Foreman’s film One Flew Over The Cuckoo’s Nest was developed from Ken Kesey’s novel One Flew Over The Cuckoo’s Nest. The screenwriters of the film are Lawrence Hauben and Bo Goldman. In One Flew Over The Cuckoo’s Nest Chief and McMurphy develop a close relationship during the escape scene‚ while in the ward during and after the craze with Cheswick wanting the cigarettes‚ and the final scene. First of all‚ Chief is a colossal‚ Native American patient who pretends to be deaf‚ and is in the mental
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Textual features: language features Alliteration when the poet uses the same consonant letter at the beginning of a number of words placed close together e.g. dark plastic skeleton dangling near my French doors. Apostrophe addressing an inanimate object or a dead person as if they were alive e.g. ‘Death be not proud though some have called thee mighty’(Donne‚ J in Favourite verse (1999) Hurford‚ C (Ed)‚ Parragon‚ Bath. p.450) Assonance when the poet repeats the same vowel sound in a number of words
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Scene Analysis The scene we’re analyzing starts off with a shot of the New York Daily Inquirer. It’s a close shot‚ taking up the entire screen. I feel this close up is to show the viewer that the newspaper company is going to be the primary focal point for Kane‚ and his two partners at this point in the film. After the close up‚ the camera pans down to show Kane and Leland sitting in a car looking up at the building. Kane says “Take a good look at it Jedidiah‚ it’s going to look a lot different one
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reality that would ordinarily not exist in a traditional Hollywood movie. Long takes‚ and more specifically the absence of cuts‚ are used to achieve a documentary-like feel; action scenes which traditionally would have many fast paced shots and close ups are shown entirely through a single master shot. The use of a single shot advances the world of the film by maintaining an open frame throughout the movie. Where cuts are used they are carefully placed to create meaning between images that might
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The romantic score dominates the soundtrack as the sound of the train is no longer existent. As Alyosha and Shura stare at one another‚ the director choses to use an extreme close up while fading out with a dissolve into another romanticized close up of Shura. Masked by the intercut shot of the train moving‚ these close ups and the final two shot of the couple seem to be filmed in a studio to create a suitable romantic dream like atmosphere with the use of specific lighting. Alyosha’s final train
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Allie is going to go against her parent’s will of them not being together. Her love for Noah has got the better of her feelings for her parents which lead to her betraying their trust. In the movie‚ close-ups are utilized to show the full of hope‚ and optimistic facial emotions on Allie’s face The close up shot on Allie’s face indicates that she is willing to do anything for the love she has for Noah‚ which includes betraying her parents. Another instance where love causes them to betray another is
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tracking shot behind the car creates a tension and intensity by creating a feeling of the car moving faster as the camera moves further away‚ honking and motorcycle engine noise fading in and out create the illusion of the speed of the taxicab Close up
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above the head and the bottom of the frame is just below the waist. Most natural shot allowing the viewer to relate to the character. Often used to introduce the character for the first time. Close Up Top of the frame just above the head and just below the chin. Used to reveal character’s feelings. Extreme Close Up Used to reveal feelings without dialogue or to focus the viewer’s eyes on specific details. Point of View Shot (POV) A scene that is shot as if the viewer is looking through the eyes of the
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greatest failing (i.e the climax of his failing)? How has Shrek changed through his quest? What are the themes of the film? What is the social purpose of storytelling? How is the film Shrek similar and different to a fairy tale? Appendix 3 Close reading of Shrek – Act 3 Film sequence: Shrek and Donkey at the swamp and the wedding at Duloc (11 minutes)
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audience. Williams has a “cheeky” humorous reputation prior to entering rehabilitation‚ this suggests he want the audience to see that he remains the same character as before. Then he rises up through to hole to take centre stage‚ suggesting he has returned and wishes to be centre of attention. After‚ a close up shot is used to showing a remote control which says “Robbie” on one button and “More Robbie” on another. This suggests that the true artist is controlled by their desire of for fame. As
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