has never stopped their exploration into music. So‚ I think it’s highly possible that several new musical instruments can be invented and widely distributed. The musical history has already proved this. Before 19th century‚ the majority of musical instruments are acoustic‚ and most people at that time held the opinion that we already have enough instruments. However‚ accompany with the development of electricity and latter computer technology‚ electronic music has grown rapidly. Musical instruments
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Creativity is a dance Upstage she leaps into the air‚ raises her tender arms and bends her elbow the special way. She creates her own movement. Lights are gleaming on her body while she twirls. Her gestures are elegant and emotionally engaging. It is creativity that gave her the wings to fly on stage. Creativity has allowed me to share my knowledge with future generations and spread my art within the audience in the most famous theatres around the world. I began to learn dance taking improvisations
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PROJECT IN RESEARCH II NATIONAL DANCE OF VIETNAM Submitted by: Pamela Vel B. Marpa Section: II-Discipline Submitted to: Michael Vincent R. Galestre July 31‚ 2012 Mua Sap (Bamboo Dance) Mua Sap (Bamboo Dance) originally from the Highland region of Vietnam‚ this popular dance was performed to celebrate special event‚ such as New Year’s Day. A series of bamboo sticks are set up in a line‚ with the people holding them in place on either side. Dancers move in and out of
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career would be the director of a dance company. The main reason for choosing this career‚ of course‚ is because of my passion in dancing. Therefore it would be great if I could spread my passion in this healthy sport to the society as well. In order to understand further on the requirements I need for my chosen career path and also the challenges I might face in the future‚ the company I decided to interview is the owner of a dance company named Redmouse Dance Academy. Person
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shows Stich’s social patterns as he socialises with Fly Eight and Dance Boys as well as his movement among the three groups. Although Stich does not live in Phola Park‚ he does spend time there socialising with friends and peers in the Phenduka section‚ which is represented by the larger circle in the figure. This is where members of both the Dance Boys and Fly Eight live. Also‚ he has moved to Everest where the majority of the Dance Boys group live. Davies ad Harre’s (1990) positioning theory which
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is a folk dance that originated in Punjab but started in Vancouver during the 1970’s and usually was performed with half guys and half girls‚ however the girls were Caucasian. Also‚ in Vancouver around the same time when there were labor rights strikes the Dhol become really popular because it was used in the strikes to receive fair wages. The 70’s and 80’s were when the Bhangra scene in Vancouver was blossoming and creating an identity for itself; However‚ it was a male dominated dance form with
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nearby. He always saw himself living a life of dance and fame‚ so he moved to New York where his career took off. He went from choreographing small parts‚ so having his own Broadway shows and movies. The different stages in his life led him to some many ups and downs‚ but that did not stop him from creating more masterpieces. Bob Fosse won multiple awards for his movies and plays‚ and it is all in thanks to hardships that helped him create the Bob Fosse dance style. Not many people could be said to have
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vibrato have arguably arisen out of recording ’s unforgiving influence (Katz‚ 2004; Pp. 4)‚ but as music can be captured mechanically‚ its reproduction is of similar process – that is to say that music may now be touched‚ and changed. Katz (2004; Pp. 4) supports this: “Once music is reified...it becomes...manipulable in ways that had never before been possible.” The physical manifestation of music has spawned numerous practices and disciplines involving the manipulation and subsequent re-recording
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my life… (dancing through the dubstep sounds) Will I ever meet a boy who loves me (dancing through the dubstep sounds) I guess I will never know… Alternating girl-boy: Will I met‚ Oh‚ will I ever met someone who Can dance like ooh.. Can dance like oh oh oh oh oohhh. Do the ring. I’ll do the ri ri ri ri ri ri ring for you. Oh my God‚ Who’s that dancing? It might be someone who likes the dub. The dub… The step… We both like dubstep. Alternating boy-girl: I hope that
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prestige. The close up shot of dance mentor Lez Kendall when talking about Scott‚ who “resorted to his own flashy crowd pleasing steps” in mockumentary style informs the audience that in order to belong to this world of ballroom dancing‚ strict conformity to the rigid steps is required. However it is through Scott’s reaction “Maybe I’m sick of dancing someone else’s steps all the time” that foreshadows his struggle between his individuality and the forced conformity of the dance culture and Barry Fife
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