Shakespeare’s ‘Richard III’ and Pacino’s ‘Looking for Richard’ ground the evil of Richard differently in their respective texts. Shakespeare’s Richard is not merely an ambitious villain‚ but the personification of a metaphysical evil – a Machiavellian prince whose vice-like character is derived from the medieval morality play. Broad contextual shifts have resulted in Pacino recreating a villain for our times‚ emphasising mainly the political characteristics of a tyrant-king rendered recognisable
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Introduction to W. Shakespeare’s Richard III Richard III is among the plays that Shakespeare wrote about the history of England. The events in Richard III come directly after the 3rd part of Henry VI. These two plays make Shakespeare’s first tetralogy; Henry VI that has 3 parts and Richard III are altogether 4 plays in which the events are related. He used Raphael Holinshed’s Chronicles of England‚ Scotland‚ and Ireland(1587) as the main source of his “History Plays” (or Chronicle Plays–sometimes
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understanding of context and values Examinations of Shakespeare’s play ’King Richard III’ and Pacino’s docu-drama ’Looking for Richard’ reveals relationships between the texts and their respective audience. The fifteenth century and twentieth century contexts demonstrates the values of each text and enables understanding of how the film enriches the ideas presented in the play. ’King Richard III’ portrays a hateful‚ corrupted Richard exploring divine justice and the notion of appearance versus reality in
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Both Richard iii and Othello have two of Shakespeare strongest villains. Iago from Othello shows his strength of manipulation from the very beginning of the play Shakespeare shows how strong this character is and that without his strength and power throughout the play Shakespeare would have had trouble portraying a story. Also it would have been the same throughout Richard iii‚ due to his power of making people do exactly what he wants them to do. Iago is introduced and he is portrayed as an evil
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Richard III - Irony of Shakespeare Shakespeare is known for his wit and brilliance in writing. One of his tactics is his use of irony. There are three types of irony: verbal‚ dramatic and situational. Verbal irony is a figure of speech in which the speaker says the opposite of what he or she intends to say. Dramatic irony is the contrast between what a character says or thinks and what the reader knows to be true. Situational irony is the discrepancy between appearance and reality or between
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Shakespeare’s Richard III‚ Richard ingeniously portrays himself as a transparent man through creative wordplay and deceitful actions. As such he is able to effortlessly manipulate Hastings into initiating his own death. Throughout the passage‚ Hastings continuously misreads Richards’s true character and as a result‚ foolishly ignores the many warnings given to him. He was ignorant to the fact that he is but another stepping stone towards Richards’s journey to the crown. Hastings believes Richard to be an
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throughout the play while Richard is a complex character with differing layers as he plays different roles in the play and change throughout the entire play. Lastly‚ parallels can be drawn between Richard and Richmond‚ from the similarity in name to their introduction and finally their speech to their armies before the battle. [so what is your stand? Understand that in this quote there are two big contentious points – Richmond ONLY to be a foil and Richmond AS much a hero AS Richard a villain.] Richmond
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developed and explored. By a comparative study of texts parallels in context can be established and evaluated‚ with the alternate visual mediums key in enhancing the audience experience. Al Pacino’s “Looking for Richard‚” (1996) provides a more coherent view of William Shakespeare’s “Richard III‚” (1592)‚ using similarities between texts to accommodate a modern audience. Both texts represent common themes of war‚ demonstrating the inherent evil of mankind through characterisation‚ with respective societal
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Richard III Essay The story of Richard III tells the tale of one of history’s most tyrannous kings who stopped at nothing to claim the throne. Set in colonial England‚ it’s a powerful story that is still relevant today of betrayal‚ honor‚ and the nature of man. It is also masterfully written‚ as Shakespeare uses language to depict imagery and provoke thoughts. Shakespeare uses literary devices to illustrate Richard’s tyrannous character in act 4 when Elizabeth and Margaret are grieving over their
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The Scrivener and History in Richard III Richard III challenges notions of how history is created and presented. Shakespeare’s play depicts the infamous Richard not only at odds with the other characters‚ but also fighting for a different interpretation of history. Richard and Margaret function as two characters opposed to each other with regard to history; Richard attempts to cover up the past as Margaret attempts to expose it. However‚ the creation and acceptance of history is largely
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