Biyaya ng Lupa The movie showed how Filipino Families lived in the past. The main charaters‚ Jose and Maria‚ got married and started a life together‚ having four children. They were extremely conservative in how they ran their family; with the couple talking about how they shouldn’t fight too much because it would cause the downfall of their marriage. I like the movie because it shows how old Filipino films were at that time. It also showed how beautiful Rosa Rosal (playing Maria) was when she
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Is the label “national cinema” still a useful one? Critically evaluate the usefulness of the term in relation to at least two films from this course. 1. floating life 2. chunking express 3. my blueberry night Like different countries have different culture‚ customs and give people different feeling‚ as an important part of one’s culture industry‚ movies from different places gives people different sense of feeling. That’s the magic of National cinema. But under the big trend of globalisation
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Litsa Mouka 1 I know very well‚ but all the same… A study of fetishism I know very well‚ but all the same... A study of fetishism in relation to cinema This dissertation is an exploration into the different ways cinema utilises processes of fetishisation to evoke desire and disavow lack. In all cases it will show how the basic notion of fetishism functions as a symbolic substitution for the lack and as such‚ how it imposes itself onto the structure of film and the experience of watching/looking
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Italian Neo realism; Pure Cinema 1. Ladri de Biccilette [Bicycle Thieves] (Vittorio De Sica) Do you agree with Andre Bazin that Ladri de Biccilette is an example of ‘pure cinema’? (Bazin [1971] p.60). To what extent is such a pure cinema possible and‚ in your opinion‚ which Italian Neo-realist film screened on the unit comes closest to it? Explain your reasoning. This essay will address the characteristics of ‘pure cinema’ and the extent of its practical nature. It also seeks to analyse
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The cinema of attraction. ‘A matter of making images seen.’ This is what Fernand Léger was writing in 1902 about the new art‚ trying to describe the possible changes in cinema‚ by emphasizing the fact that imitating the movements of nature is not necessarily the best way of defining cinema’s essence. This is only one of the writings concerning this topic which influenced Tom Gunning in characterizing the cinematic period before 1906 as that of the ‘cinema of attractions’. In this essay I am
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Topic: Hong Kong cinema has been characterized by a strong transnational and global nature. Chinese identity and its relationship with Hollywood. Introduction: In the 1990s of Hong Kong‚ its movies‚ styles‚ stars and filmmakers were exportable to Western market. In the essay I will focus on how Hong Kong cinema become “transnational” and “borderless” in recent years‚ and relying on Hong Kong actors analyse it’s the relationship with Hollywood. Thus Hong Kong cinema in general is a crucial
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English Studies Feedback Form Excellent 1 2 3 4 5 Very weak ARGUMENT & INDEPENDENCE: Clearly constructed‚ developing line of thought‚ arriving at an independent view ARGUMENT & INDEPENDENCE Ideas that do not build upon each other and /or lack relevance; relies on received ideas INTRODUCTION /CONCLUSION: Clearly sets out your approach; demonstrates you’ve arrived somewhere INTRODUCTION / CONCLUSION: Simply repeats the question or starts/ends with irrelevant or undeveloped information
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society. Cinema has different meanings for different people. It is a lucrative business for the producers and financers. It is a source of good earnings for the actors and actresses. For artists and directors‚ it is merely a form of art. Many people take it as an audio-visual translation of literature. It is a big source of employment and revenue. For common man it is a big source of employment and revenue. It is a cheap and easier means of entertainment for the masses. Whatever cinema may mean to
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Giuseppe Tornatore constructs the way in which the film Cinema Paradiso is seen on screen with care and thought‚ such that he reveals the main ideas to the audience in the best way possible. In doing so‚ Tornatore can manipulate and influence the way the audience views and interprets this highly emotive film. Giuseppe utilises film techniques‚ specifically differing camera angles‚ to establish and represent his views and ideas within the film Cinema Paradiso‚ assisting him in creating either a sense of
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Online Newspaper Article Sources Bautista‚ A. (n.d.). History of Philippine Cinema. Retrieved from http://www.ncca.gov.ph/about- culture-and-arts/articles-on-c-n-a/article.php?i=115&igm=1 Hernando‚ M.A. (2011‚ July 24). 25 most memorable films. The Philippine Star. Retrieved from http://www.philstar.com/Article.aspx?articleId=710342 Llanes‚ R.R. (2009‚ September 24). The originals in Philippine movies. Philippine Entertainment Portal. Retrieved from http://www.pep.ph/spotlight/extra-extra/19923/The-Or
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