Beauty and Evil are never far apart in Keats’s poetry” how far do you agree with this view? “She seem’d‚ at once‚ some penanced lady elf‚ Some demon’s mistress‚ or the demon’s self.” Beauty and evil cannot come much closer than when being in the same quote‚ and much of Keats’s work is pockmarked with references to these two seemingly unrelated conditions‚ and I feel is notable‚ if not key‚ to much of Keats’s work. In a way it could be said to symbolise Keats’s “bitter-sweet melancholy”; the idea
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John Keats poems "Ode to a Nightingale" and "Ode on a Grecian Urn" seem to have been written with the intention of describing a moment in one’s life‚ like that of the fleeting tune of a nightingale or a scene pictured on an urn. Within each of these moments a multitude of emotions are established‚ with each morphing from one to another very subtly. What is also more subtle about these two poems is their differences. While they do touch on very similar topics‚ the objects used to personify Keats’ ideas
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of Word-Painting in John Keats’ Poetry Word-painting as one of Keats’ unique techniques of creating poems‚ is an art form of creating pictures in words. Each word‚ like the strokes of a brush on a canvas‚ shape an image that talks to the eyes. Word-painting‚ of course‚ reflects a poet’s attitude toward nature. Keats was not only the last but one of the sweetest romanticists. He was greatly affected by his solitude. Keats was mostly in the calm bosom of nature‚ far from the hustle and bustle
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The Beauty of Chinese Poetry Chinese poetry is considered to be some of the most beautiful poetry in the world. In the poem “In Early Summer Lodging in a Temple to Enjoy the Moonlight” by Po Chu-I the author’s use of nature‚ the city of Ch’ang-an‚ and his friendship with the others that join him is truly a symbol of balance from Chinese culture. In this poem Po Chu-I discusses the destruction of beauty and the loss connection with its boundaries. His use of words paints a picture of a beautiful
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shapes and gives to airy nothing A local habitation and a name. (5.1.7-12). This stanza taken from Shakespeare’s A Midsummer Nights Dream delightfully describes the romantic concept of imagination held by both Samuel Taylor Coleridge‚ and John Keats. For many Romantic writers imagination is creation: "...The living power and prime agent of all human perception‚ and is a repetition in the finite mind of the eternal act of creation in the infinite I am". According to this statement from Coleridge’s
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Keats “If poetry come not as naturally as the leaves to a tree‚ it had better not come at all.” Negative capability: Keats believed that great people‚ especially poets‚ have to the ability to accept that not everything can be resolved. The truths found in the imagination access holy authority and cannot be otherwise understood. John Keats claimed that great artists possessed what he called “Negative Capability.” Such artists were “capable of being in uncertainties‚ Mysteries‚ doubts‚ without any
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On Disney’s Beauty and the Beast 3D CHARLES Was Lumiere my father‚ or the cook? And where have all my siblings run off to? I never knew their names. I want to look back at the years and know I never knew— For instance‚ Mother told me nothing then but‚ “Pish-posh‚ in the suds‚ you broken cup!” She was too old to be a mothering-hen teapot‚ but how she sang of cleaning up! With adult love‚ I watched the aging Belle‚ who lived much longer than our king‚ The Beast‚ and now they’re
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poem “The Bright Star”. The Romantic poet John Keats wrote this poem. It is a love sonnet and is believed that it was written for his love and fiancé’ Fanny Brawne. Keats writes the poem in iambic pentameter. The poem revolves around Keats love for stars and about nature’s beauty. The whole poem is written with a rhyming scheme except the last two lines possibly to attract the reader’s attention to it. By starting the poem with “Bright Star!”‚ Keats introduces the poem with strong imagery and symbolism
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March 27 ‚ 2013 English 3 In literature‚ evil often triumphs but never conquers. I think that this statement is saying that in works of literature evil might win the battle‚ as some may say‚ but it never wins the war. It could also mean that in all literature‚ there is always two sides. One being good and one being evil. The characters on the evil or bad side usually overpower the ones that are on the good side. I think that this is true because the evil characters are generally portrayed as being
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KEATS AND WILLIAM WORDSWORTH AGE OF REASON EMPIRICISM "a statement is meaningful only if it can be verified empirically (Sproul 103)." "Man was born free‚ but everywhere he is in chains" - Rousseau Rousseau (1712-1778) cried: "Let us return to nature" (Schaeffer154) Characterized by freedom of the mind and an idealistic view of human nature‚ Romanticism slowly crept out of Neoclassicism (1798-1832 ) ROMANTICISM • Rousseau saw this as dangerous to the freedom of mankind and thus sparked
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