Citizen Kane‚ directed by Orson Welles‚ is considered to still be one of the world’s greatest movies ever produced. Citizen Kane is a powerful dramatic tale about the uses and abuses of wealth and power. It’s a classic American tragedy about a man of great passion‚ vision‚ and greed‚ who pushes himself until he brings ruins to himself and all around him. From the scene depicting Kane’s meeting Jim Gettys‚ the audience observes that Kane has aborted his youthful ambitions and has become self-absorbed
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Citizen Kane In 1941‚ the dramatic film Citizen Kane was released by first time director‚ Orson Welles. Welles once said‚ “A film is never really good unless the camera is an eye in the head of a poet.” With the attitude Welles had in directing‚ it brought him heavy burden filled with controversy amongst newspaper mongrel William Randolph Hearst‚ movie director Howard Hughes and Chicago utilities magnate Samuel Insull for the adaptation of these three personalities in the character‚ Kane. Upon Citizen
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Realism: Citizen Kane & Double Indemnity Movies have long been known to create a portal through which its viewers can transcend through their own realities and experience the unimaginable. The visual‚ sounds‚ and narrative of great movies immediately attract the focus of its audience as they move into a trance for those 1-2 hours of screen time. While many great movies introduce their audiences to varying experiences that heighten their senses and grasp their focus‚ some measure of relatability
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Citizen Kane is a 1941 American drama film by Orson Welles‚ its producer‚ co-author‚ director and star. The picture was Welles’s first feature film. Nominated for Academy Awards in nine categories‚ it won an Academy Award for Best Writing by Herman J. Mankiewicz and Welles. Considered by many critics‚ filmmakers‚ and fans to be the greatest film ever made‚ Citizen Kane was voted the greatest film of all time in five consecutive Sight & Sound polls of critics‚ until it was displaced by Vertigo in
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films‚ including Othello and Citizen Kane. Although his description varies from others‚ it is evident that his remains the same throughout his films. Orson Welles defines the tragic hero as a man who has always had a difficult life yet‚ is a well-known‚ important figure in their setting who‚ although is tall and handsome‚ is two-sided‚ desperate for love and loses everything by his death. Welles’ Othello and Kane are no exception. Othello and Charles Foster Kane were both important and famous
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Techniques used in Citizen Kane In film class this past week‚ we learned that there are many cinematic techniques used in films that contribute to the way a film is portrayed by an audience. We had the pleasure of watching a film directed by Orson Wells In 1941 called “Citizen Kane”. I am glad that this particular film was the film of choice to demonstrate some of these techniques. The movie “Citizen Kane” uses each cinematic technique in a way that is obvious to the viewer. I have chosen five
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COM/220 Bias‚ Rhetorical Devices and Argumentation August 4‚ 2010 Mike Smith The” Citizen Kane” speech given by Charles Foster Kane in 1941‚ who was campaigning for Governor starts off his speech by addressing his audience‚ attacking his opponent by using various fallacies of illogical argument.. First he starts off with blaming “boss Jim W. Getty and his political machine” the techniques that are used here are for the propose of making himself appear stronger‚ in his views and political agendas
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Citizen Hearst: A Comparison of William Randolph Hearst and Citizen Kane Orson Welles was undoubtedly one of the most talented filmmakers of his time. Along with the innovative camerawork and advanced cinematic techniques that made Citizen Kane a success‚ Welles also allowed for viewers to connect with his film by providing them with a real life example of the main character. Citizen Kane owned a massive estate called Xanadu that was based upon Hearst’s San Simeon. Kane and Hearst were also
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starring Orson Welles‚ Citizen Kane (Welles‚ 1941)‚ is famous for it ’s many remarkable scenes‚ cinematic and narrative technique and experimental innovations ’ (Dirks‚ 1996). Written by Welles and Herman J. Mankiewicz and filmed by Gregg Toland Kane is classed as a fresh and classic masterpiece ’ (Dirks‚ 1996). Kane is a brilliantly crafted series of flash backs and remembrances centering around the investigations of a dynamic man in a dynamic world ’ (Quicksilver‚ 2001). Kane draws much of its power
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An exploration of the jigsaw sequence in Orson Welles’ Citizen Kane. The life of the fictional newspaper magnate Charles Foster Kane‚ as depicted by Orson Welles (1941)‚ is the larger-than-life story of a wealthy and powerful man. And yet‚ Kane’s story is one of loneliness‚ loss and a desperate need to be loved. Kane is at once a powerful patriarchal figure‚ ruling those around him by sheer force of will‚ and a lost little boy in search of the mother who sent him away. This essay will seek to tease
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