of love become personal and understandable when coming to life in a play. Three writers made this possible in plays using the main theme of love. Three plays that show the complexity of love are “A Doll House” by Henrick Isben‚ “A Streetcar Named Desire” by Tennessee Williams‚ and “A Midsummer
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Tennessee Williams’ Background to A Streetcar Named Desire • From an early age‚ Williams used writing as “an escape from a world of reality in which [he] felt acutely uncomfortable”. • He wrote about the human condition as he saw it; unafraid to tackle topics such as incest‚ rape and madness. • He believed that “we are all savages at heart”. Which of the characters in Streetcar prove or disprove this? • He lived in New Orleans from 1938‚ a bohemian place where all manner of
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a rough childhood or if they grew up with a silver spoon in their mouth? Blanche Dubois past consists of a dead husband‚ her compulsive lying‚ and prostitution. Blanches past is what led to the eventual demise of her character in A Streetcar Named Desire. Blanche Dubois had a past that was filled with love. In scene 6‚ while sitting with Mitch‚ Blanche talks about her first husband that she met when she was 16. In the story Blanche talks about coming home one night and finding her husband in bed
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Named Desire - the words spoken by the characters in the play and the text of the stage directions. Whether witnessing a performance or reading the text of a play we rely on the dialogue to enable us to create an image of the characters‚ to decide if we like or dislike them‚ to try to understand them and their actions. The nuances of speech set the characters in their class context and show the differences of social status and education as well as of character. In A Streetcar Named Desire the very
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In the movie‚ A Street Car Named Desire‚ Blanche uses the quote‚ “I don’t want realism. I want magic! Yes‚ Yes‚ magic! I try to give that to people." to explain her desire for her fantasy life to become reality. Blanches fantasy life would restore her youth‚ forgive her past and she would be more welcomed by people like Stanley and Mitch. I do agree with her statement‚ and believe that living in a “fantasy world” for a short period of time can be beneficial‚ but I do not agree with the circumstances
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The Amazing Dichotomies of "A Streetcar Named Desire" Light and dark‚ kindness and cruelty‚ realism and fantasy‚ all of them dichotomies used by Tennessee Williams in A Streetcar Named Desire. Tennessee Williams uses many dichotomies‚ clear cut divisions‚ to illustrate main points. The most prominent dichotomy is the sweet and fragile Blanche opposed to the cruel and savage Stanley. The play also highlights other dichotomies such as strong and delicate‚ hidden and open‚ and purity and filth. Basically
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No Accommodation? The language of Stanley and Blanche in A Streetcar Named Desire David Kinder The dynamic opposition between Blanche and Stanley in A Streetcar Named Desire is one of the most important forces in the play. Williams creates and maintains an antipathy and tension between them so that‚ despite the audience’s horror at what Stanley does to Blanche in scene 10‚ the fact that there is a final clash between the two characters comes as no surprise to us. Stanley’s gruesome boast to Blanche
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Without delay‚ the subject of alcohol in Tennessee Williams’s A Streetcar Named Desire he illustrated this subject as refreshment‚ maintaining fictional reality and leading one onto the part of self-destruction. Stella sees alcohol mostly for a positive escape and as refreshment and to make a gathering and conversation more socially acquainted. “Blanche you sit down let me pour the drinks” (Williams 7) On the other hand‚ there is Blanche who perceives alcohol only as an escape from reality into her
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Power for women in America in the 1950s was a different for women than in present day. The plays Fences by August Wilson and A Streetcar Named Desire by Tennessee Williams‚ examines two different women from different social classes and races. Despite these women having vastly different pasts‚ there are some similarities in the role they play in their families and marriages and the way their power is important to the storylines of the two plays in relation to the other characters. Stella and Rose
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A Streetcar Named Desire Blanche and Stanley‚ two characters of Tenessee Williams’ play A Streetcar Named Desire‚ represent two very conflicting personalities. Stanley‚ Blanche’s sister Stella’s aggressive husband‚ portrays strong tones of anger‚ rage‚ and frustration. However‚ although his behavior is without a doubt over-bearing and rough‚ in a way he displays realism and truth as well. On the other hand‚ the play’s true protagonist Blanche exerts enthusiasm‚ spunk‚ and elaborate nostalgia. These
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