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    DE STIJL

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    Dutch for "The Style"‚ also known as neoplasticism‚ was a Dutch artistic movement founded in 1917. In a narrower sense‚ the term De Stijl is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. De Stijl is also the name of a journal that was published by the Dutch painter‚ designer‚ writer‚ and critic Theo van Doesburg (1883–1931)‚ propagating the group’s theories. Next to van Doesburg‚ the group’s principal members were the painters Piet Mondrian (1872–1944)‚ Vilmos Huszár

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    De Stijl

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    De Stijl in Dutch means “ The Style”‚ also known as neoplasticism‚ was a Dutch artistic movement founded in 1917. The movement was mainly about creating geometric abstract paintings. In a narrower sense‚ De Stijl was a term used refers to a body of work from 1917 to 1931 founded in Netherlands. De Stijl was also the name of the journal‚ which published by the Dutch painter‚ designer‚ writer‚ and critic Theo van Doesburg (1883­–1931)‚ propagating the group’s theories. Besides him‚ the principal members

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    De Stijl Notes

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    Netherlands-based De Stijl movement embraced an abstract‚ pared-down aesthetic centred in basic visual elements such as geometric forms and primary colours. Partly a reaction against the decorative excesses of Art Deco‚ the reduced quality of De Stijl art was envisioned by its creators as a universal visual language appropriate to the modern era‚ a time of a new‚ spiritualized world order. Led by the painters Theo van Doesburg and Piet Mondrian - its central and celebrated figures - De Stijl artists applied

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    MODERN ARCHITECTURE De Stijl Architecture De Stijl architecture was formed by a group of young artists who created the new movement in 1917; calling both the movement and the magazine they published De Stijl. The group promoted utopian ideals and group members believed in the birth of new age in the wake of WWI. They felt it was a time of balance between individual and universal values. The work was completely abstract as well. The goal was total integration of art and life. GERRIT THOMAS RIETVELD

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    that "construction in concrete is eminently suitable for a plastic‚ three-dimensional architecture [but] definitely not applicable to this design." 1 J.J.P. Oud’s influences changed somewhat in this same year with the beginning of the De Stijl movement. De Stijl was founded by the painters Mondrian and van Doesburg‚ architects van’t Horr and Oud‚ and furniture-maker Rietveld‚ along with several other artists

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    Gerrit Reitveld being one of the originators of the De Stijl movement‚ designed according to this theory. The Schroder House is a direct result of the elements of De Stijl as well as MHJ Schoenmaekers‚ in The New Image of the World who saw geometry‚ precision‚ and primary colors as a way to attain to reality‚ or an absolute truth. These are all aspects of DeStijl however‚ Schoenmaekers never attained this reality‚ and there seems to be an extent to which Schoenmakers theories are used. Part of

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    De Stijl Art

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    LACMA Museum Project

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    David Myoung Per 3 09/09/16 Museum Project When I went to the Los Angeles Country Museum of Art‚ I learned many things such as paintings‚ sculptures‚ models‚ etc. The museum was very interesting and amazing. If I do happen to get another museum project similar to this project‚ I would definitely come back to LACMA. One of my favorite exhibits is called “Penetrable”. This was made during 1990 by Jesus Rafael Soto. This creation is an example of the op/kinetic movement. Because this was made from industrial

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    Schroder House

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    the First World War in 1924‚ De Stijl group (known for simplicity of forms) designed a free flowing private residence for Mrs Truus Schroder Schrader. The Schroder house consists of horizontal and vertical planes are coloured in indistinct red‚ blue‚ yellow‚ white‚ and black; an environment where Mondrian’s fine art work comes to life. The co-designer of the Schroder house - Gerrit Rietveld‚ born in 1888 (the maker of the red blue chair)‚ became a member of De Stijl in 1919. Prior to this he was

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    rietveld

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    Gerrit Rietveld. It represents one of the first explorations by the De Stijl art movement in three dimensions. In the Red Blue Chair‚ Rietveld manipulated rectilinear volumes and examined the interaction of vertical and horizontal planes‚ much as he did in his architecture. Although the chair was originally designed in 1918‚ its color scheme of primary colors (red‚ yellow‚ blue) plus black—so closely associated with the de Stijl group and its most famous theorist and practitioner Piet Mondrian—was

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