Mannerist painter. a. Pontormo b. Parmigianino c. Correggio d. Michelangelo Answer: d 3. Which is NOT a meaning related to the Mannerist style? a. affectation b. mannered c. to the manner born d. stylized e. bizarre Answer: c 4. “Indulgences” refer to a. liberal child-rearing practices. b. credits against one’s sins
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idealistic form of a human; where he represents a strong being‚ exuding concentration and self-confidence. Michelangelo sculpted what would be considered the perfection of a human and this was largely attributed his own study of the human form. Giorgio Vasari‚ from his Lives of the most excellent painters‚ sculptors and architects‚ states “For in it may be seen most beautiful contours of legs‚ with attachments of limbs and slender outlines of flanks that are divine; nor has there ever been seen a pose
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HERAKLES BY Piero della Francesca From: http://www.gardnermuseum.org/collection/browse?filter=artist:1899 Piero della Francesca (c. 1415[1] – October 12‚ 1492) was a painter of the Early Renaissance. As testified by Giorgio Vasari in his Lives of the Artists‚ to contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting was characterized by its serene humanism‚ its use of geometric forms and perspective. His
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for dozens of paintings in a variety of styles‚ others reduce the list to a bare half-dozen. Giorgione’s works arise between 1500 and 1510 in the time of big changes in venetian painting. In another names Zorzi da Castelfranco[1]‚ Giorgione[2] or Giorgio Barbarelli.[3] He was born in Castelfranco‚ on the Venetian mainland‚ probably about 1475-77. In 1510 in Venice he died‚ still young‚ of the plague. He came from modest family background.[4] His life before 1504 when he painted altarpiece in Castelfranco
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"Da Vinci" redirects here. For other uses‚ see Da Vinci (disambiguation). [pic] |Leonardo da Vinci | |[pic] | |Self-portrait in red chalk‚ Royal Library of Turin | |Circa 1512 to 1515[nb 1] | |Born |Leonardo di ser Piero da Vinci | |
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Disegno and Colore Painting in the 16th Century Venice was still caught up in a regional debate which pitted the idea of colore against the much more formal emphasis on disegno. This held sway in the rival Florence. By exploring this philosophical and provincial debate‚ I have drawn contrasts between the use of colour and outline in selected works by Michelangelo and Titian. I have also looked at to what extent are these attitudes to materials reflective of the social and spatial conditions in
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embedded pier. • the use of proper proportions for the height of the columns • the use of spherical segments in the vaults of the side aisles. There are significant problems in the design‚ most‚ however‚ occur at the level of detail. Already Giorgio Vasari thought that the columns along the nave should have been elevated on plinths.[3] That the pilasters along the wall of the side aisles rest on a floor that is three steps higher than the nave‚ is also considered an error. San Lorenzo is often
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In the middle of the Renaissance‚ artists like Leonardo da Vinci and Michelangelo Buonarroti establish characteristics of the High Renaissance. The formation of the High Renaissance the height or the level of success the era is in an art historical point of view. At the same time mark the return of the Medici to power in Florence. This new era marked anew for artists as they abandoned simplification and began using more styles leading towards mannerism. Additionally‚ artists‚ who created these masterworks
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David‚ the infamous statue from the works of the young Michelangelo Buonarroti‚ is widely known today across the globe. The immense piece stands stoic in The Galleria dell’Accademia in Firenze‚ attracting tourists and enthusiasts year-round‚ captivating grand audiences for hundreds of years. The beauty that Michelangelo has bestowed upon the world through his statue is rich in history‚ generating controversy for more than half a millennium throughout the worlds of art‚ religion and politics. The
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http://quizlet.com/14378022/unit-a-renaissance-Pope Nicholas V established slave trade built a library in the Vatican patron of the arts Pope Sixtus IV established Sistine Chapel involved in Pazzi conspiracy nepotism-favored relatives over merit Pope Alexander VI Borgia corrupt pope-sparked Protestant Reformation Pope Julius II patron of the arts; patronized Michelangelo in painting the Sistine Chapel ceiling tomb designed by Michelangelo Pope Leo X Medici sold indulgences to pay for St
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