A Summer Project On “REALISM IN MODERN DRAMA” In Partial Fulfillment of the Requirements for the Award of Bachelor of Arts (Hons.) in English Submitted by: BISMA IRFAN BA (Honors) English ll A0706110036 ENROLL. NO. Submitted to: DR DEEPANKAR SUKUL Asst. Professor AMITY INSTITUTE OF ENGLISH AND BUSINESS COMMUNICATION AMITY
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Spiritual Sexuality and Women in Absence in Ancient Greek and Indic World Dr. Bimalkumar Subedi Introduction There are many confusions regarding the term ’ Spiritual Sexuality ’. In general‚ the term is understood as an especial form of physical sexuality itself where there thought to be some
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AN EXPLORATION OF THE DIMENSIONS OF EMOTIONAL BRANDING ADOPTED BY ORGANIZATIONS TO IMPROVE‚ BRAND ASSOCIATION‚ BRAND UNIQUENESS & BRAND EXPERIENCE Submitted by Mobin Tahir Supervised by ANGELA DALRYMPLE On 28 January‚ 2010 Student I.D.: A4019165 M.Sc. Marketing Intake-2 DECLARATION I‚ Mubeen Tahir declare that no part of this dissertation has been taken from existing published or unpublished material without due
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CHAPTER ONE: DEFINING PUBLIC ADMINISTRATION LEARNING OBJECTIVES After reading Chapter 1 in the textbook‚ the student should be able to: 1. Define public administration within the context of its four frames: a. Political b. Legal c. Managerial d. Occupational 2. Locate public administration within its interdisciplinary context. 3. Define the subject matter that forms the core of public administration. 4. Provide
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FILM LANGUAGE FILM LANGUAGE A Semiotics of the Cinema Christian Metz Translated by Michael Taylor The University of Chicago Press Published by arrangement with Oxford University Press‚ Inc. The University of Chicago Press‚ Chicago 60637 © 1974 by Oxford University Press‚ Inc. All rights reserved. English translation. Originally published 1974 Note on Translation © 1991 by the University of Chicago University of Chicago Press edition 1991 Printed in the United States of America 09 08 07 6
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Film Art The Significance of Form in Film -in films‚ a pattern exists; an internal system governs the relations among parts and engages your interest. This system of relationships among parts we shall call form -we can analyze how a film’s parts relate to one another to create the spectator’s overall experience -our experience of artworks is patterned and structured. The human mind craves form. For this reason‚ form is of central importance in any artwork‚ regardless of its medium. This
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Introduction to Sociology Edition 1.0 6th March 2006 From Wikibooks‚ the open-content textbooks collection Note: current version of this book can be found at http://en.wikibooks.org/wiki/Introduction_to_Sociology 2 Contents INTRODUCTION TO SOCIOLOGY.........................................................................1 AUTHORS...............................................................................................................6 INTRODUCTION..................................
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PANJAB UNIVERSITY‚ CHANDIGARH-160014 (INDIA) (Estd. under the Panjab University Act VII of 1947—enacted by the Govt. of India) FACULTY OF ARTS SYLLABI FOR M.A. SOCIOLOGY (Semester System) EXAMINATIONS‚ 2011-2012 --: o :-- 1 Note : A candidate for M.A. examination shall offer Psychology or Sociology or Statistics or Public Administration only if he/she has completed the prescribed courses in an affiliated college or the Department concerned of this University. APPLICABILITY
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NATIONAL OPEN UNIVERSITY OF NIGERIA SCHOOL OF SCIENCE AND TECHNOLOGY COURSE CODE: CHS 217 COURSE TITLE: Introduction to Sociology CHS 217 INTRODUCTION TO SOCIOLOGY Course Code Course Title Course Developer CHS 217 Introduction to Sociology Dr. J. O. Fayeye University of Ilorin Ilorin Dr. J. O. Fayeye University of Ilorin Ilorin Kayode S. Olubiyi National Open University of Nigeria Lagos Prof. Afolabi Adebanjo National Open University of Nigeria Lagos Course Writer Course Coordinator Programme
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MYTHOLOGIES MYTHOLOGIES Roland Barthes Selected and translated from the French by ANNETTE LAVERS Books by Roland Barthes A Barthes Reader Camera Lucida Critical Essays The Eiffel Tower and Other Mythologies Elements of Semiology The Empire of Signs The Fashion System The Grain of the Voice Image-Music-Text A Lover’s Discourse Michelet Mythologies New Critical Essays On Racine The Pleasure of the Text The Responsibility of Forms Roland Barthes The Rustle of Language Sade / Fourier / Loyola
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