pieces and characters. In Sophocles’ tragedies Oedipus the King and Antigone‚ the character Creon drastically changes as his leadership role in Thebes increases. In Oedipus the King‚ Creon is second in command of Thebes‚ which allows him to be sensible and logical because of a lack of stress and demand from being king. Throughout Oedipus the King‚ Creon exemplifies the voice of reason. When he comes back from the Oracle‚ Creon suggests that Oedipus hear the report alone because he is unsure of
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his or her own self. Antigone by Sophocles has a few examples of this trope. King Creon excellently fits this mold of tragic hero. The flaw that makes Creon a tragic hero is his paranoia. Creon often believes his citizens and even close friends and relatives are out to get him. He is convinced that there are “anarchists putting their heads together’ in opposition to his rule all over the city (245). When told that someone has gone against his orders and buried Polyneices‚ Creon says‚ “They have bribed
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Compare / Contrast Antigone and Creon There is always going to be some kind of conflict in a family. It may happen often‚ and sometimes rarely. In the century-old story Antigone there is a huge conflict. Antigones brother‚ Polyneices‚ refuses to pass on the throne. Therefore‚ he and his brother Etheocles go to war‚ and they both end up killing each other. Therefore‚ it resulted in Polyneices death. When he died‚ Creon; the ruler of Thebes‚ refuses to let anyone bury him. So he will be left in
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character. In Antigone‚ both Creon and Antigone share some tragic elements: tragic hero‚ hamartia‚ hubris‚ and nemesis. However‚ Creon is a more tragic hero than Antigone because his character has tragic elements that are absent from the character of Antigone: anagnorisis‚ peripeteia‚ and catharsis. There are many tragic elements that both Creon and Antigone share. According to Aristotle‚ the hero must be a character of high birth or national prominence. Since Antigone is royalty and Creon is the present
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Creon and his hubris made his downfall In Sophocles play Antigone‚ who really fits the definition of Aristotle’s definition of tragedy? Or tragic hero? Creon fits better than Antigone. At the beginning‚ he is a good leader for his kingdom‚ has all kinds a good characters on him‚ loyalty‚ justice. But just because of his stubbornness and hubris‚ he get to this title. Antigone might be the big hero that defended women and human rights during that time‚ but she doesn’t really have a hubris. Instead
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The story of Antigone is full of issues regarding leadership and the conflict surrounding these issues. Creon decisions and choices were influenced by his inexperience in leadership. His forceful style leads him straight to disaster which results in losing his son and wife. This disaster was a direct result of his decision to kill Antigone for disobeying his edict regarding the forbidden burial of her brother‚ Polyneices. He believed his rules were superior‚ even to those unwritten statues of the
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consternation. In Antigone‚ a play written by Sophocles‚ the actions of King Creon are closely akin to Henry VII of England. King Creon declares a decree that prohibits the burial of his nephew‚ Polynices‚ because Polynices had betrayed the city of Thebes and started a rebellion. Creon is enraged when his niece‚ Antigone‚ defies his decree and sentences her to death by entombment. Creon is tyrannical‚ selfish‚ and stubborn in the ways that he commits double blasphemy by letting Polynices body decompose unburied
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‘How would you perform the role of either Creon or Antigone in their scene of confrontation after the Soldier has brought her before the King’ The desired audience response of this scene is to make the audience feel uncomfortable and on the edges of their seats‚ as the way that Antigone is defying Creon would not have been acceptable in that time‚ and the audience will not know how Creon is going to act. On entry‚ Antigone will be held on both arms by soldiers‚ but she will not struggle. She will
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Since the inception of Sophocles’ Antigone‚ there has been an argument regarding the true tragic hero of the play. It is a commonly held certainty that Antigone must be the tragic character merely because she and the drama share the same name. This is‚ of course‚ a very reasonable supposition. Surely Sophocles must have intended her to be viewed as the protagonist; otherwise‚ he would not have given her the name as the play’s title. However‚ analytically speaking‚ Creon seems to fit the category of a
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ANTIGONE’S RULING ‘I’ll lie there with him‚ with a man I love pure and innocent ‚ for all my crime” Urging saying Antigone. (In Lines 90-93) . Prior to her respect of the God’s laws. Antigone was very amused by the powers of Creon. Knowingly stating that her brother couldn’t have a peaceful burying. But the respect to get one and in fault of burying him in peace by the law of God’s was punished by Creon’s cruelty. Antigone’s words‚ actions‚ and ideas contrast with Creon’s character to the point
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