alternative explanation of human evolution that suggests modern man spent some time adapting to a semi-aquatic environment before taking on its current form. This idea was first proposed in 1942‚ and its greatest proponent since that time has been Elaine Morgan. The aquatic ape theory‚ although compelling‚ has failed to become accepted within the scientific community. Max Westenhofer first published an account of the theory in 1942‚ but it was Alister Hardy who defined the idea more clearly in 1960:
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Bibliography: Elaine Showalter ’s "A Literature of Their Own".
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The common physical beauty is what Elaine Scarry called “a symmetry of everyone’s relation to one another” in her book called On Beauty and Being Just (1999). This means that beautiful subjects or objects are evenly proportioned and ideal in all their forms. In other words‚ if symmetry is perfection‚ then beauty is perfection too. At the same time‚ as absolute symmetry does not exist- beauty is a divine feature of “chosen”. Meanwhile‚ I have my own interpretation of physical beauty. This is the idea
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If you are approaching Tennyson’s poem‚ "The Lady of Shalott"‚ this page will help you get started. It is intended especially for students (high-school age and older) who have read the poem in class. The Story John William Waterhouse‚ The Lady of Shalott 1888 The Lady of Shalott is a magical being who lives alone on an island upstream from King Arthur’s Camelot. Her business is to look at the world outside her castle window in a mirror‚ and to weave what she sees into a tapestry. She is forbidden
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Bromiley case. Although this case highlights the importance of communication and leadership within a team‚ it also demonstrates how a “routine operation” with what was classified as an easy airway‚ can go wrong and lead to serious harm. In this case Elaine Bromiley’s airway obstructed in the anaesthetic room and became a ‘can’t intubate‚ can’t ventilate’ (CICV) scenario. It confirms again that a clear plan is needed before any intubation and should any crisis occur this plan should be followed.
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episode of Seinfeld titled The Pitch‚ in which he discusses the idea of nothing as being a much more complex notion than just an empty experience with no actual value. They illustrate this idea with Jerry Seinfeld‚ George Costanza‚ Cosmo Kramer‚ and Elaine Benes‚ when they spend countless days doing “nothing”. The time they spend doing nothing is filled with interesting dialogue‚ while mostly comic‚ it still portrays a further importance that affects their personal thoughts and daily motives. Through
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ed. by Ron Scrapp and Brian Seitz (New York‚ USA: State University of New York Press‚ 2007). Moddelmog‚ William E. ‘Disowning Personality: Privacy and Subjectivity in The House of Mirth’‚ American Literature‚ 70:2 (1998)‚ pp. 337-363. Showalter‚ Elaine. Sister’s Choice: Tradition and Change in American Women’s Writing. (London: Oxford University Press‚ 1994). Singley‚ Carol J. Edith Wharton’s The House of Mirth: A Casebook. (New York‚ USA: Oxford University Press‚ 2003). Wharton‚ Edith. The House
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The Lady of Shalott by Alfred‚ Lord Tennyson Copyright Notice ©1998-2002; ©2002 by Gale Cengage. Gale is a division of Cengage Learning. Gale and Gale Cengage are trademarks used herein under license. For complete copyright information on these eNotes please visit: http://www.enotes.com/lady-shalott/copyright eNotes: Table of Contents 1. The Lady of Shalott: Introduction 2. The Lady of Shalott: Text of the Poem 3. The Lady of Shalott: Alfred‚ Lord Tennyson Biography 4. The Lady of Shalott:
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Ann English 10 Walking Away Isn’t Easy Elaine Weiss has been married two times in her adult life. Her first husband caused her to feel like less of a woman with the abuse that he inflicted on her. She is happily married now‚ but even to this day when she hears someone say‚ “Why don’t these women just leave?” she cringes and wants to give them a piece of her mind. Elaine has spent 19 years trying to figure out how she ended up in an abusive relationship. She still has nightmares
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Tennyson wrote two versions of the poem‚ one published in 1833‚ of twenty stanzas‚ the other in 1842 of nineteen stanzas. It was loosely based on the Arthurian legend of Elaine of Astolat‚ as recounted in a thirteenth-century Italian novella titled Donna di Scalotta (No. LXXXII in the collection Cento Novelle Antiche)‚ with the earlier version being closer to the source material than the later.[1] Tennyson focused on the Lady’s "isolation in the tower and her decision to participate in the living
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