Brutalist architecture is like an overbearing‚ person of authority. It’s oppressive‚ totalitarian style is a “no nonsense” attempt to bring wealth‚ efficiency and strong community living to areas. Although the initial intension was good‚ many structures are much too large and do not harmonize well with the area. Massive amounts of concrete were used to construct these unpolished fortresses‚ which is bad for the environment. This style of architecture was popular in the 1960’s and 1970’s and used
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neighbourhood. The new Scampia was to become a generator of community between its residents‚ the initiator of urban diversity‚ architectural innovation‚ and social cohesion. The people of Naples were shown an idealistic vision of a town of socialist architecture‚ a textbook example of the genuine concern expressed by an honest welfare state‚ of its dreams of equality and social inclusion. Di Salvo enthusiastically imagined the Scampia blocks as massive urban ships‚ large vessels with tall masts and sails
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The architecture of a country acts like a mirror for understanding the way of living and also the developments of the place that have led to the creation of the country as it looks today. The architecture of a country gives an insight into a country’s developments over the years. Many times architecture also helps us predict what type of traditions have been followed in the country over a large span of time. The thesis mainly deals with analyzing whether the direction of development of architecture
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AR2224 Ideas and Approaches in Design Copyright © 2013-14 by Department of Architecture. Mr. Tomohisa Miyauchi and Mr. Roland Sharpe Flores‚RA. All rights reserved. Eye Reflecting the Interior of the Theatre of Besancon Drawing Ledoux‚ Claude-Nicolas‚ 1736-1806 “Between the carpenter’s weight strings and marking lines [is something] close to government and enlightenment.” Li Hua‚ 715-766 Hanyuandian fu (Rhapsody on the Enfolding-Vitality Hall) Ideas and Approaches in Design presents
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Modern architecture and traditional architecture Nowadays‚ as we known the architectural community has had a strong and continuing interest in traditional and modern architecture. Architecture‚ this word possesses an immense creativity in itself. Usually‚ when we hear this word‚ picture of creative design of physical structures flashes in our mind. Integral to the identity of any country is its architectural heritage‚ combining modern and traditional architectural designs or product
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culture‚ it is also no longer the expression of our culture”. This move‚ which separates ornament and culture‚ links Modernist architecture to the culture of modernity. Reading this now two things emerge. The first is a statement of intent – Modernist architecture clearly defines itself in relation to culture. The second is a question – how today can the relation between architecture and culture to be understood? Despite the clarity of the Loos’s definition‚ this contemporary question has a persistent quality
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Sustainable Architecture "Sustainable Architecture" - this phrase in recent years is mentioned a lot. The concept of "sustainable architecture" is associated‚ even identified with the concept of green architecture‚ ecological architecture‚ environmentally friendly‚ energy efficient ... to reach a stable value for the environment human life‚ reduce negative impacts on the environment in the present and future. However‚ although this interpretation is correct‚ but only one aspect‚ because that’s
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Dr. Mervat El-Shafie Dr. Mervat El-Shafie‚ Assistant Professor of Architecture‚ is the Chair of the Architecture Department in the College of Engineering‚ Effat University. Dr El-Shafie received her Ph.D. in Built-Environment from Lincoln University‚ New Zealand in 1999. Her thesis entitled “Phenomenology of Built-Environment” deals with the interrelationships between people and their land‚ houses and places and how this is being affected by the processes of Modernization and Globalization. Dr
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Affects Human Behavior Architecture‚ a symbolic and intentional endeavour seems to reflect the psychology of its designers regardless of time‚ culture and perhaps even species. Space‚ form‚ and light are elements that are often incorporated either purposefully of unconsciously for aesthetic or practical reasons but more pointedly give creatures meaning‚ purpose and stability amidst an ever changing physical universe of seeming chaos (Popow‚ 2000). Architecture can be perceived as purely functional
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Indian architecture encompasses a wide variety of geographically and historically spread structures‚ and was transformed by the history of the Indian subcontinent. The result is an evolving range of architectural production that‚ although it is difficult to identify a single representative style‚ nonetheless retains a certain amount of continuity across history. The diversity of Indian culture is represented in its architecture. It is a blend of ancient and varied native traditions‚ with building
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