"Dracula and van helsing" Essays and Research Papers

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    Lucy In Dracula

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    In Bram Stoker’s novel‚ Dracula‚ Stoker portrays many different aspects of women’s roles in the nineteenth century. Women had a strictly defined role within the era; there was no thought of equality‚ no thought that women could liberate themselves sexually. Stoker uses women in this novel to critique against women’s liberation. Stoker’s portrayal of women makes the novel seem like a fantasy. Women are primarily objects of delicate beauty who occasionally need to be rescued from danger. In the novel

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    EN 2300 (W) / TUT05 March 29th ‚ 2010 Destabilizing Gender Norms in Dracula In Bram Stoker’s Dracula‚ characters interact with each other in a number of different ways. Over the years this has lead to many different readings of Stoker’s novel‚ and it is one of the reasons that Dracula has survived for so many years as a noted literary text. In examining the characters‚ a multiplicity of layers seems to unravel themselves‚ one of which being the interesting relation they all have to one another

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    Young Dracula

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    The world is poised on the edge ready to plunge into darkness under the rule of Vladimir Dracula until an ancient prophecy comes to light which places all of vampire kind in mortal danger. WHO WOULD DIE AND WHO WOULD LIVE.....that is the question that is left unanswered How would your feel about watching a breath taking tv programme which will leave you gasping for air every passing second‚ anxiously jumping up and down like a mad dog eager to find out if your beloved hero is going to save the day

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    The Role Of Characters In Dracula and Carmilla February 16th‚ 2009 EN-102-69 Professor Kaplan Essay 1 – Final Draft Acknowledgements This paper would not have been possible without the help of many people. Firstly‚ I would like to thank my classmates for all of their inputs and perspectives‚ in class discussions‚ thread discussions and their papers‚ which helped me gain a complete understanding of the two stories. I would also like to thank my peer edit partners Joey and Michele who provided me

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    Dracula And Feminism

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    Both characters fall victim to Dracula‚ but they handled their situations very differently‚ and the way they handle it shows how much Mina is more of a leader than Lucy. After Lucy is turned into a vampire‚ she changes completely‚ from her appearance to her attitude‚ while Mina takes action after being turned. The article‚ The Brilliance of Mina Harkeralso expresses the statement‚ “...Mina refuses to stay a victim. She takes advantage of her psychic link with Dracula in order to find his location

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    In Dracula written by Bram Stoker there is a constant battle between reason using superstition and rationality. Jonathan and Seward are both British men and subsequently express a more rational mindset. As the text continues and Dracula plays a larger role‚ the characters are forced to use a superstition to describe his role. By the end of the text‚ Jonathan and Seward use spiritual reasoning to defeat Dracula. Yet these characters use spiritual reasoning‚ scientific reason becomes the successor

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    Dracula, Women of

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    Lucy Westerna and Mina Harker are the only two female characters Bram Stoker describes in detail in the novel Dracula. Lucy and Mina are two of the three characters that the reader sees becoming a vampire‚ and both characters are narrators. It is clear that these two play a very important role in the novel. Their actions have a huge effect on the way the novel unfolds. Lucy and Mina have many differences and similarities in representing the Victorian women. Lucy represents all of the evil traits

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    Literature In Dracula

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    Throughout history authors have used many different techniques to convey their message to readers. These techniques compliment Stoker’s work and help bring their story to life. Bram Stoker’s classic gothic romance novel Dracula‚ illustrates horrific actions of a count‚ and disturbing events that occur in Transylvania. Many literary techniques are used to emphasize Stoker’s works. Literary devices such as sensual imagery‚ gothic setting‚ and tone add to the decadent ghastliness in his novel. Sensual

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    supernaturally evil sisters are Dracula and Macbeth. Dracula is about an old vampire coming to London and some vampire hunters trying to track him down‚ after he kills someone they love‚ and turns her. There are three vampire sisters in the book seen in Dracula’s castle. Macbeth is about a thane who gets greedy and kills to get and keep the throne‚ and his guilt from those deeds. There are three witch sisters in the play/book seen by Macbeth and Banquo. In Bram Stoker’s Dracula‚ the weird sisters are more

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    Horror In Dracula

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    Jonathan Harker “was aghast with horror” (Stoker‚ 40) from the moment he realized who Dracula really was. Stoker develops the sense of horror In Dracula with a combination of Internal and External Dialogue‚ as well as description of setting. Jonathan Harker goes to settle business with Count Dracula he has no idea the trouble he is getting into. His stay quickly goes from visitor to prisoner. The reader is able to sense Harkers fear through the first four chapters because of how Stoker uses Internal

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