The Museum of Curiosity project requires a symbolic donation of an object that represents an event that is historically important. My donation is a handpainted propaganda sign from the secret‚ government town of Oak Ridge‚ Tennessee. The decision to choose this as my donation was simple considering the way that the compound of Oak Ridge has changed both Tennessee and the world. But how does this particular sign represent the secrecy and importance of the goings on in Oak Ridge? This sign was constructed
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what I am talking about is the Museum. A usual‚ I woke up early to prepare my things. I took a bath‚ I ate my breakfast then I brush my teeth and lastly I wore my clothes then I decided to leave the house and go to the meeting place. I ride on a jeep onto legarda then another jeep onto Manila City Hall. When I arrived at Manila City Hall‚ I quickly go to UDM to wait for the others to come. And when we are all there‚ we started walking until we reached the National Museum beside of Luneta Park. That
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of news about Museum of Modern Art (MoMA) drew my attention. It said that this nonprofit museum suffered decreasing investment and donation since the worldwide financial crisis in 2008; indeed‚ it lost about 18% money. It is no doubt that the great power of financial crisis damages the development of nonprofit museums‚ which rely on the endowments and donations from the individuals‚ institutions‚ government‚ etc. There may be some negative expectation on the future of nonprofit museums because of the
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Digital (in) Museums The project is structured as a subjective analysis over the “state of the art” of digital applications in museums and exhibition. First‚ it will investigate the concept of adding value‚ though digital supports‚ to traditional observations of artworks. In a
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Museums and tourism Stakeholders‚ resource and sustainable development Master’s Dissertation International Museum Studies Museion/Göteborg University Spring term 2004 Author: Guðbrandur Benediktsson Supervisor: Cajsa Lagerkvist LIST OF CONTENTS FOREWORD. . . . . . . . . . . . . . . . . . . . . . . . . . . . 1. INTRODUCTION. . . . . . . . . . . . . . . . . . . . . . . . 1.1. Aims and objectives. . . . . . . . . . . . . . . . . . . 1.2. Theoretical approaches and sources. . . . . . . .
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In this essay‚ I will argue that ethnographic museums privilege viewing‚ at the expense of other senses. I will further argue that by privileging the visual‚ ethnographic museums become problematic in two ways- firstly‚ by not accurately representing the cultures they are supposed to be exhibiting‚ and secondly‚ by limiting the experience of museum-goers who may be visually impaired or otherwise unable to visit museums that are purely mono-sensorial. After outlining and discussing the problems associated
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In the Folk Museum The concept of belonging The Museum A museum is a place of past. A folk museum celebrates the lives and lifestyle of a bygone era. This particular ‘folk museum’ is displaying the culture and life of the early Australians. The persona feels disconnected from the experience – the almost deathly scene betrays his‚ and others‚ lack of interest. Through the use of imagery‚ the poet sets a cold‚ stale‚ dark and a silent place and this highlights the persona’s feeling of not belonging
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GUGGENHEIM MUSEUM BILBAO Bilbao—today one of the top tourist destinations in Europe—was such a backwater in the 1990s that‚ according to Gehry‚ the 265‚000-square-foot museum‚ beside the Nervión River‚ went up almost unnoticed by the press. That only contributed to the drop-dead impact it created with its unveiling. “I like to work under the radar as much as I can. It’s been harder since I’ve gotten notorious‚” says Gehry. The first photos of the near-complete structure‚ which resembles a gargantuan
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Strengths: The Collections. The collection of the clyfford Still Museum far and away the largest collection of work by Clyfford Still on earth. The museum has more than 900 paintings in its collections and many have yet to even been unpacked. The museum has plenty of fodder for new‚ never before seen exhibitions of Still’s for decades to come. This means there will be something brand new to market 3-4 times a year. Repetition is rarely something that is done in marketing this institution‚ especially
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exactly forty-four years before I was born‚ makes me connect with it even more. Finally‚ after 9 years of looking up facts and watching documentaries‚ I visited the Holocaust Memorial Museum in Farmington Hills‚ Michigan. According to the Wall Street Journal‚ this museum in particular “may be the most provocative museum of them all” (“What They’re Saying‚” par. 1). Just driving past the building makes a strong statement due to the museum’s exterior wall which resembles the barbed wire fences from a
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