(PROFESSOR) Submitted on: April 28‚ 2011 ------------------------------------------------- Introduction Skeptics claim that the flood narrative of Genesis1 is a rewritten version of an original myth‚ The Epic of Gilgamesh‚ from the Enuma Elishproduced by the Sumerians. The flood of the Epic of Gilgamesh is contained on Tablet XI2 of twelve large stone tablets that date to around
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“The Epic of Gilgamesh” The Epic of Gilgamesh is a compilation of stories of ancient time which have some similarities with the Old Testament. The poem was originally written in Akkadian by Sin-Leqi-Unninni on eleven tablets with a broken up appendix on a twelfth. The poem is unique because it names its author‚ which is uncommon for literary works that we have from of this time. Comparable to most of the stories from this time (2700 B.C.)‚ journeys and events are an integral part of the stories
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also the one who tells Gilgamesh that he should go to Utnapishtim. The sixth woman that I will be discussing was not named in the epic of Gilgamesh but we know her by Utnapishtim’s wife. She plays a very significant role in the story because she is the one who convinces her husband‚ Utnapishtim‚ to share the secret of “how the old man becomes a young man.” In the epic of Gilgamesh‚ Utnapishtim says‚ “There is a plant that grows under the water‚ it has a prickle like a thorn‚ like a rose; it will
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millennium BC must have been way different then how we see friendship today… Or is it? When you have a friendship with someone‚ you “fill their gaps” of what they don’t necessarily have. N. K. Sandars demonstrates that “filling of the gaps” in The Epic of Gilgamesh. The friendship of Gilgamesh and Enkidu benefits them both greatly by making up for each other’s limitations. You see this when they become stronger together to fight Humbaba and the Bull of Heaven‚ when Enkidu rationalizes with Gilgamesh
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In order to be a hero‚ one must follow a few traits‚ including: good leadership skills and to accomplish a goal that benefits people or a place. Gilgamesh‚ in The Epic of Gilgamesh‚ certainly follows many heroic traits‚ but fails to have the utmost vital qualities that would make him fitting to be a hero. In order to be a hero‚ one must be a superior leader. A good leader is always optimistic‚ have integrity and support the people you are leading. Gilgamesh fails to show the qualities of a good
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As the Epic begins‚ it becomes clear to the reader that Gilgamesh rules the town of Uruk with an iron fist. The depiction of his character is one of an arrogant‚ self-centered‚ controlling ruler that has no compassion for his people. Not only does he possess these traits‚ it is as he almost takes pride in having the ability to do whatever he wishes without consequence. One area this becomes apparent would be him taking women for himself on their wedding night. It is through Enkidu that I believe
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GILGAMESH By MET The myth known today as The Epic of Gilgamesh was considered in ancient times to be one of the great masterpieces of cuneiform literature. Copies of parts of the story have been found in Israel‚ Syria‚ and Turkey and references to the hero are attested in Greek and Roman literature. The tale revolves around a legendary hero named Gilgamesh (Bilgames in Sumerian)‚ who was said to be the king of the Sumerian city of Uruk. His father is identified as Lugalbanda‚ king of Uruk
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2003 “Song of Myself” as an Epic Poem There are many concepts and characteristics that define an epic. However‚ some criteria are simply more important than others. This is why Walt Whitman’s “Song of Myself” can be considered as an epic poem due to its ability to meet the most important requirements of an epic. Although it does so through a very intricate method‚ “Song of Myself” contains both a hero and an antagonist‚ thus meeting the basic requirement for an epic poem. The hero‚ although vague
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In epic tales/stories‚ this is an individual to admire and to live by their ways‚ and because of this he/she is the embodiment of the values and concerns of the culture of the author that created him/she. The values of every culture were shaped by the social conditions of that time and different attributes became valued. Cultural values are expressed in both actions of a hero and his motivations. As heroes‚ Gilgamesh and Rama reflect the values of the cultures that created them. First epic hero
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The Epic of Gilgamesh Questions for Analysis #1-6 1. What was the Mesopotamian view of the afterlife? 2. What is the message of Siduri’s advice to Gilgamesh? 3. Consider Utnapishtim’s initial response to Gilgamesh’s request for the secret of eternal life. How does his message complement what Siduri has said? 4. Consider the story of Utnapishtim. What do the various actions of the gods and goddesses allow us to infer about how the Mesopotamians viewed their deities? 5. According to the epic‚ what
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