the carpark. They stopped when they reached a new looking dark blue Commodore. The man turned then and introduced himself. “I’m Roy Davenport. There’s been a change of plans. You will be meeting with Mr. Boas.” He nodded his head at the opposite car door. “Hop in‚ mate.” It was easy enough for Storm to convince himself everything was fine. The car was plush. Better even than Franchette’s. There was nothing threatening about the man. If he was being kidnapped‚ it was not obvious. Storm refused the offered
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get kidnapped on accident. A large man so keys dangling and opened up the car door started it and drove off‚ but what he didn’t know was that Cheyenne was in the car. All he was wanting to do was jack a car like his dad told him to and go straight home. When Cheyenne heard a big thump in the car she knew that it wasn’t her step mom because her step mom opens the door slowly and says “im back” before she even shuts the door. The next thing she knew was she was driving and she was getting shook around
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help but notice a high-backed rocker on one side and a bench worn smooth by age on the other. Both remind us of the many vesper hours spent here in the absence of modern-day entertainment. Turning the door knob and entering the parlor is like taking a step back in time. There is no lock on the door and no curtains on the windows‚ only shades yellowed with age‚ to be pulled down at night--as if you needed privacy out here in the boondocks. Dad’s big over-stuffed armchair is set beside the well-stocked
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too well she was there as he cowered under the table. The rain continued to pound down‚ its staccato beat all too loud through the broken windows. Lightning flashed as he made a break for the door that was banging against the wall in the wind. An inhuman shriek came from behind him. He raced through the door as the table he had been taking refuge hurtled after him into the doorway in a shower of plaster and splinters. The main hallway he was now in was dominated by a huge glittering chandelier. He
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regards to security‚ that ALL BURKE PROPERTIES EMPLOYEES NEED TO FOLLOW‚ EFFECTIVE IMMEDIATELY. 1. Do not prop open doors under any circumstances. An open door is an open invitation to intruders. Whether you are bringing items into the building‚ smoking by the doorway or simply talking to someone while standing by a doorway‚ PLEASE either step inside or go outside and keep the doors closed at all times. 2. Wear your security badge during normal business hours! All Burke Properties employees have
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What surprises me most about “We Do Abortions Here” is the level of imagery she employs. After reading the text‚ I feel as if I could act on the old cliché and ‘paint a picture’ of this particular abortion clinic. I can walk in the locked glass door and see the receptionist look at my bag skeptically. In the waiting room‚ I see and hear the dysfunctional mother‚ or “girl with maternal benignity‚” yelling at her kids in the waiting room. I can see the fear the woman’s face as the ignorant‚ hot-headed
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streak of sunlight‚ fighting for survival in the dark and dampened room. Faintly‚ I hear footsteps awaken from nowhere. Now my heart is racing‚ as if it’s about to jump out from my skin. As I look towards the door‚ the footsteps come to a halt. A shadow emerges from the darkness‚ and the door creaks open. The ground pounds as the steel cap boots from the black clothed detective hit the floor. He has a cold blooded voice that sends a shiver running down my spine. He begins the meeting with ‘why’. ‘Why
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Area of House/ Risk Grade- Low/Med/High Control Measures Future Action Grade- Low/Med/High Frequency of checks Hallway Front door Shut-Low Open-High Keep door shut at all times‚ ensure children are supervised when entering and exiting. Low Every day and time it’s used Cupboard Shut-Low Open-High Keep door shut at all times‚ Supervise when children are in the hallway. Low
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“Tyler” We knocked on the door early this morning. After years of that old house just sitting there collecting filth‚ someone finally bought it. It didn’t seem like anyone was home‚ I looked through the window and just saw black. No TV‚ no couch‚ nothing. Just darkness. I knock again and the door creaked open. It smelt like sludge and cigarettes. I hate the smell of those nasty things. “Hello? Anyone home?” I say. I hear nothing but the trees blowing in the wind. Then I saw a man dressed
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come across many obstacles that they overcome to be successful. “I’m coming aren’t I? It’s that stupid bleeding door of yours” complains Rita‚ at the initial stage of going into the word. The door is a symbol for the barrier of going into the world. As Rita progresses‚ the door becomes easier to open‚ until she’s at the final stage of going into the world‚ when she bursts through the door. Also from ‘Two Boys in Redfern‚’ the fence also acts as a barrier‚ and the ledge going across it is the extra
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