Write a close critical analysis of ‘Here’ showing how far this is characteristic of the style and concerns of Larkin’s collection ‘The Whitsun Weddings’ ‘Here’ is a poem exploring Larkin’s flight of imagination as he travels from London to Hull on the train. It is the first poem in The Whitsun Weddings collection and seems to be an appropriate introduction because‚ much like his other poetry‚ it looks at humanity’s place in the world and the effect of consumerism. Following the pattern of many
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WIRES Wires by Philip Larkin is an analogy of a society trapped by rules and limits and a demonstration that fear prevents humankind from following their desires. Larkin writes this poem in 1950 with the idea of showing his point of view of the world. In the poem the cattles are trapped by the wires imposed‚ preventing them from ever reaching their search for purer water. He shows that the world offers no hope nor mercy whatsoever in their trial for escape. What the poet is actually trying
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Philip Larkin "Days" "Days" by Philip Larkin is a ten line poem that is deceptive in its simplicity. This article considers Larkin’s poetic method in this remarkable short poem. Philip Larkin (1922-1985) wrote the poem "Days" in 1953. The poem was published in Larkin’s highly successful collection of poems entitled‚ The Whitsun Weddings‚ in 1964. "Days" is a curious poem. At first reading‚ it appears to be a simple‚ almost child-like dialogue. However‚ on second glance‚ the poem raises several
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At Grass By Philip Larkin Sound Devices & Rhythm Rhyme: Regular rhyme pattern: In each stanza‚ there are rhymes on alternate lines‚ forming a regular pattern of efgefg‚ hijhij etc. Such regularity seems to suggest a sense of restriction which echoes with the confinement human beings impose on the racing horses for the pleasure of human entertainment. Assonance: The use of repeated long vowels as in ‘shade’ (/ʃeɪd/)‚ ‘tail’ (/teɪl/)‚ ‘mane’ (/meɪn/) creates a gloomy atmosphere in the depiction of
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“Larkin is a pessimistic rather than optimistic poet” – Discuss Larkin has been regarded as a pessimistic poet. Larkin surely takes a very dark view of human life. The main emphasis in his poem is on failure and frustration in human life. However Larkin is not a uniformly pessimistic poet. Some of his poems have a profoundly moral character‚ which expresses itself in the need to control and organize life‚ rather than submit to a pre-determined pattern of failure. There is generally a debate going
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Throughout his works Philip Larkin shows the ‘emptiness that lies under all we do.’ The way we travel through life riding a wave of superficialities‚ too caught up in the moment to see what is really going on. Larkin aims to alleviate the blindness created by our deep involvement‚ attempting to draw the reader out to see the big picture. In Ambulances he acknowledges death as a device powerful enough to allow people to see beyond themselves and the things surrounding them. The thought of their impending
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Love and Marriage with Philip Larkin and Eavan Boland Ashley Couch Houghton College It is strange how time changes relationships. When I first started dating the man who is now my fiancée‚ one of my biggest fears was of walking down the aisle on our wedding day‚ feeling unsure that I was making the right decision by marrying him. Now what I most often fear for our relationship is falling out of love‚ as so many couples do. This is something I brood on‚ discuss‚ and develop intricate strategies against
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Larkin Poem Commentaries Here My feelings for ‘Here’ have much to do with the recent video prepared for the Larkin25 anniversary‚ which should be seen in conjunction with what I have to say here. Sir Tom Courtenay’s reading together with the images of Hull and its surrounding areas‚ leave me with the sense that while this is not just a hymn to Hull‚ although it is certainly that – and written when Larkin had first come the city – it is a place which is constantly surprising the poet by the interplay
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This Be the Verse by Philip Larkin They fuck you up‚ your mum and dad. They may not mean to‚ but they do. They fill you with the faults they had And add some extra‚ just for you. But they were fucked up in their turn By fools in old-style hats and coats‚ Who half the time were sloppy-stern And half at one another’s throats. Man hands on misery to man. It deepens like a coastal shelf. Get out as early as you can‚ And
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Death in Larkin and Abse Death pervades The Whitsun Weddings and in Ambulances is reflected on in terms of the significance of our response to seeing an ambulance stop. Passers-by view them as ‘confessionals’‚ secretive‚ mysterious places where we confront our deepest nature. They are impersonal and unpredictable‚ resting ‘at any kerb’ and reminding us of our mortality because ‘All streets in time are visited’. The contrast of the mundane reality of a visit to the shops with the ‘wild white
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