A deeper understanding of ambition and identity emerges from pursuing the connections between King Richard III and Looking for Richard. Compare how these texts explore ambition and identity. Ambition; an earnest desire for some type of achievement or distinction‚ as power‚ honour‚ fame‚ or wealth‚ and the willingness to strive for its attainment * Al Pacino’s production as an art-house vanity project * Promotes himself – manipulating the audience through cutaways‚ specific and timed
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HSC Advanced English‚ Module A: Richard III and Looking For Richard‚ Essay Connections of commonality and dissimilarity may be drawn between a multiplicity of texts through an appreciation of the values and attitudes with which they were composed. Accordingly‚ the values and attitudes of the individual being may be defined as an acute blend of externally induced‚ or contextual and internally triggered‚ or inherent factors. Cultural‚ historical‚ political‚ religious and social influences‚ dictated
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compositions of texts. King Richard III and Looking For Richard directly relate to historical and social contexts respectively‚ social drawing on historical’s challenge to the context in which it was written. Shakespeare’s play was crafted in a difficult time of political and religious adherence. Shakespeare’s portrayal of Richard focuses on his devilish and Machiavellian nature. Machiavelli’s The Prince teaches that an adept ruler should aim to achieve power at any cost. Richard is a Machiavel; he calls
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Notwithstanding their shared theme‚ the poems clearly differ in many ways. Firstly‚ while Robinson uses the unfortunate narrative of “Richard Cory” to display how people can get carried away with the notion of judging a book by it’s cover; Dunbar uses the symbol of a mask‚ which hides our true inner emotions and lies to others about our trying situations‚ to portray the theme of appearance vs. reality. The poems also differ in terms of historical context and intended audience. “We Wear the Mask”
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Richard III To an extent‚ surly there are other characters in the play that show poor characters‚ perhaps even worse than Richard himself. However‚ it’s not the same characteristics the share that make them so “bad”. For example‚ Anne’s lack of restraint and weakness towards losing her position makes her weaker than Richard which on some sense is “worse. But overall‚ Richard the third is by far the worst character throughout the play. Richard is in every way the dominant character
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- Drama Essay Question: In Richard III Shakespeare prresents to his audience a villain not a tragic hero to what extent do you agree. Richard III is categorised as one of the best historical plays written by William Shakespeare where Richard III is no doubt a fascinating character and an entertaining villain. In this play Shakespeare moulds Richard into the main character that he is. Malicious‚ power-hungry‚ and bitter about his physical deformity‚ Richard begins to aspire secretly to the
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1- Richard III‚ The Protagonist “Yet neither can his blood redeem him [Richard III] from injurious tongues‚ nor the reproach offered his body be thought cruel enough‚ but that we must still make him more cruelly infamous in Pamphlets and Plays.” (1617—William Cornwallis. From Essays of Certaine Paradoxes) Richard III is written in 1591-1592. Richard III is the dominant character of the play as that he is both the protagonist of the story and its major villain
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The texts King Richard III and Looking for Richard both accept the centrality of power and the yearning for it‚ as a central plot driver and an assumed part of the human condition. However‚ each presents a different perspective as to the nature of power; its origins and morality. Discuss this statement with close‚ detailed reference to both texts set for study. Power is defined as the possession of control or command over people and events. In Shakespeare’s play ‘King Richard III’‚ the centrality
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How does Shakespeare present the character of Richard in Act 1 of Richard III ? Richard III is a tale of the rise and fall of tyrannical power. Shakespeare uses many classical references and adopts the five act pattern from Roman comedy. What makes Richard a fascinating character is his skill as an actor. Like Falstaff and Hamlet‚ he is constantly playing a part and enjoying it. In Richard III‚ Richard’s soliloquies show his true vindictive nature-whereas when he is interacting with other characters
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Th ink sw ap Do cu me nt Question: In what ways does a comparative study accentuate the distinctive contexts of King Richard III and Looking For Richard? Question 2: To what extent have the connections you have made between the two texts shown how particular concerns‚ although timeless‚ impact differently on individuals in different contexts.
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