"Euripides" Essays and Research Papers

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    As with most of the myths in ancient Greek tragedy‚ the story-line of Euripides’ Medea‚ originally produced in 431 BC‚ is derived from a collection of tales that circulated around him. Medea is one of the earliest surviving plays of Euripides‚ though it was written well into his career. It is also one of the most popular. Margaret Thatcher‚ former prime minister of Great Britain‚ once said‚ “In politics‚ if you want anything said‚ ask a man; if you want anything done‚ ask a woman.” Novels and plays

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    Two Tragic Heroes Are Better Than One In many Greek tragedies‚ there will be one tragic hero and one tragic hero only. However‚ in Euripides’ drama Medea there are two tragic heroes within one story. One of these heroes is who the play is titled after‚ Medea. The other tragic hero is Medea’s ex-husband and father of her children‚ Jason. To be classified as a tragic hero‚ a character must present certain qualities such as‚ a royal status (king‚ queen‚ princess‚ prince etc.)‚ an extraordinary power

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    Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all‚ although a women’s maternal and domestic power was respected in the privacy of the home‚ "Our lives depend on how his lordship feels". The limited power these women were given is different to modern society yet

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    The Libation Bearers and Hamlet Many of Shakespeare’s plays draw from classical Greek themes‚ plot and metaphors. The tragedies of Sophocles‚ Aeschylus‚ Euripides and Homer have themes like royal murders‚ assassinations by near relatives‚ the supernatural‚ ghostly visits‚ and vengeful spirits of the dead- themes which reappear in Shakespeare’s tragedies with a difference. Shakespeare’s tragic hero Hamlet and Aeschylus’s Orestes have a great deal in common. Both the plays are set in a time when

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    (Sophocles‚ Antigone). Creon denies the power of the gods‚ and the highest god that is held in Greek Mythology‚ Zeus‚ and puts his power above theirs so that his authority may come before all. Creon’s pride can be compared to that of Jason in Medea by Euripides as they both think their actions are for the good of the citizens and those whom the characters love. This hubris quality led Creon to a reversal in his fate. A reversal of fortune follows the climactic words and actions of Creon showing

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    Iakobos Kambanellis

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    Iakovos Kambanellis This is an interview with Greek directorConstantinos Passalis- by Reza Shirmarz based on translating Iakovos Kambanellis into Persian - :‫نوشتۀ پشت جلد این کتاب عبارت است از‬language. Constantinos Passalis was born in Marmari of Evia‚ Greece. At a very young age his family moved to Athens where after finishing his secondary education‚ he studied law. The Arts won him over however and he went on to study theatre at the Michaelides School of Drama. He then came to London

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    HAMLET AND ORESTES

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    07 1 THE BRITISH ACADEMY THE ANNUAL SHAKESPEARE LECTURE 1914 Hamlet and Orestes A Study in Traditional Types By Gilbert Murray‚ LL.D.‚ D.Litt. Regius Professor of Greek in the University of Oxford Fellow of the Academy New York Oxford University Press American Branch 35 West 32nd Street London : Humphrey Milford THE BRITISH ACADEMY THE ANNUAL SHAKESPEARE LECTURE 1914 Hamlet and Orestes A Study in Traditional Types By Gilbert Murray

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    Medea vs. Antigone

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    Medea vs. Antigone The two Greek plays‚ Medea and Antigone both exhibit opening scenes that serve numerous purposes. Such as establishing loyalties‚ undermining assumptions on the part of the audience‚ foreshadowing the rest of the play‚ and outlining all of the issues. Medea and Antigone share many similarities in their openings. Both plays begin with providing the audience with the history and the consequences of certain situations that the characters were involved in. It also brings

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    roman literature

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    includes: tragedies‚ comedies‚ poems‚ epics etc. You can’t compare these forms of literature all together but one by one.  So I want to compare for you the Greek Tragedy and The Roman Tragedy  The best tragedian in Greece were Aeschylus; Sophocles and Euripides. Their tragedies were mythological stories. The Roman tragedies instead showed Roman historical characters. Plays‚ in Rome‚ were free and people of all ranks and classes were admitted to the theater including women and slaves‚ the same thing appended

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    that speak‚ sing‚ and dance together. The Chorus is part of a ritual theme in Greek tragedy plays. In each play the Chorus many functions‚ and sometimes can have similar roles as other choruses in other plays. Specifically in the Bacchae‚ a play by Euripides and in Oedipus the King by Sophocles‚ the Chorus were an important part of the play and had different functions. In the Bacchae‚ the Chorus’ was more reserved an not so involved but their main goal was to show how to respect and give honor to the

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