AJNRR Consulting Virgin Blue Holdings A Strategic Analysis Prepared by: Andy Ley Joachim Brastein Nathan Westgarth Rishi Dave Ron Stanley * * Contents 1. Executive Summary 2 2. Virgin Blue Now 3 2.1 Introduction 3 2.2 Virgin Blue Overview 3 2.3 Virgin Blue’s Current Strategy 3 3. Outside Virgin Blue 4 3.1 Macroenvironment 4 3.2 Industry Analysis 4 4. Inside Virgin Blue 6 4.1 Resources 6 4.1 Capabilities‚ Distinct Competencies
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English Composition 2 15 May 2013 Literary Technique Poem Analysis The imagery in Langston Hughes’ poem “The Weary Blues” explains the theme of dejection and the relief that music can bring. In the first line the words droning and drowsy appear‚ immediately reflecting the tone of tiredness first stated in the poem’s title. These two words‚ droning and drowsy‚ describe the blues‚ the type of music the narrator is hearing. Hughes’ imagery is further reinforced by his description of the ambient light
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"The Weary Blues" and "Lenox Avenue: Midnight" by Langston Hughes are two poems written as scenes of urban life. Although these poems were written more than seventy years ago‚ it is surprising to see some general similarities they share with modern day city life. Dilluted down with word play and irrelevant lines such as "And the gods are laughing at us."‚ the underlying theme is evidently urban life. "The Weary Blues" and "Lenox Avenue: Midnight" approach the general topic of urban life from two
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now based in Graz‚ Austria‚ as the opening track off of his new album Dark Blue can attest. In fact‚ “In Graz” is a good summary of Rotondi’s overall sound on this record: it’s complex and urbane post-bop. Rotondi’s trumpet steers his four bandmates (Joe Locke on vibraphone‚ David Hazeltine on piano‚ David Wong on bass‚ and Carl Allen on drums) through complex compositions‚ seven of which are his own band’s. Rotondi’s Dark Blue fits its title and album art; this album is organic and cool‚ almost as
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The Blue Boy Summary: In Gary Stephen Ross’ excerpt‚ “The Blue Boy‚” he describes Vancouver through the eyes of the main character. The character recounts a story of his travels that he would take with his father and brother from Toronto to Vancouver. The character highlights the ongoing transformation of the city and describes how it has evolved over time. In the beginning of the excerpt‚ he describes what he saw Vancouver to be in the 60s: a small city with little to offer. Contrastingly
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B.B. King performed a full blues concert‚ but based off his performance and the crowd reactions‚ you would not think he was performing anything sad. Though his style is traditionally blues‚ each song performed‚ with the exception of “Love Me Tender”‚ had an upbeat vibe to it. He played a total of nine songs with almost all of them ending with the same melody that the Blues are known for. The acoustics of the venue‚ Nick’s Uptown‚ were pretty good. There was only a slight echo‚ but for the audience
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In the poem ‘Funeral Blues’ by W. H. Auden‚ a sad and depressing atmosphere is created as the poem tells a story of the man’s grief. The poet’s use of language‚ word choice and sentence structure makes the mood in this poem suitable for the message it is getting across. In this poem the author’s feelings are expressed along with the use of rhythm and rhyme. In this poem‚ the writer uses regular verse and traditional pattern of rhythm and rhyme to give impact to his unexpected imagery of the end
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Teiairra Johnson Professor Drummond-Matthews English Comp. II February 1‚ 2012 Funeral Blues Explication In W.H. Auden’s “Funeral Blues”‚he uses a sort of calm or sorrowful tone. The woman in this poem says‚ “Stop all the clocks‚ cut off the telephone‚”(1) She is wanting to give respect to the dead. She says to get rid of the noises that may be distracting from the process of mourning. Auden creates a mood or sense of respectfulness. The first stanza is stating to get
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people think of the blues they usually don’t think of Africa or Africans but what might surprise you is that Blues music was developed by African Americans in the early 19th century and the early 20th century. Blues evolved from a genre of unaccompanied vocal music sung by destitute African-American workers. In America Blues music originated from “African spirituals‚ African chants‚ work songs‚ field hollers‚ rural fife and drum music‚ revivalist hymns‚ and country dance music.” Blues in America originated
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Blues Music | Influences on Civil Rights in the United States | Addy Phillips | Eddie James “Son” House‚ Jr.‚ an American blues singer and guitarist once stated‚ "People keep asking me where the blues started and all I can say is that when I was a boy we always was singing in the fields. Not real singing‚ you know‚ just hollerin’‚ but we made up our songs about things that was happening to us at the time‚ and I think that’s where the blues started (Cohn‚ 1993).” House‚ living through
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