RIZAL 10:30-12:00pm ARCIAGA‚ Frances Geline R. March 5‚ 2013 MT 1123 Prof. JAL Andrés Bonifacio y de Castro (30 November 1863 – 10 May 1897) Andrés Bonifacio was born in Manila in 1863‚ the son of a government official. When both his parents died in the 1870’s‚ he left school to support his five brothers and sisters. By the mid-1880s‚ he had become a fervent Filipino nationalist. When José Rizal established the Liga Filipina in 1892‚ Bonifacio was one of its first members
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1 The Epic of Gilgamesh apart from being a brotherhood story about the friendship they shared and the quest towards immortality‚ its a representation of the early societies and the evolution of Mesopotamia. Enkidu’s life represents the paleolithic era who underwent transformation when he met Gilgamesh and the Harlot where he then went through loss of innocence into the neolithic era. Enkidu shared a way that was lived during the paleolithic era. Simple way of living‚ no domination over a species
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Mali was not an Islamic kingdom originally. The kingdom of Kangaba which would grow into the mighty empire of Mali‚ is thought to have been founded about 1000 AD. It was within the empire of (Ancient) Ghana‚ to whom they had to pay tribute. When Ghana came apart due to outside attacks and inside revolts‚ eventually it was taken over by the Fulani of Takrur‚ led by Sumanguru. 1230-1240 AD‚ the people of Kangaba‚ angered by the harsh rule of Sumanguru‚ made a bid for independence‚ under the leadership
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The plight of Manila Zoo’s elephant‚ Mali Mali‚ the 38-year-old female elephant‚ has been living in an enclosure in a small enclosure of Manila Zoo for thirty-four years. In 1979 Mali was given by the government of Sri Lanka to the Republic of the Philippines as a form of a gift between two nations. After three decades of captivity in a concrete enclosure‚ a new opportunity has opened for the lonely elephant to spend her remaining days in the wild. PETA Asia‚ along with other animal activists
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Title: Gilgamesh Type: Epic Author: Anonymous Theme: The central idea of Gilgamesh was the greed that he had to receive eternal life. Gilgamesh was a selfish person who was half god and half man and wanted to keep his youth after seeing Enkidu die. Gilgamesh knew his destiny was not to receive eternal life because he was half man. He decided to go against the odds to fight against not having eternal life searching for the secret despite what the Gods told him. Exposition: The story
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Epic Theatres "Epic Theatre turns the spectator into an observer‚ but arouses his capacity for action‚ forces him to take decisions...the spectator stands outside‚ studies." (Bertolt Brecht. Brecht on Theatre. New York:Hill & Yang‚ 1964. p37) The concept of "epic theatre" was brought to life by German playwright‚ Bertolt Brecht. This direction of theatre was inspired by Brecht’s Marxist political beliefs. It was somewhat of a political platform for his ideologies. Epic theatre is the assimilation
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Tucker 1 Bobby Tucker Ms. Barrett English 2205 30 October 2000 Word Count: 2900 Comparison and Contrast of the gods in Homer’s epics with the God of the Hebrews There are many similarities and differences between the Greek gods and the Hebrew God. These similarities and differences are revealed in the character and functionality of the gods. The revelation of similarities and differences can also be seen in man’s relationship to his god or gods. Homer was instrumental in documenting the
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What makes an epic? Is Beowulf an epic? What is an epic poem‚ and how does it differ from other kinds of poetry or storytelling? How have epic poems traditionally been transmitted from generation to generation? How do tellers remember these long and complicated stories? According to Robert Harris’s Glossary of Literary Terms‚ he defines an epic as the following: Epic. An extended narrative poem recounting actions‚ travels‚ adventures‚ and heroic episodes and written in a high style (with
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are many inferences readers can make from the Epic of Gilgamesh about Mesopotamian cities‚ politics‚ and religion. Gilgamesh’s personality‚ background‚ journey‚ and beliefs can relate to each of these aspects of Mesopotamia. Mesopotamian politics can be learned through Gilgamesh and the way he controls Uruk and the people of Uruk. The religion of the Mesopotamian people can directly relate to the people of Uruk and the Gods and Goddesses in this epic poem. Lastly‚ you can obtain a better understanding
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Like any story‚ epics are only as captivating as the actions of their main character. The development of an epic hero begins with the buildup and occurrence of an event that either triggers or happens due to the tragic flaw of the hero. In the Epic of Gilgamesh‚ the protagonist fills the classic example of a hero through some obvious and sometimes more subtle aspects of the story. Without a hero‚ there is no epic. Likewise‚ without Gilgamesh‚ there is no epic tale of his triumph. Through his changes
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