Women’s Quest for Fulfillment in Patriarchal Peripheries: Study of Shashi Deshpande’s The Binding Vine Shashi Deshpande is a writer who tries to universalize feminine perspectives by drawing comparisons among different types of women. This statement can be justified to some extent by her novel The Binding Vine. Like all feminist literary artists‚ a sustained analysis of allusive and elusive expression of individual is imperative for Shashi Deshpande. In her own words‚ her purely subjective novels
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females‚ this societal norm is commonly accepted by many and it continues to be passed on from one generation to the next. According to The New Dictionary of Cultural Literacy‚ Patriarchy is defined as “a family or society in which authority is vested in males‚ through whom descent and inheritance are traced.” Patriarchy continued to spread and it is more prevalent in some countries compared to others. For this reason it is not a surprise that men feel that they have a say in what women decide to
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scenes‚ when Portia and Nerissa push the boundaries of their disguise‚ they specifically emphasize the nature of radical feminism. The altering of Portia‚ Nerissa‚ and Jessica’s gender to suit the society of Venice is a direct spat in the face of the patriarchy within the environment of The Merchant of Venice. Unfortunately‚ the overarching ideals of the world at this time are able to recapture their stranglehold on Jessica‚ Portia‚ and Nerissa. The construct of feminism is based upon the woman’s struggle
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After her observation of the hills her partner calmly said‚ “It’s an awfully simple operation. It’s not really an operation at all.” (592‚42). Jig’s partner tried to downplay that having an abortion was hardly an operation at all. There he used patriarchy to manipulate Jig into thinking it was no big deal. It clearly was to her‚ because she couldn’t stop comparing the hills to the baby. He knew that she was decisive‚ therefore he reassured her when he explained‚ “I’ve known lots of people that have
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Psychoanalysis teaches that ignorance "is not a passive state of absence-a simple lack of information: it is an active dynamic of negation‚ an active refusal of information" (Felman 29-30). The isolation of signifying elements is traditionally the province of formalist criticism‚ which specifies (after the New Criticism) that we note point of view or imagery or metaphor in our analysis. The interpretation of these elements‚ the making of meaning out of them‚ then depends on the context or method
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what she sees and finds around her. As a woman novelist‚ she is mainly concerned with the projection of sorrows and sufferings‚ plight and predicament‚ pain and agony‚ anguish and frustration‚ suppression and exploitation of Indian women in Indian patriarchy. Her woman-oriented
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Matar emphasise the fact that women are influential even in a patriarchal society by highlighting the theme of male which he incorporates within the patriarchy. He eradicates the allusion that women in Libya have no rights‚ “I cried because I understood that I was now the property of another man…” (Pg 173) this powerful quote chosen by Matar‚ portrays the pain and emotions experienced by real women in cases where arranged marriages occur. However he also shows how Suleiman didn’t understand his role
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Women in the later eighteenth century did not have their own identity‚ did not have equal education to that of men or social status as a result of patriarchy and socialization. In Wollstonecraft’s “A Vindication of the Rights of Woman‚” she critiques Milton and his understanding of female nature when she says‚ “Women are told from their infancy‚ and taught by the example of their mothers‚ that a little knowledge of human weakness…will obtain for them the protection of men…we were beings only designed
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in Wide Sargasso Sea that is written by Jean Rhys and Sula that is written by Toni Morrison. The first novel Wide Sargasso Sea contains women’s body‚ silence‚ feminist theories and racial oppression against patriarchy. Jean Rhys‚ using these perspectives‚ tells the story of Antoinette‚ patriarchy‚ British dominated rules and roles and limited perspectives of a woman. In Wide Sargasso Sea‚ Jean Rhys “exposes the marginalized condition of women within the patriarchal issues such as colonialism
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differently to being told that the story happened long ago. How do you respond? Initially ‘The Eve of St Agnes’ is set in a medieval period ‘long ago’‚ which you can determine from the distinct use of archaic language; ideas of chivalry and patriarchy are evoked at the use of this time period thus the ongoing theme of the supernatural‚ demonstrated by Madeline’s firm belief in The eve of St Agnes‚ serves to induce in the reader thoughts of an alternate immortal life‚ an idea that is further established
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