English Topic: Sample Biography of a Great Lady___ Date: February 11‚ 2013____ Name of Teacher: Miss Lanie Pantinople Alberca__ No. of Meetings: ___1____ _ TPO: Thereafter reading and analyzing the content of a sample biography‚ the students will be able
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Caravaggio Michelangelo Caravaggio‚ greatest Italian Baroque artist‚ was born in 1573. He had a complex character and a trouble personality‚ which he often got drunk and got involve into a fight. In 1605‚ he committed a murder and was sentence to death but he had been working in major Churches of Rome. Therefore‚ he had an important friend‚ Cardinal Del Monte‚ who became his sponsor and helped him to escape from Rome to Naples‚ where he was still painting a lot of incredible works. In 1610‚ Caravaggio
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Spanish influences in mind‚ but also touches upon classical Renaissance inspirations‚ as he wants to have a modern day feel with a hint of classical influences. Caravaggio inspired Rembrandt during his art career‚ and in the painting ‘Night Watch’ he uses light and shadow to describe faces‚ which was one of the innovations of Caravaggio. By using this it makes the work very mysterious and it draws the viewer in
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shocked to see how life like a lot of this artist made their paintings. These show the times in which was going on during the time of Jesus death and the feelings in which the people where going through. The Baroque Period The artists Rembrandt‚ Caravaggio‚ and Rubens all created the Baroque period. The Baroque period was a religious time in which the people looked to artwork defined. The artist Rembrandt was the only painting that did not deal with the death of Jesus. The artwork is just so right
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happy with his life and he struggles with problems such as getting words down on his paper which is quite a course for an author. But in the trivial world of William one great memory‚ of a gift from his mother‚ lights up. Just like the one special biography‚ about Christine‚ lights up in his bookshelf. The story starts in Medias res. William is at home gathered by a “pile of notes and facts”. As it is explained‚ by the third person narrator‚ the house is “quiet” and William is home alone with his
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central insight that literature is written by actual people and that understanding an author’s life can help readers more thoroughly comprehend the work. Anyone who reads the biography of a writer quickly sees how much an author’s experience shapes—both directly and indirectly—what he or she creates. Reading that biography will also change (and usually deepen) our response to the work. Sometimes even knowing a single important fact illuminates our reading of a poem or story. Learning‚ for example
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Judith Slaying Holofernes Artemisia Gentileschi was not the first to paint Judith Slaying Holofernes. Her father had painted Judith. Michelangelo‚ Botticelli and Caravaggio had painted Judith. Donatello had sculpted Judith. But she was the first to interpret the story of Judith‚ in a time when women had few rights‚ as an allegory for female dominance. In comparison with other contemporary versions‚ the composition‚ dramatic style‚ and emotions of the characters present a violently feminist
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Merisi known as Caravaggio and Johannes Vermeer were breakout artists of the 17th century. Caravaggio was around in the early 17th century Italy and was thought of as the most famous painter in Rome. Vermeer was from the Netherlands and little known about his early years. His artwork became famous in the 19th century long after his death. Both are well known for their masterpieces all around the world and are highly respected for their contributions to the art scene. Caravaggio was born in Milan
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the paintings “Judith slaying Holofernes” by Caravaggio and Artemisia. Caravaggio (1571–1610)‚ was the greatest and most influential painter of the Baroque style. He was also a quick-tempered Bohemian who was often jailed for brawling and was forced to flee from the law and his enemies‚ escaping to Naples‚ Malta‚ and Sicily at various times. His "travels" helped to spread his extraordinary style‚ which was soon imitated across Europe. Caravaggio infused his work with more gritty naturalism than
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century that both heads‚ Goliath’s and David’s‚ are self-portraits at different stages of life though David is described as “il suo Caravaggino”‚ or in English “his little Caravaggio.”1 This clearly refers to how Caravaggio painted himself when young because although his real name was Michelangelo Merisi he was known in Rome as "Caravaggio".2 Remarkably‚ despite this‚ few art historians have noted Caravaggio’s self-identification in both figures. One thought it was partly sub-conscious‚ a psychic echo of
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