the name of Artemisia Gentileschi (July 8‚ 1593
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Judith and Maidservant with the Head of Holofernes and Joseph the Carpenter Artemisia Gentileschi’s Judith and Maidservant with the Head of Holofernes (98) and Georges de La Tour’s Joseph the Carpenter (151) are great examples of Chiaroscuro. Chiaroscuro meaning the representation of balance between light and shades within artwork. This type of artwork is typical of the renaissance era. There are several aspects of chiaroscuro; modeling which is light falling across a curved or round surface. Highlights
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19‚ 2014 Chapter 2 Assessment In Judith Beheading Holofernes‚ created in 1599‚ Michelangelo Mensi da Caravaggio uses high contrast and vivid lines to capture the dramatic essence of the beheading of Holofernes. In this rectangular oil painting done on canvas measuring 57 inches by 77 inches‚ the realistic view of the physical and emotional human state is depicted in a vulgar manner. Caravaggio’s painting illustrates a book in the catholic Bible dedicated to Judith in which she depicts an example
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Artemisia Gentileschi Considered one of the most important artists of the Baroque movement in Early Modern Europe‚ Artemisia Gentileschi‚ faced many obstacles to prove herself in a field that was dominated by the male population. “Artemisia was born in Rome on July 8‚ 1953 to Orazio and Prudentia Monotone Gentileschi. Her mother died when she was only twelve years old. Her upbringing was left to her father‚ who was also a well-known painter. He trained her himself‚ since she was not permitted to
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The Baroque Era and Today: Anti-antics of Artemisia Gentileschi Analyzed There is no historic age admired more then the Renaissance. This epic period defined the meaning of art and its connection to humanism in the past and present. It was an explosion of ideas and knowledge. It was a rebirth of learning based on the rediscovery of ancient texts‚ and a rebirth of the European culture as a whole. When the Renaissance ended the Baroque period emerged‚ that conveyed different ideas. There was a sense
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October 26‚ 2009 Formal Analysis: Judith Cutting Off the Head of Holofernes As I was walking across the 17th century art section at Walters Art Museum‚ hanging behind the big rectangular pillar in the middle of the hallway‚ an oil painting on panel by Trophime Bigot draws my attention. The high contrasting tones of colors and values and the artist capability to make the grotesque painting appealing interest me. Judith Cutting Off the Head of Holofernes (Figure 1)‚ ca. 1640‚1 is consisting
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Artemisia Gentileschi was a painter during the Italian Baroque period‚ and is widely considered one of the most prolific and influential artists of her time. She was contemporary to Caravaggio and greatly admired his style‚ as well as being the daughter of a painter herself. However‚ despite being arguably the greatest painter of her generation‚ many of her works are wrongly attributed to her father‚ and her influence is still being downplayed to this day. Artemisia’s greatest antagonist however
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the famous woman artist named Artemisia Gentileschi. She was born in Rome on July 8‚ 1593. Her father was a well-know Roman artist named Orazio Gentileschi and my mother was named Prudentia Monotone. She died when Artemisia was twelve. Most women artists in this post-Renaissance era were limited to portrait paintings and poses. She was the first woman to paint major historical and religious scenarios‚ such as her painting‚ Judith Beheading Holofernes‚ c. 1620. At an early age she experienced
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Descriptive Paper In this essay I will describe the elements that make up Judith Cutting Off the Head of Holofernes by Trophine Bigot‚ a Baroque artist. This work is an oil painting on wood panel from 1640. It is part of the permanent collection at the Walters Museum in Baltimore Maryland. The painting is of a close up scene occurring between two females and a male. Behind the people there are red curtains parting open. It is the only part of the back ground that is visible to the viewer. The
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they must use in order to convey their image as successful as possible. Each medium has its advantages and disadvantages when used‚ so artists must master the medium in a way that allows them to perfect their image. This is exactly what Artemisia Gentileschi has done with oil painting mediums. Known as one of the famous female Baroque artist‚ all of her works are perfectly painted with great detail and colors. When one looks at her works‚ one can see the excellence in her skills that are portrayed in
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