------------------------------------------------- DRAMA Origin of Greek tragedy and comedy Drama‚ in the western world‚ begins with ancient Greece‚ where the two major forms of drama ……….. tragedy and comedy ………..were an aspect of religious ritual. Greek tragedy is believed to have begun in the sixth century B.C. with Thespis who introduced the first actor on the stage. The first dramatic dialogue lies in the conversation of this actor with leader of the satiric chorus. The dramatic element
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Elements of Drama * Characters: Characters are the people (sometimes animals or ideas) portrayed by the actors in the play. It is the characters who move the action‚ or plot‚ of the play forward. * Plot: This is what happens in the play. Plot refers to the action; the basic storyline of the play. * Theme: While plot refers to the action of the play‚ theme refers to the meaning of the play. Theme is the main idea or lesson to be learned from the play. In some cases‚ the theme of a play
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Drama is written for live visual performance; it is more intense and reflects everyday life tensions more than poetry. Drama is observed right in front of you; there is color‚ lights for the setting‚ clothing and the scenes change. Drama allows you to see the characters personality developed as the drama unfolds on stage. Drama has two forms tragedy and comedy. “Riders of the Sea” is a drama of tragedy. The plot of the drama is central and foreshadowing and flashbacks are techniques used to show
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look at modern drama from a thematic perspective. Part of what defines modern drama for me is an emphasis on experiences and predicaments that have applicability to as many people as possible. Modern drama speaks loudly and lucidly to multiple parties‚ and can articulate struggle and redemption in a manner that makes it understandable to all in the modern setting. Its relevancy is effective in real time. For example‚ a reason I consider Beckett’s Waiting for Godot modern drama because it speaks
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1. Types of Drama a. Comedy When we talk about comedy‚ we usually refer to plays that are light in tone‚ and that typically have happy endings. The intent of a comedic play is to make the audience laugh. In modern theater‚ there are many different styles of comedy‚ ranging from realistic stories‚ where the humor is derived from real-life situations‚ to outrageous slapstick humor. Is designed to be entertaining and humorous where misfortune ends in triumph or happiness. It presents characters
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That is it. That was Drama 10. The four unit “fundamentals of movement‚ speech‚ theatre games‚ and improvisation” course‚ has come to an end. I must say that this class truly flew by at the speed of light. One day we are learning about improvisation and the next day we are performing our final scripted scenes. Although this may be true‚ I have been‚ through my time in this class‚ thrown into a pool full of theatre knowledge; including the terms‚ phrases‚ and an opportunity to witness a full theatre
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The Vocabulary of Drama Subgenres of types Comedy Tragedy Tragicomedy Closet Cycle Miracle Morality Thematic Aspects Deus ex machine Dramatic irony Tragic flaw or hermartia Unities Speeches Monologue Dialogue Soliloquy Asides Chorus Physical/Technical Aspects Props Conventions Stage Directions Other Terms In medias res A term for Horace‚ literally meaning “in the midst of things.” It is applied to the literary technique of opening a story in the middle of the action and
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Task one Effect theories Effects theories were developed and introduced into the media in the 1920s; they are used to look at how media texts or products influence people who consume them‚ they are used more and more particularly in recent years to look at how negative messages for example sexual and violent based content affect different audience groups. There are two main effects theories that are used within the which are known as “Uses and gratifications” and “Hypodermic model”. Uses and Gratifications
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The China Incident As a contemporary Australian Drama‚ The China Incident‚ directed by Daniel Evans and performed at The Cremorne Theatre on the 13th of February‚ 2013‚ replicates modern day realities in a humorous demeanour. The play‚ driven by success‚ fear and family‚ explores modern day issues in which it is told that success is deemed to be important in society‚ and a person is either successful with their family or in their career. The China Incident successfully communicates these themes
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DRAMA ESSAY – BOAL/MEYERHOLD Chelsea Carrick-Donahoo The new and abstract philosophical beliefs of theatre practitioners Augusto Boal and Vsevolod Meyerhold have greatly influenced the creation of their theatrical practices. Boal’s context within Brazil’s oppressive regime in the twentieth century developed his goal to use theatre as a therapeutic means of showing audiences how they could overcome oppression in his Theatre of the Oppressed. Meyerhold
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