Bharat‚ India And Nature By Sandeep Singh‚ February 2013 [sandeepconsultant@gmail.com] * 1 Chapter : In recent times the nation has witnessed a debate on ‘Bharat’ and ‘India’. The word “Bharat” has been essentially used by marketers to define rural India and unfortunately‚ this is the only language understood by most in media. However‚ for the rest‚ ‘Bharat’ and ‘India’ represent a cultural difference. The difference of ‘East and West’ has become difference of ‘Bharat and India’ or to a great
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opposite (per the author) concepts filled with examples that are traditional and modern with a spirit of understanding that is the hallmark of modern times. The opening examples of the Ganesha idols drinking milk being ridiculed by a modern day press in India serves well to remind us that our thinking or “theorisation” has become rigidly scientific and we have developed a sceptical bias towards what we cannot understand or explain. For me‚ the process of reading this section and sorting the confusion of
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The poetess Sujata Bhatt‚ while writing this poem has given importance to the culture and various religions in India. She has emphasized in her poem by repeating words and questions and thereby making her poem stronger. She writes about Indian traditions‚ lost identities‚ importance of language‚ cultural difference to create different moods and themes. In the first part of the poem‚ she concentrates on respect for education and learning. She claims that in Indian religion every object is sacred.
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Bhatt is a product of two cultures. She sees herself split between culture and language.. Conflicted with who she is. She wants to rewrite history. She reflects herself on her identity. She is not fully Indian not fully English. What happened to the people who lost their land and freedoms. She wants to look at this story. She begins the story Pan of She begins the story Great Pan is In Hindouism many Gods vs Christianity. They roam freely.. The gods can do what they like. The hindu gods are given
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misses home‚ because when she means home she means back in India not in her apartment cutting vegetables . Mrs. sen is one of the characters that is struggling the most because she cant not adapt to her new life in America. When she goes to buy her fish she has to come home on the bus‚ people on the bus get very rude because its not likely for people to bring fish on the bus‚ this saddens Mrs. Sen. Everything that reminds her of India makes her overjoyed but also very saddens and depressed. For
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also has its good and bad side. The cultures of the developed countries are influencing the culture of the less developed countries in the form of movies‚ books‚ and are influencing the next generation. As the dominant cultures are coming to the front‚ the moral‚ ethical values of the less developed countries are getting lost somewhere. CULTURAL HYBRIDIZATION “I do not want my house to be walled in on all sides and my windows to be stuffed. I want the cultures of all lands to be blown about my
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- Rudyard Kipling Although the British directly ruled India for only 90 years‚ British imperialism in India had tremendous impact on many levels of the society. The British brought with them Western customs and culture. Many Indians sought to imitate them by speaking English‚ playing cricket and having afternoon tea. Yet the effects the British brought were deeper and more complicated than just this. British presence introduced into India western values and social dynamics. This process of colonialism
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book‚ Renaissance in India‚ Sri Aurobindo provides a blue print for the spiritual and cultural regeneration of India on the foundations of her own unique swadharma. In his The Renaissance in India‚ Aurobindo said: "India is the meeting place of the religions and among these Hinduism alone is by itself a vast and complex thing‚ not so much a religion as a great diversified and yet subtly unified mass of spiritual thought‚ realization and aspiration." In Renaissance in India (earlier called The Foundations
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looking seriously at the future. Many nurture the not unnatural‚ latent fear that any engagement with the future will turn out to be an acknowledgement of their mortality and the transience of their world. Different cultures handle this fear differently. In India’s middle-class culture‚ attempts to look at the future often end up as tame‚ defensive litanies of moral platitudes or as overly dramatic‚ doomsday ‘propheteering’. Even those who avoid these extremes usually view the future either as the
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