According to Film Art‚ film actor’s performance style is most affected by A) the microphone placement. B) the camera distance. C) the aspect ratio. D) the lighting. 6. "Frontality" of staging means that A) a character is placed in the extreme foreground of the shot. B) a character is facing toward the camera. C) one character blocks our view of another. D) a character is moving toward the foreground. 7. Georges Méliès was A) an early director of fantasy films. B) an important
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music gets quiet because he is moving without making sound. Music “brightens” up the movie’s plot by playing faster if it is suspenseful and playing slower if it is not suspenseful. Music holds the act together. It is the basic structure of all films. Even in books when it desribes the music it holds the scenes together. If you don’t have music you don’t have a play‚ act‚ scene‚ movie‚ or concert. Music is what makes a movie a movie. When Buddy the Elf runs away the music gets faster because
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Film Noir‚ meaning “black film’ in French‚ was the trending style and genre in American culture between the 1940s and the 1950s. It is a combination of European cynicism and the American landscape. Film Noir has its origins from German Expressionism and French Poetic Realism. Nino Frank‚ who was a French film critic‚ was the first to introduce this black and white genre to Hollywood in 1946. Many of the directors who introduced Film Noir where refugees from Nazi‚ Germany. From that moment in time
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consuming III. Conclusion Abstract This paper aims to know more about the animated film makings. It tackles about how the animated film making develop‚ the early history‚ production and problems. This paper seeks to study more closely animated filmmaking in 1990’s to the present such as History‚ Production and Problems. The production of animated films is typically referred as a cartoon. Animated film making is more on the 2D and 3D animation that can be used in Adobe Flash Professional and
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Fahrenheit 9/11 Maria Mohammad Film 108 Prof. Brooks/ TA: Josh Olejarz Fall 2012 Works Cited Kahana‚ Jonathan. Intelligence work: the politics of American documentary. New York: Columbia University Press‚ 2008. Print. Spence‚ Louise‚ and Vinicius Navarro. Crafting truth: documentary form and meaning. New Brunswick‚ N.J.: Rutgers University Press‚ 2011. Print. Maria Mohammad Film 108 TA: Josh Olejarz Montage
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Textual Analysis in Film Camera Analysis ← Composition ← Framing ← Camera Height ← Angle of view ← Depth of field ← Choice of lens Mise en Scene Film Analysis questions ← Dominant: Where is our eye attracted first? Why? ← ← Lighting Key: High Key? Low Key? High Contrast? Some combination of these? ← ← Shot and Camera Proxemics: What Type of shot? How Far away is the camera from the action? ← ← Angle:Are we ( and the camera)
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Film Language The Semiotics of Cinema What is Film Language? Ways in which films tell stories and affect the viewer; the elements of filmmaking employed to tell the story in a particular way Christian Mertz’s theory: film was not a language system but a language. French film theorist Conventions Customary ways of doing things‚ rather than grammatical rules A way in which something is usually done‚ especially within a particular area or activity Example: Canadian tire money‚ where it
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ADAPTATION AS INTERPRETATION The debate on cinematic adaptations of literary works was for many years dominated by the questions of fidelity to the source and by the tendencies to prioritize the literary originals over their film versions. (Whelehan:2006) Adaptations were seen by most critics as inferior to the adapted texts‚ as “minor”‚ “subsidiary”‚ “derivative” or “secondary” products‚ lacking the symbolic richness of the books and missing their “spirit”. (Hutcheon:2006) Critics could not forgive
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Review of the film The film‚ which really starts a few years before 1492 and closures a few years after the fact‚ begins off with a great deal of grave and traditionally successful scene-setting as Columbus’ child and biographer‚ Fernando‚ reviews his father‚ the visionary of inconceivable dreams. The myth of Columbus-as-legend propagated in 1492: Conquest of Paradise just on the grounds that I didn’t generally think about chronicled correctness. But rather I focused around the moderate moving plot
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Vivre Sa Vie In the nouvelle vague film style in Cleo de 5 a 7 and Vivre Sa Vie‚ isolation is a common theme expressed by two different walks of life through the unfortunate circumstances of two individual women. Both females have a physical terminal end in sight‚ but the struggle with internal isolation is what connects them together. Vivre Sa Vie objectifies and sexualizes Nana‚ the main character‚ from the minimizing documentary-like style of the film to her sudden cause of death. Her prostitution
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