"Double Indemnity" is one of the best films of all time‚ not necessarily because of its story but because of the acting‚ direction‚ cinematography‚ lighting‚ and the narrative style. At the time this film was released‚ the idea of revealing who the killer was in the opening scene was virtually unheard of‚ but it ended up being very effective because it allowed the audience to concentrate more on other elements of the film‚ which was the goal of Billy Wilder‚ the director. Instead of trying to figure
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Schindler’s List The function of choosing black and white in Schindler’s List is to provide authenticity to the film‚ as a result it induces the imminence of the Second World War and increases the overall effect of the story. Moreover the viewers are stimulated both visually and psychologically due to the film noir style‚ providing a deeper impact on the audience‚ enhancing the brutality of the incidents‚ as well as the opposition of good and evil”the dominant interpretation offered by critics
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1. A static character is a character which does not change during the course of a story. Sam Spade is a static character because by the end of the book The Maltese Falcon‚ Spade still seeks his own type of justice and he still retains within him a detachment to the world as seen when he has the police take Brigid away at the end. Another character that can be viewed as static is Stevens from Remains of the Day. Although towards the middle and end of the book‚ Stevens appears to start regretting
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Understanding Film Shane Gladstone Analytical Essay on any Scorsese Film: (Goodfellas‚ 1990) In the year 1990 Warner Bros released a motion picture titled Goodfellas. Directed by Martin Scorsese‚ the narratives main strand dealt with the issue of a misguided youth enjoying his rites of passage from within the inner sanctum of the Italian gangland of the early sixties New York. The narrative continues in a narrated biographical form‚ following the protagonist through highs and lows before eventually
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Casablanca response Casablanca is a romantic-melodrama that is a heart-warming‚ funny‚ and for professor Kredell it “brings tears to his eyes”. The Film Casablanca explores the themes of sense of duty‚ sacrifices‚ and letting go of past love‚ all in chaotic and disastrous world. Casablanca was set in Moscow during the Second World War. The film follows an American club owner Rick Blaine and his journey reuniting with past love IIsa Lund. The director Michael Curtiz chose eliding duration technique
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Casablanca is a romance and drama film that was released in the United States (US) in 1942. The captivating wartime film is about two men vying for the love a woman. It is also a political film that highlights Morocco during the Second World War. Casablanca was produced by Warner Brothers and directed by Michael Curtiz one of Hollywood’s most creative and brilliant directors in that period. Casablanca has the perfect combination of intrigue‚ suspense‚ romance‚ and drama that captivates the audience
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CASABLANCA FILM REVIEW 1. How did the practical constraints imposed by World War II affect this movie? (Give 2 examples.) Hollywood shifted from an outspoken denial of any overt promotion of the U.S. involvement in the war to an active on-screen support of that involvement. The cast was very international‚ of all the principle and supporting actors in the film came from Europe‚ only Humphrey Bogart and Dooley Wilson were born and raised in America. The rest of the actors either cam to U
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Before World War II‚ the quintessential film contained bright‚ happy‚ and optimistic tones. However‚ when the United States entered the battlefield‚ motion pictures became less optimistic. As Americans discovered the circumstances of the war‚ the filmmakers of the time felt hopeless as well. Ultimately‚ movies became hard boiled‚ unheroic‚ and unromantic. This movement is known as film noir (or black film) because the movies of this era contain a dark mood and tone. It would continue to thrive until
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18 November 2012 Film Review: Angels with Dirty Faces‚ USA 1938 The film I have chosen to review and analyse under the theoretical frame Genre is Angels with Dirty Faces‚ a gangster film directed by Michael Curtiz starring James Cagney and Humphrey Bogart. In Andrew Tudor’s book “Theories of Film”‚ he argued that genre is “what we collectively believe it to be”. I believe that when Tudor says “we” he means the audience. Audiences have an expectation of what they assume a film to be like and this
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prime example of a bound visual motif in this film is a scene in the very beginning of the film. A small boy named Collegeno always sits outside his apartment building that over looks the street. One morning he witnesses Sonny and his gang murder a man over a parking spot. This is a visual motif throughout the movie because it ties everything together. This scene is played in the beginning and is what brings Sonny and Collegeno together. At the end of the film‚ when Sonny dies‚ Collegeno asks the next
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