PTTLS Writing Assignment An assessment to gauge readiness to complete the PTTLS course at Level 3 or 4 “This submission is entirely my own work unless I have used quotation marks to indicate my reference to the work of others” Lois Dalphinis 12/15/2010 Introduction Pre-assessment In writing this assignment I hope to inform the reader about my learning experience. The context of my artistic practice in its broadest sense is experiential and my diverse cultural heritage informs
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References: Alex‚ Owen (2014) “Borderland Borms: Arthur Conan Doyle‚ Albion Daughters‚ and the politics of the Cottingley Fairies Berger‚ vertov (1977) “ ways of seeing”. London: Penguins Books Limited. Print. Joyce‚ Goggin (2012) “the status of the photographic image in post media cultural production” Amsterdam: Univerity of Amsterdam. Pg 1-55 Scmelling‚ Michael‚ and James Holloway (2002)
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The evolution of sound in cinema Jay Beck General histories of the relationship between sound and image in cinema tend to perpetuate an ocular-centricity (emphasizing vision over the other senses) that dates back to the very earliest experiments in “moving pictures”—a term which itself serves to confuse historians. The vast majority of cinema histories tend to relegate the subject of sound in cinema to a subordinate position by studying the transition to the sound period in the late 1920s and
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THE FUTURISTS - Embraced new technology and urbanism as expressions of the modern. more important theoretically and ideologically‚ than formally or technically - First Manifesto‚ Feb.20‚ 1909 on the front page of Le Figaro‚ Paris; important gesture for the future development of media art written by F.T. Marinetti (1876-1944)‚ poet influenced by Walt Whitman‚ who offered "a vision of a world of grandiose individuality‚ a world where machinery was an accepted part of life." Marinetti mailed copies
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Notes from film: What is Cinema January-10-13 8:13 PM • An art form‚ an artistic spectacle‚ an aesthetic language with its own grammar and style‚ a ‚medium of communication and expression • A series of still image on a strip of plastic which‚ wen run through a projector shown on a screen‚ creates the illusion of moving images. • Form ( film language) and content ( message) are linked. The message is understood through its form or language by exploring how it uses
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Dada From Wikipedia‚ the free encyclopedia Jump to: navigation‚ search For other uses‚ see Dada (disambiguation). Cover of the first edition of the publication Dada by Tristan Tzara; Zurich‚ 1917 Dada /ˈdɑːdɑː/ or Dadaism was an art movement of the European avant-garde in the early 20th century. Many claim Dada began in Zurich‚ Switzerland in 1916‚ spreading to Berlin shortly thereafter but the height of New York Dada was the year before in 1915.[1] To quote Dona Budd ’s The Language of
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Test #1: Study Notes Chapter 1 Cinephile: a lover of cinema Filmography: a list of films There are distinct types of explanation in film history: 1. Biographical History 2. Industrial/Economic Historybusiness procedures 3. Aesthetic Historyfilm art (form; style) 4. Technological History 5. Social/Cultural/Political Types of Explanation: 1. Chronology 2. Influence 3. Trends/Generalization 4. Periods (by positing trends‚ historians generalize) 5. Significance Methodological Individualism:
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Choose any 3 film movements that we ’ve covered to date and discuss (a) the historical forces that influenced the film movement and (b) the major contributions associated with that particular film movement (c) while discussing a major director and film associated with each movement. The expressionist movement was historically influenced by the First World War. During the 1st world war the German films were not doing well at all compared to other film industries of the world. When the United
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INTRODUCTION Eisenstein had begun during the late 1920s into montage and cinematography in the other arts. Sergei Eisenstein is widely regarded as much by people who have not seen his films as by those who have‚ as one of the most important figures in the history of cinema. Historically‚ his reputation developed around four factors. First there were the films themselves‚ which were not only masterpieces but almost attracted controversy and indeed censorship‚ in their home country as
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