"Filmmaking" Essays and Research Papers

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    asdasdasdcdcqd dasdacfdafda a dascdds d asdaa asdcad Jose Rizal‚ a man with so many accomplishments. Jose Rizal gives all of us inspiration in all the things we do. He inspires us to be hardworking and diligent‚ which most of us are not. I am amazed that even though Rizal was in exile‚ he didn’t mind the fact that he was sent to Dapitan to live like a prisoner and yet he still manages to accomplish many things. While many people would be in panic‚ despair or lose hope for any success in their

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    Filmmaking Analysis: An Art form in itself Robert Haskins ENG 225: Introduction to Films Hannah Judson 28 June 2010 Filmmaking Analysis: An Art form in itself The art of motion pictures have been compared to other forms of expression art‚ but what makes it unique is that other art forms are incorporated into motion pictures. Through moving pictures‚ a story can be told with fluidity and rhythm‚ like music. Much like a sculpture molds clay or stone into something beautiful; a filmmaker

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    Filmmaking FOR DUMmIES 2ND by Bryan Michael Stoller Foreword by Jerry Lewis ‰ EDITION Praise Pages From “Fade In” to “Fade Out”‚ from “Action” to reaction‚ Bryan Stoller gives us a comprehensive understanding of the arts and sciences of making movies. Filmmaking For Dummies‚ 2nd Edition‚ is the smartest book I’ve read on the subject. — Peter Saphier‚ Producer of Scarface and executive at Paramount Pictures Bryan is an extraordinary filmmaker. He writes‚ produces‚ directs‚ and is

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    Maybe the period right after the world war was the most revolutionary period in film history with the Italians having their neo-realism and the French having their new wave. French new wave was set miles apart from the traditional French cinema. It was bold‚ young‚ strong‚ sharp‚ and innovative and honestly a New Wave in every sense. In the 50’s some French film critics led this informal movement‚ which would in turn‚ inspire and change the way the world viewed cinema. It can be called the renaissance

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    The term French New Wave is also known as La Nouvelle Vague. It refers to the work of a group of French film-makers between the years 1958 to 1964. The film directors who formed the core of this group are François Truffaut‚ Jean-Luc Godard‚ Claude Chabrol‚ Jacques Rivette and Eric Rohmer. They all where once film critics for the magazine Cahiers du Cinéma. Other French directors‚ including Agnés Varda and Louis Malle‚ soon became associated with the French New Wave movement. They momentarily transformed

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    The usefulness of the term “auteur” has been questioned by some commentators as failing to acknowledge the complexity of the filmmaking process. With reference to one of the directors studied so far on the module‚ discuss the degree to which analysing his films through an auteurist perspective can help or hinder understanding. You should take into account the ways in which your chosen director uses the resources of cinema as a medium as well as the question of personal vision. Film director Pedro

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    W. Griffith offered new perspectives on filmmaking method. Rather than following the cinematic principles and using cameras merely as a recording machine‚ he boldly ran to aesthetic innovation on different aspects of filmmaking. We can call him the inventor of the early film techniques. Although controversy rose due to his ignorance of his own racism‚ exaggeration in certain films and late years failure‚ it is with no doubt that Griffith had led filmmaking into a new era. Like other art forms‚ film

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    the three core questions that "frame the essential attributes of cinema" and why are they important to consider in film studies? (6 points) 1) How do movies express meaning? It is important to consider in film studies because the basic tools of filmmaking help organize design of a film‚ and the filmmakers are able to express a range of meanings. 2) How do viewers understand film? It is important to consider in film studies because viewers understand film by applying different aspects of their

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    No matter how many people have fought for diversity and women’s rights in the past‚ these people are still not considered equal to others in the filmmaking and television industry. Diversity‚ mostly in gender‚ is highly unrepresented in the filmmaking industry for hiring directors and writers. Also‚ characters in movies are not necessarily represented positively in terms of showing importance for all people. From the amount of diverse people made as directors and writers‚ it can be concluded that

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    The film Koyannisqatsi (1983) had opened the public’s eyes to the possibility of extensive time-lapse cinematography and the non- verbal style of filmmaking. Filmmakers such as Frances’ Jean Painleve made similar films before but nothing had been made such as Koyannisqatsi (1983). The other films where similar but made more towards the experimental film audiences. Godfrey Reggio the director of Koyannisqatsi (1983) and Ron Fricke the cinematographer showed how the modern world was moving from a

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