Use Audre Lorde’s "Poetry is Not a Luxury" and T. de Lauretis’s "Desire in Narrative" to read May Sarton’s poem "The Muse as Medusa." Expand May Sarton’s project of remaking/retaking the gaze by examining what Audre Lorde and T. de Lauretis understand about the power of looking. The power of looking resides in our agency. The supremacy of seeing; being seen’ gives a sense of self‚ which enables us to encompass our power and identity as an individual. As humans‚ we obsess about how we look;
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their own problems Carol Ann Duffy seems to ask political/feminist questions in the following poems and believes women to be partly responsible for mass production‚ industrialisation and technology. The women in Duffy’s poems are seen as obsessive (The Diet‚ Work) and not in control (the woman who shopped). All three poems seem to combine aspects of femininity into one character such as gluttony‚ self-harm/losing oneself and seek to change themselves in some way. It seems Duffy has a major conflict
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What techniques has Carol Ann Duffy used in her poetry to make old stories and fables relevant to modern audiences? Comment on upon the use of language‚ imagery and structure. ’Mrs. Faust’ is written in the casual‚ contemporary style which suits its setting and adds fittingly to the collection of ’The Worlds Wife’. In this collection most poems explore the feminist principles or the modern state of them. This poem however‚ introduces a new issue to the collection; the materialistic nature of
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snakes a very bad hair day‚ but that’s exactly what happened to Medusa. Everyone who knows anything about Greek Mythology knows who she is. She turened people to stone if they looked at her and was killed by Perseus with the help Athena then placed her head onto a sheild. But‚ how did Medusa become the lady with snake hair that you can not look at? She was not born this way it all comes from her talking badly about the wrong Goddess. Medusa was a preistess at a temple for the Goddess Athena. She was
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Did you know Medusa appears on the flag of Sicily? She appears on the Dohalice village of Czech Republic’s flags coat of arms also. Pablo Picasso‚ Rubens and Caravaggio have portrayed her in their work. Leonardo da Vinci once painted an oil canvas called Medusa. Medusa is considered a monster because she has the face of an ugly woman‚ hair of snakes‚ and if anyone looks into her eyes she turns them to stone. She is the daughter of Phorcys‚ god of the sea‚ and Ceto‚ a female sea god. Phorcys
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she would say‚ "No‚ no‚ no‚ no‚ no!" because she wanted to look after her son Perseus. King Polydectes was upset because Danae wouldn’t marry him. The king ordered Perseus to go on a mission to find Medussa. He had to cut off Medusa’s fearsome head. Medusa was extremely dangerous because if anyone looks at her face they are instantly turned to stone. He met the goddess Athena who gave him a reflective shield and Hermes‚ a Greek god‚ who gave Perseus a sickle to cut off Medusa’s head Perseus flew quickly
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In Carol Ann Duffy’s poem‚ ‘education for leisure’ and Sheenagh Pugh’s‚ ‘she was nineteen and she was bored’‚ both poets look on modern society in a negative way. Both poems look at the themes of suffering and unhappiness when cast out from society.which are two states that are inextricably linkable. Unhappiness can come as a result of suffering‚ or the need to make others suffer can come from pure unhappiness. Duffy and Pugh both make these distinctions in their work‚ and are able to engage the
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The Raft of the Medusa In 1819‚ the French painter‚ Theodore Gerricault‚ created a sensation in Parisian art circles and high-society when he unveiled a huge and impressive canvas entitled "Scene of Shipwreck." Not only is the painting gigantic (16 ft high and almost 24 ft wide)‚ but is also quietly horrifying. A group men on crowded fat are making an attempt to get a faraway ship to notice them. Survival looks almost impossible‚ and but the desperate situation does not even begin to suggest
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And even the characteristics or the texture of the skin of dead body ‚ he try to see the actual body to see the color that he saw by his own eye to view out the event. This will become the evidences to portray the Raft of Medusa restored the traditions and mirror the true scene in the raft. Event of human and political aspects greatly interested by Gericault. This painting that occur problems ‚ tragedy and issues
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THE LAUGH OF MEDUSA 1. Cixous is well known for her notion of écriture feminine. In "The Laugh of the Medusa‚" Cixous maintains that to define a feminine practice of writing‚ or écriture feminine‚ is not possible since "it will always surpass the discourse that regulates the phallocentric system" that aims to theorize or enclose it (1976‚ p. 883). Cixous discusses her wariness of reductive language that would simplify or capture her practice of écriture feminine. Nonetheless‚ her basic attempt
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