Compare and Contrast ‘Perseus holding the Head of Medusa’ with Parmigianino’s ‘Madonna of the Long Neck’ Benevuto Cellini’s statue of ‘Perseus holding the Head of Medusa’ (Figure 1) and Parmigianino’s painting ‘Madonna of the long neck’ (Figure 2) are both prime examples of Mannerist art. The Mannerists sought to weave a refined‚ idealized and graceful visual style with arcane‚ complicated iconography to create artworks of complexity and elegance. This essay will discuss hoe both artists differ
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A Study in Portraits – da Vinci and Van Gogh Two of the greatest artists of all time would have to be Leonardo da Vinci (1452 – 1519) and Vincent Van Gogh (1853 – 1890). Da Vinci was an artistic genius‚ as well as an ingenious inventor and scientist‚ while Van Gogh was an artistic savant whose mental instability cut short a career of wonder and enlightenment. Both artists presented works that made people look both outside at the artwork itself as well as inside the individual viewer in order
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Baccio Bandinelli: The Self-Elevation of a Renaissance Artist Bartolommeo “Baccio” Bandinelli was a Florentine sculpture‚ painter‚ and draftsman in the early sixteenth century. Bandinelli practiced his craft during the same period as the famous Michelangelo‚ who painted the Sistine Chapel‚ and considered himself Michelangelo’s rival in sculpting. Many critiqued Bandinelli at the time of his work‚ claiming that his pieces were not as great as Michelangelo or other artists of the time. Despite
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Rucellai Madonna‚ Duccio Duccio di Buoninsigna was an Italian artist from the city of Siena. He lived during the end of the 13th century and the beginning of the 14th. Throughout his life he was hired to complete many important works in government and religious buildings around Italy. During the 1300’s Duccio became one of the most favored and progressive painters in Siena. He is now considered one of the founders of Western art. Not much is known about Duccio’s life. But there are records saying
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Michelangelo vs. Leonardo da Vinci ART 101 Art Appreciation August 15‚ 2011 The works of Leonardo Da Vinci and Michelangelo influenced the art of the 16th century in Italy and Europe in many ways. Three of Michelangelo’s works such as: The Last Judgment‚ Pieta‚ and David were great works during his time. Leonardo da Vinci also contributed great works to the 15st century such as: The Last Supper‚ St. James in the Wilderness‚ and The Mona Lisa. Although there were some similarities in Leonardo
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RAPHAEL SANZIO Raphael was one of the most important artists of the Italian Renaissance. Raphael painted and designed many brilliant pieces of work and the stanzas inside the Vatican. He was a master at such necessities of modern art such as depth and perspective and the use of light and shadow‚ and was the turning point styles of paintings like the use of Madonnas in paintings. Through his short life‚ Raphael would make some of the most awe-inspiring‚ beautiful‚ and influential works of art during
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Michelangelo di Lodovico Buonarroti Simoni (6 March 1475 – 18 February 1564)‚ commonly known as Michelangelo‚ was an Italian sculptor‚ painter‚ architect‚ poet‚ and engineer of the High Renaissance who exerted an unparalleled influence on the development of Western art. Despite making few forays beyond the arts‚ his versatility in the disciplines he took up was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man‚ along with his fellow Italian Leonardo
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accused of attempting to steal the head of John the Baptist and he moved to Venice and then eventually to Milan. There he became a ducal engineer and worked on a variety of architectural projects for the next fifteen years. According to his biographer‚ Vasari‚ Filarete died in Rome c. 1469.[1] Filarete’s complete organization of Sforzinda’s layout embodied a higher
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Speculations about Mona Lisa From Wikipedia‚ the free encyclopedia Mona Lisa‚ by Leonardo da Vinci‚Louvre Museum The 16th-century portrait Mona Lisa‚ or La Gioconda (La Joconde)‚ painted in oil on a poplarpanel by Leonardo da Vinci‚ has been the subject of a considerable deal of speculation.[1] Contents [hide] 1 Columns and trimming 2 Landscape 3 Other versions 4 Nude versions 5 Smile 6 Infrared scan 7 Eyebrows and eyelashes 8 Subject 8.1 High cholesterol 8.2 Letters and identity of model 9 References
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ART HUMANITIES: MASTERPIECES OF WESTERN ART Dr. Martina Mims W-1121‚ Section 029 mm783@columbia.edu Spring 2015 Office hours: Th 2:30 to 3:30 Tues./Th.: 1:10 – 2:25 p.m. Schermerhorn 915 Schermerhorn 604 This course‚ a part of the Core Curriculum at Columbia University‚ introduces selected works central to the Western tradition
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