Spanish influences in mind‚ but also touches upon classical Renaissance inspirations‚ as he wants to have a modern day feel with a hint of classical influences. Caravaggio inspired Rembrandt during his art career‚ and in the painting ‘Night Watch’ he uses light and shadow to describe faces‚ which was one of the innovations of Caravaggio. By using this it makes the work very mysterious and it draws the viewer in
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shocked to see how life like a lot of this artist made their paintings. These show the times in which was going on during the time of Jesus death and the feelings in which the people where going through. The Baroque Period The artists Rembrandt‚ Caravaggio‚ and Rubens all created the Baroque period. The Baroque period was a religious time in which the people looked to artwork defined. The artist Rembrandt was the only painting that did not deal with the death of Jesus. The artwork is just so right
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the Hunters. 1565. Flanders. Northern Renaissance. 22-4. Gianlorenzo Bernini. David. 1623. Baroque. Italy. 22-1. Gianlorenzo Bernini. St. Teresa of Ávila in Ecstasy. 1645–1652. Baroque. Italy. 22-B. Caravaggio. The Calling of St. Matthew. 1599–1600. Baroque. Italy. 22-14. Artemisia Gentileschi. Self-Portrait as the Allegory of Painting. 1630. Baroque. Italy. 22-23. Diego Velázquez. Las Meninas (The Maids of Honor). 1656. Spain. Baroque. 22-28. Peter Paul Rubens. The Raising of the Cross. 1610–1611
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Artemisia Gentileschi was a painter during the Italian Baroque period‚ and is widely considered one of the most prolific and influential artists of her time. She was contemporary to Caravaggio and greatly admired his style‚ as well as being the daughter of a painter herself. However‚ despite being arguably the greatest painter of her generation‚ many of her works are wrongly attributed to her father‚ and her influence is still being downplayed to this day. Artemisia’s greatest antagonist however
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the paintings “Judith slaying Holofernes” by Caravaggio and Artemisia. Caravaggio (1571–1610)‚ was the greatest and most influential painter of the Baroque style. He was also a quick-tempered Bohemian who was often jailed for brawling and was forced to flee from the law and his enemies‚ escaping to Naples‚ Malta‚ and Sicily at various times. His "travels" helped to spread his extraordinary style‚ which was soon imitated across Europe. Caravaggio infused his work with more gritty naturalism than
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Peter Paul Rubens perfectly represents artistic traditions and philosophical beliefs of the Baroque period because of Ruben’s techniques and subject matter. These techniques include the strong contrast between light and dark‚ the usage of rich‚ flamboyant colors which is offset by a dark background‚ the depiction of motion and facial expressions‚ the rendering of high detail‚ the naturalistic rather than ideal figures‚ the enlarges sense of space‚ the aim to create a dramatic effect‚ the theme of
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Judith Slaying Holofernes Artemisia Gentileschi was not the first to paint Judith Slaying Holofernes. Her father had painted Judith. Michelangelo‚ Botticelli and Caravaggio had painted Judith. Donatello had sculpted Judith. But she was the first to interpret the story of Judith‚ in a time when women had few rights‚ as an allegory for female dominance. In comparison with other contemporary versions‚ the composition‚ dramatic style‚ and emotions of the characters present a violently feminist
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of seventeenth-century Italy‚ Artemisia Gentileschi was one of the most influential and admired. She is the first woman in history of Western art whose historical significance is unquestionable (Chadwisck 100). Artemisia was born in Rome but was active in Florence‚ Naples‚ and London. Her father was the famous painter Orazio Gentileschi‚ and he was one of the most important of Caravaggio’s followers. Because her father’s artist style was inspired by Caravaggio during the time when Artemisia was learning
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Merisi known as Caravaggio and Johannes Vermeer were breakout artists of the 17th century. Caravaggio was around in the early 17th century Italy and was thought of as the most famous painter in Rome. Vermeer was from the Netherlands and little known about his early years. His artwork became famous in the 19th century long after his death. Both are well known for their masterpieces all around the world and are highly respected for their contributions to the art scene. Caravaggio was born in Milan
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century that both heads‚ Goliath’s and David’s‚ are self-portraits at different stages of life though David is described as “il suo Caravaggino”‚ or in English “his little Caravaggio.”1 This clearly refers to how Caravaggio painted himself when young because although his real name was Michelangelo Merisi he was known in Rome as "Caravaggio".2 Remarkably‚ despite this‚ few art historians have noted Caravaggio’s self-identification in both figures. One thought it was partly sub-conscious‚ a psychic echo of
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