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    Indian parallel cinema

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    html indian parallel cinema Through his first film Pather Panchali (1955) Satyajit Ray became the pioneer of a genre of films latter known as the ’Indian Parallel Cinema ’. Even though Ritwik Ghatak made his first film Nagarik in 1952‚ he became well known by his film Ajantrik (1958) and became a strong presence in parallel cinema. Mrinal Sen made his first filmRaatbhor in 1955. The first film society was founded in Bombay in 1943 and Satyajit Ray founded a film society in Calcutta in 1947

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    Impact of Indian Cinema

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    IMPACT OF CINEMA ON THE INDIAN SOCIETY Cinema has become the most powerful form of Mass Media since the day it was introduced to the world. The Lumiere Brothers who invented the ‘ Cinematograph’ ( a compact and portable device which with a few adjustments could be used as a projector ‚ camera or a printing machine) declared that the cinema is an invention without a future. The primitive form of cinema were ‘ living photographic pictures’ which attempted to produce reality. If Cinema in reality

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    History of Malayalam Cinema

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    culture……………………….…2 * The early era (1907-1950s)……………………………….…..3 * 1950s………………………………………………..……….…6 * 1960s………………………………………………..…….……8 * The Malayalam New Wave: 1970s……………………….….10 * 1980s…………………………………………………………..15 * Golden age of Malayalam Cinema…………………..……...17 * 1990s………………………………………………..……….…19 * Early-mid 2000s……………………………………………….20 * Late 2000s………………………………………………….….21 * 2010s to the present……………………………………….…..21 * Actors……………………………………………..……………22 * Kerala State Film Awards…………………………………

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    Indian Parallel Cinema

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    Parallel Cinema While Indian Cinema known as Bollywood was thriving in the 1950s‚ the film industry also saw the emergence of a new Parallel Cinema movement. A group of film-makers broke with the past traditions and made exciting‚ experimental and innovating films (Gupta 11). Indian Parallel Cinema is a specific genre of Indian cinema which is known for its serious content‚ realism and naturalism‚ which reflected social and politics during those times (Gupta 14). Indian parallel cinema represents

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    The american horror cinema

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    THE AMERICAN HORROR CINEMA Christophe CHAMBOST ISIC.L2.cinéma Evaluation : Un devoir sur table en examen terminal avec 2 questions de cours (exemple : une question sur le gothique et une question sur un cinéaste) → 50% de la note Un dossier à faire en groupe : prendre une scène d’un film fantastique Américain qui nous paraît intéressante Fantastic The origin of the fantastic as a literary genre started in the 18th century. At that time there was no films but there was an interest for the macabre

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    Cinema Reservation

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    LYCEUM OF THE PHILIPPINES UNIVERSITY 33 Muralla St.‚ Intramuros‚ Manila AcademicYear 2012 – 2013 Second Semester COLLEGE OF COMPUTER STUDIES SEPN14C : Software Engineering PROJECT PROPOSAL DOCUMENTATION Section : C-332 Group Name : Independence Name of Students: Student Number: (in order: SN‚ GN‚ MI.) Ferrer‚ Harley F. 2010-10912 Rodrigo‚ Prince Kevin D.C. 2010-10705 Santiago‚ Carl Jason N. 2010-10900 De Guzman‚ Ervin O. 2010-10798 Tan‚

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    The evolution of sound in cinema Jay Beck General histories of the relationship between sound and image in cinema tend to perpetuate an ocular-centricity (emphasizing vision over the other senses) that dates back to the very earliest experiments in “moving pictures”—a term which itself serves to confuse historians. The vast majority of cinema histories tend to relegate the subject of sound in cinema to a subordinate position by studying the transition to the sound period in the late 1920s and

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    Direct Cinema Analysis

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    The Truth about Direct Cinema: Direct Cinema Filmmakers Are Still Humans Cinema Verité‚ or direct cinema—as it is also called—is a misnomer of sorts. “Verité” literally means “truth” in French‚ but as with other truths‚ the cinematic truth is molded and configured by those who have access to it. In this case‚ those people would be the filmmakers themselves. A direct cinema film proceeds without any formal script and is pieced together in its entirety in the editing studio. That is‚ the

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    The New Hollywood Cinema

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    points that make new Hollywood Cinema New. One big contributor was the emergence of the ‘Movie Brats’ they led the film industry away from predictable films‚ in the studio era the directors part was not particularly relevant they would not get the chance to choose the films they made. In New Hollywood Cinema director is key‚ he chooses the film then looks for a star. Directors started to make movies they were passionate about and personal to them. New Hollywood Cinema broke the studio package; it had

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    Introduction Since the industrial revolution‚ society has become more and more dependent on technology. So much so that we sometimes lack the willingness to think before we act. We become impatient if it takes more than a few seconds to download a copy of the morning news paper. We expect immediate responses to our email‚ and we expect someone to answer their cell phone whenever and wherever we call. “Industrialization resulted in rapid and sustained economic growth and a massive increase

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