article -- Before summarizing the article:CHACHA needed for inclusive growth. I would like you to know that some sentences below are taken from the article. Thus‚ I do not account any ownership on some other lines. The article is about Charter change (CHA-CHA) must be pushed in the Philippines. It sites that our Constitution‚ is not welcoming foreign investors to our mass media and advertising‚ public utilities‚ educational institutions‚ land ownership‚ and exploitation of natural resources. The good news
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investigation‚ a series of important features that the organization values. The investigation advises that there are seven main features that‚ gather up the threads‚ constitute the essence of an organizational culture. (Reilly III‚ Chatman‚ Jehn‚ 1991‚ pp. 487-516; and Chatman‚ Jehn‚ 1994‚ pp.522-553; Ashkanasy‚ Wilderom‚ Peterson‚ 2000) 1. Innovation and adventure: the extent to which employees are encouraged to be make innovations and adventure. 2. Detail oriented: the extent to which employees
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Tarantella In Italian culture‚ the word “tarantella” evokes images of a frenzied spinning dance traditionally played at weddings. However‚ this popular native dance of Southern Italy has a history and myth spanning several centuries. The dance‚ originally an Italian folk dance of the lower- and middle-classes‚ has been labeled as a dance to cure sickness and as a dance of courtship. In the courtship version of the dance‚ the woman uses rapidity and liveliness to excite the love of her partner. In
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Charter change commonly known as cha-cha is an issue that can be traced back since 1998 during the last few months of Pres. Ramos in office. This is not an issue of amendment of the constitution and what the law in the country allows but the morality behind the real motives why the president wanted to have this cha-cha. According to the people who are against cha-cha‚ it is just a move of the outgoing president to prolong their power just like what Marcos did especially when he tried to have
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Kauravaas)‚ the eldest and the most powerful of the entire Kuru clan (Kauravas and the Paandavas) blew his conch (Called Dyuoden) that roared like a lion and this cheered Duryodhana (who was feeling terribly nervous and diffident). Tatah shankaash cha bheryash cha panavaanaka-gomukhaah sahasaivaabhyahanyanta sa shabdah tumulo bhavat // 1.13// 13. Instantaneously all the conches‚ drums‚ cymbals‚ tabors and trumpets were blared out at once from the Kaurava side with tremendous sound that echoed throughout
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including the Cuban son montuno‚ guaracha‚ cha cha chá‚ mambo‚ and to a certain extent bolero‚ and the Puerto Rican bomba and plena. Celia Cruz was a Cuban-American singer‚ best known as one of the most popular salsa performers of all time‚ which is how she got her nickname. Salsa music is a popular dance music that initially arose in New York City during the 1960s. Salsa is the product of various musical genres including the Cuban son montuno‚ guaracha‚ cha cha chá‚ mambo‚ and to a certain extent bolero
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Influencia: The cultural influence and meaning behind the Cuban son Influencia by Carlos Puebla (1957) is an example of a Cuban son. Son is a genre of music that originated in Cuba near the end of the 19th century and is made up of many elements from different cultural groups because of Cuba’s extremely varied racial heritage. This essay will explore the political and musical history of pre-revolutionary Cuba whilst analysing the elements of this particular son and looking at the relationship
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heart”)‚ Jose “Cha Cha” Jimenez said this because he had a lot of feelings for his nationality he helped many puertoriquenas to gain power and overcome more in life. Jose “Cha Cha” Jimenez was born august 8‚1948 in Caguas‚ Puerto Rico‚ to jibaro parents. His mother Eugenia Rodriguez arrived from Puerto Rico in 1949 and took Jose to New York City‚ then to a migrant camp near Boston where they were reunited with José’s father‚ Antonio Jiménez. Then they finally moved to Chicago. Jose “Cha Cha” Jimenez was
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To begin with‚ the diversity within society is being manipulated by the advertisement industry to benefit themselves against the youth’s generation. Downey‚ Eccles‚ and Chatman provide within their book how youths have taken into consideration the different ways people interpret and interact within their social group as members‚ as well as the consequence along every action (17). In other words‚ youth have to be careful of their action because people for different interpretations of ideas. Also
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Everybody look to their right Can you feel that? (Yeah) We’re paying with love tonight It’s not about the money‚ money‚ money We don’t need your money‚ money‚ money We just wanna make the world dance Forget about the price tag Ain’t about the cha-ching‚ cha-ching about the yah Ain’t about the ba-bling‚ ba-bling Wanna make the world dance Forget about the price tag We need to take it back in time When music made us all unite And it wasn’t low blows and video hoes Am I the only one gettin’ tired
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