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    Discuss the ways in which Hitchcock sets the scene for the audience in the opening minutes of his film ’Rear Window’(1954) - 500 words Camera shots - Close up‚ medium shot‚ long shot‚ wide shot‚ framing. Camera Movements - Pan‚ track‚ crane‚ zoom‚ reverse zoom‚ tilt Editing - Cut‚ montage‚ fade in/out‚ dissolve‚ super impose‚ slow-motion Sound - Soundtrack‚ musical score‚ sound mixing and editing Other useful terms - scene‚ sequence‚ mise-en-scene‚ lighting‚ actor‚ theme‚ narrative‚ style and

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    social and cultural) The beginning of the film makes the audience expect the film to be a joyful and bright film and possibly has a strong sense of belonging. What is the effect of the very shallow depth-of-field close up shot that opens the film? The shallow depth-of-field close up shot at the opening of the film of Joseph shows that the Joseph is distant from the class and cannot connect as the shot does not establish the people’s facials. Comment on his costume. Comment on his body posture

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    same genre‚ including Rock Sound and Kerrang. I have chosen these magazines because they are the same genre of magazine in creating and they are also bold and creative. On the November edition of the Kerrang magazine the key signifier is a medium close-up shot of musician and role model Oli Sykes. The encoder has used eye contact to create a direct mode of address with the decoder. It makes the model look seductive and attractive‚ which appeals to the target audience who are people in groups E and

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    we should be weary of. “There is something about fashion that can make people very nervous” the scene finishes with a pause and a cold stare from Anna‚ the extreme close up shot makes the audience almost feel intimidated by her. The scenes in the car are always shot from the side as thought you are alienated from her‚ your not close to her. The same with

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    expression and the details of gesture‚ the camera zooms in to Sky’s face. From Figure 3 to 4‚ we can clearly see Sky’s eyebrows becoming more slanted and his face tenser. This is portrayed noticeably as the camera zooms in from a medium close-up shot to an extreme close-up shot as seen in Figure 5. Also‚ the calmness in Nameless facial expression shows that he is confident and fearless whereas scenes of Sky’s spear vibrating shows a frightened self.

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    jewelry like bracelet and necklace when meeting his subordinates. In addition‚ the shields and swords are decorated with gold. Extreme close-up shot is used when displaying the detail of the king’s jewelry. At the beginning of the film‚ when talking about the gold story in Jenne‚ several filmmaking strategies have been used. For example‚ there are some extreme close-up shots on the mental workers who make golden jewelry and other golden stuffs and the process that they make jewelry. The combination

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    terms/concepts and apply them to one or more films that we have viewed in class. Diegetic sound / non-diegetic sound / ambient sound / crane shot / Steadicam / framing or reframing / establishing shot/master shot / extreme long shot / extreme close-up / close-up / medium shot / deep-focus cinematography / slow motion or fast motion / chiaroscuro / high-key lighting / low-key lighting / continuity editing or cutting on action / shot/reverse shot /

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    2012 Trailer The purpose of the film trailer 2012 is to advertise the film and increase the margin of potentional viewers thus increasing profit margins. The film is generally directed at men who are usually associated with liking action movies and this is a action film. Although the film has a few genre’s mixed in the prominent genre is definitely action as it has a lot of montage clips showing buildings falling down mass destruction overall apocalyptic situations. This film is ground-breaking

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    eating his hotdog. This could be referred as a “cinema of attraction” as it uses special effects to worsen his appearance. Even the sound of eating is only focused on Tom‚ as Nancy’s chewing is silent. The shot alternates between Tom and Nancy in a close up shot to both show off Tom’s appearance and Nancy’s reactions to the flowing puss. Haynes combines both Tom’s frustration and Nancy’s action to comfort him to realize this love relationship between them and showing the audience that appearance does

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    L’Âge d’or (The Golden Age) was Luis Buñuel’s second film and was released in 1930. The patrons of this film were a French couple who got impressed by Buñuel’s first film: Un Chien Andalou (An Andalusian Dog) (Sánchez Vidal ‚ cited by Stone‚ 2013). The film has a critical reception‚ which censures the selfish of middle upper class. Corresponding‚ it is a surrealist film and focused upon inner and outer realities at the same time (Radall‚ 1976:4). I am going to analyze the sequence from the mid-way

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